Vogue Italia July 2006 : Anna-Maria Urajevskaya by Steven Meisel


Source: hfgl.proboards.com

Vogue Italia #671
Photographer: Steven Meisel
Stylist: Camilla Nickerson
Production: North Six LA.
Model: Anna-Maria Urajevskaya
Make-Up: Pat McGrath
Hair: Guido
 
Alta Moda Pronta
Photographer: Steven Meisel
Stylist: Camilla Nickerson
Production: North Six LA.
Models: Anna-Mariya Urajevskaya, Talya & Patricia Schmid
Make-Up: Pat McGrath
Hair: Guido


Source: Vogue Italia Archive
 
Alta Moda Pronta
Photographer: Steven Meisel
Stylist: Camilla Nickerson
Production: North Six LA.
Models: Anna-Mariya Urajevskaya, Talya & Patricia Schmid
Make-Up: Pat McGrath
Hair: Guido

Source: Vogue Italia Archive

Model Tayla Collins
 
now that's how you shoot a black and white studio editorial! at this time I was in college and would make the pilgrimage from Tacoma to Seattle to buy the international editions of VOGUE, Bazaar. I miss the days when visiting the newsstand was an EVENT. the idea of a digital magazine is still so foreign to me.

Anna-Mariya's cover is tacky and looks fan made. Tayla is the star of the show. Her versatility from one page to the next is astounding. The shot of her in the bow-tie blouse should've made the cover. I've got Alta Moda Pronta stored away somewhere.

Thanks for the bump @pipoca!
 
now that's how you shoot a black and white studio editorial! at this time I was in college and would make the pilgrimage from Tacoma to Seattle to buy the international editions of VOGUE, Bazaar. I miss the days when visiting the newsstand was an EVENT. the idea of a digital magazine is still so foreign to me.
I had a similar ritual too during my college years. Getting new magazines really was an event back in those days. I miss those days too.
 
I’d skip lunch to buy magazines in my school days. There were some great indie bookstores where I got my Herb Ritts and Bruce Weber books, that also hid a treasure chest full for coveted publications like VI, VP, Arena Homme/Homme Plus, L’UOMO etc The anticipation of getting my latest copies of POP (when it was good), The Face, L’UOMO and AH+ was a palpable fever high. And one shop always had old copies of VI for cheap. Those magazines, besides looking worlds better than the North American magazines, always also felt better for their premium stock… I’d also pick up these oversized publication from Spain and Japan along the way just because the stock was art book quality.

It’s still strange that digital versions are the norm now— and also an admitted convenience. I mean, just seeing all those thumbnail covers in my standard magazine-size iPad's iBooks library is a new kind of wonderful — but still doesn’t seem like the real thing... And you can’t escape into those hyper-stylized, fantastical, high fashion worlds with the digital versions the way you can so easily with the printed page for some reason… The last time a digital editorial swept me away was the Oct 2018 issue of Vogue Japan, Luigi & Iango’s Celebrate The Tradition, but I was still looking forward to getting the printed version…

Print will always endure.
 

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