why does most of the time a see work from her has to be like this one,same colors,same hair,same everything just different clothes.
Why alter such a signature and identifiable look? I think part of what makes McMenamy such a force is that she can make us totally reinterpret the way certain styles are presented with being just how she is. She really is the ultimate model and canvas for clothes, so I don't really see the need to fester with her look much. I love the savageness along with this overall softness..keeps the cover image from being a bit too tame.
I agree that it does feel like a cover from the earlier 2000's decade-but that's just because this is what Vogue Italia knows how to do. Not necessarily ground breaking
for them, but always a pleasure to see.
My initial reaction when seeing the title to this thread was that I could imagine exactly what the cover would look like being that it was McMenamy by Meisel. However, this is different. I'm glad that the cover isn't as visually dynamic as I thought it would be, and more so sublime. Feels more like a teaser for the story inside...and that's something I feel Vogue Italia has been having a little trouble with lately-giving us too much, or not enough with their cover images. This is a very nice medium.
Oh and as far as the text goes, not a problem for me at all. It's not the most fancy typeface, but who cares? We want identity, don't we? And that's what Vogue Italia gives us. As strange as it may sound, I like how unrefined the type face is. Vogue Italia has always stayed very Italian...it has its own flamboyant way of doing things and it's own edge. They live up to their own standards, as still proven after all this time.