Minus the coverstory, ( the coverstory's art direction may be something new for this Vogue, but the digital gradient is awful-- should have just kept a simple white seamless), Nederland has always been unapologetically an Emmanuelle stan. From the attitude to the layout, and art direction, it’s an ode to Emmanuelle’s Vogue Paris. Her Vogue Paris summer issues are greatly missed, and this is good enough to fill in that missing part.
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