What is your opinion of Japanese designers ??

Bump :smile:.

I think Japanese designers are awesome B). I personally love the work of Tsumori Chisato. And she used to work for Issey Miyake back in the late 70s.

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Source: www.style.com
 
I love Tsumori too! :heart:

Japanese designers...it's difficult to discuss them in general, they all do such different things.

They're good at avoiding traditional gender and age-groups; childlike, quirky and androgynous are key elements. They're good at exploring nature and society from futuristic dehumanization to organic gentility. They're good at texture, sculpture and detail. Poetry and romanticism are also embraced.

Looking at Paris and Milan, it's easy to see what the Japanese just dont do. I have yet to see gorgeous, subtle use of color and prints. There is also a lack of...how can I put it... "mature, self-assured, wholesome sexuality" being expressed openly in fashion, as if the issue is avoided all together. Personal taste aside, I find the obvious gap very disconcerting and reflective of our youth-obsessed and sexually repressed society. I think it's similar to the US in this respect, although American fashion reflects its practical societal values more.
 
post #21 - lovely pieces..very nice!

some designers have ridiculous designs that i do not find attractive..
some have great designs..that's how i think
 
Melisande said:
They're good at avoiding traditional gender and age-groups; childlike, quirky and androgynous are key elements. They're good at exploring nature and society from futuristic dehumanization to organic gentility. They're good at texture, sculpture and detail. Poetry and romanticism are also embraced.

Looking at Paris and Milan, it's easy to see what the Japanese just dont do. I have yet to see gorgeous, subtle use of color and prints. There is also a lack of...how can I put it... "mature, self-assured, wholesome sexuality" being expressed openly in fashion, as if the issue is avoided all together. Personal taste aside, I find the obvious gap very disconcerting and reflective of our youth-obsessed and sexually repressed society.

But the difference with the US is that while we're sexually repressed, or prude might be a better term, we are also sex-obsesed (as well as youth- obsessed. in fact, sex=youth here, in contrast to France, where age=experience=sexual appeal). In the US, I find Japanese designers to be a huge relief from the general popular embrace of overtly sexual style - bare midrifs, super low-rise pants are the norm, etc. I deeply appreciate the way Japanese fashion can feel right at any age, on any body shape. It's easier for me to relate to it if I don't have to feel like it's a phase, or something with an experation date - like I can't wear it after age X. And rather then feel that the looks restrict sexuality or sensuality, I find the fluid cuts and the fabrics to be sensual on their own, plus they do not foist an image or a posture or sexual stance on the wearer (like azzedine, for example), but instead allow you to express yourself so that one person might wear something as cutsie, and another person can work it for their intellectual look, or yet another simply confident and strong, and that's sexy.
 
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hmmm very interesting topic indeed this one..

i love japanese design..but I agree with what Mr.Leviathan said.
its the fickleness that gives it away.. i dont think we can really compare
the european ethic with the japanese... i think the belgians have quite a similar aesthetic(eg deconstruction..margiela etc) ...but they seem to have a signature.. unlike some japanese designers. great topic.. i love to see all these different opinions.
 
i think the "new generation" of japanese designers.. such as Kuroda Yuichi, Jun Takashi & Takahiro Miyashita... do an excellent job...

.. everytime they show a collection, they are showing exactly why everyone is looking towards the east when it comes to fashion..
 
Excuse my ignorance guys, but where could someone who doesn't exactly live in a "metropolis" of fashion find these designers? Or at least get to know their work?
 
i read somehwere that rei kawakubo said that the only japanese designer who really works outside of the box and impresses her (besides junya of course) is jun takashi. and he definitely had quite an amazing collection this season.
 
anyone know about Sally Scott? is she (?) a japanese designer under a western moniker or is she really an american based in japan..? (since her logo has that address 'ohio' in it..

can anyone tell me more? thanks!
 
i am obsessed with japanese designers right now. well, i kind have always been. i am heavily influenced by them. i am in love with tsumori right now.. i own a bunch of her pieces and just purchased another! i am always looking for new japanese designers to get into..

any recommendations?
 
^ I suggest the works of Issey Miyake, Rei Kawakubo, Yohji Yamamoto, Junya Watanabe, Junko Koshino, and the textile artist, Junichi Arai.

I appreciate the collaberative efforts with industrial designers, architects, weavers and artists by many Japanese fashion designers.
 
My opinion is... whether you love them or hate them, Japanese designers for the most part all seem to march to the beat of their own drum, and I appreciate that a lot. Some of my most favorite designers come out of Japan.
 
Japanese fashion design is the best right now. While I think the French were the best in the beginning through to mid-century of 20th century, the latter part has been a celebration of Japanese fashion. Although Western fashion is sometimes trashy and repetitive, I always find fresh new ideas from Tokyo fashion week. I hope Japanese fashion design is going to get even more recognition here. Although Rei, Yohji and Kenzo were and are great, others need to get some of the spotlight too.
 
Another great resource for the latest works from Japan - The Tokyo Collection. Unfortunately, the site is in Japanese... and I don't read Katakana. Nonetheless, here is the link.

www.cfd.or.jp

An article from '06 from t-i-forum.co.jp, for background:

The Tokyo Collection was first started by raising a tent in Yoyogi Park in 1985 in conjunction with the inauguration of the Council of Fashion Designer's Tokyo. At that time, it was held for a short period with a collective participation of designers. However, that form of the Tokyo Collection was terminated in 1991. After that, a show was held for each designer and for each apparel manufacturer and as a result, the period of the collection in Tokyo became more than 40 days.

Last year (2005) was the 20th anniversary of the founding of the Council of Fashion Designer's Tokyo and people put much effort in innovating the Tokyo Collection. In addition, not only the so-called 4 Big Collections (New York, London, Milan and Paris), but also collections in the form of fashion week in various cities and countries began to be held in places such as Singapore, Los Angeles, Australia, India, Dubai and Moscow. Then we thought, “Let’s revive the original Tokyo Collection in Japan focusing around Tokyo.” For this purpose, we thought, let’s make it a Collection Week, the world trendline (where many designers will intensively participate from morning till night for about a week), then we held the first Japan Fashion Week from the end of October till November last year.”

Although the Japan Fashion Week in Tokyo was started in a new form, I think it links to the Tokyo Collection from 1985 when we track its origin.

Showing up from various directions by bringing buyers from all over the world.

Why intensive work is good and why it will be held during this period of the year actually depends on how convenient it will be for the world buyers (people in charge of purchasing). They have a budget and a schedule. As there will be the New York Collection, the London Collection, the Milan Collection, and the Paris Collection without a break from September 8, it is very important to hold our Tokyo Collection prior to these collections. As they will be held intensively in a short period, the world buyers can come all the way to Asia. It is troublesome to come here many times in a year. Therefore, I think we have to make an appeal in a way that they would think coming to Japan during this period is significant.

When I think of the characteristic point of Tokyo for this purpose, how should we appeal to them? The first point is that Japan has the strongest consumption power in the world. Then there is the point that the world designers are paying attention to the street fashion in Tokyo. Japanese young people have a fashion that could never be imagined by designers. People in the world are looking at it as very innovative. It is an established way, not only for designers but also for people of this industry, to first go to Harajuku or Shibuya when they come to Japan.

It’s no mistake that Japanese daily fashion is attractive, they have severe eyes for products (they must be No. 1, severest in the world as ordinary consumers, not specialists) and they have characteristic points which can never be seen in other countries. We are still learning by trial and error, but I think it would be good if our collection would be united together with the general public eye, not only the eyes of specialists.

We want this event to link designers and industries.

We thought it would be a good idea if something can be generated from the collaboration of young designers, who present the collection, and creative manufacturers who supply materials to the first-class apparel manufacturers in the world, and we have been acting as a bridge between them from the first round of the collection. The other day, 40 material manufacturers and 50 designer companies gathered here as a meeting place. It was not a forced meeting, but some new creations were born there.

In addition, at a venue other than the Tokyo International Forum, historical “Fashion Grand Prix for New Comers” will be held as a part of JFW. It will be a competition in which everybody in the world can participate and there are tens of thousands of applications.

Japan Fashion Week in Tokyo is not a special fashion show that is detached from our daily life, but it is the presentation place for daily fashions, Japanese material industries and young people who aim to be designers and is also a place to assume total fashion. I will be thankful if all visitors, not only concerned parties, would understand the content of it, be interested in it and participated in it in various styles.
 
regarding a recent subject i thought it would be interesting to make this comes back from the past...
 

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