The strength of her editorial prowess on this page alone is knee-dropping. Her soft intriguing nature is stunning in "Ipanema," a capsule of the rich glamour, but as far from haughty as one can be when chauffeured by private helicopter, in Paris L'Officiel. That last blouse/shorts shot is why Yana must be used in the rotation.
Yesterday at the newsstand I went through Crash 47 page by page and there are two gems, one of them with Yana. In an effort to save myself $10 (already regretting it) I didn't get it but sure enough the pics are online on the photographers' sites.
Crash 47 "Winter Blues" (I didn't remember the title so I got this info from Berlinrocks' post) Photographer: Sarah Maurer
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