His collections are an oasis of beauty and oxygen among.... yeah. So thankful he’s still around..
I think this is one of the strongest he’s shown in the past few years.. love the childlike details, almost serve as a reminder to reconnect with that sensibility we’ve all passed through.
I’m not obsessed with everything and I think it could have been whittled down a bit for a stronger impact...
But it’s beautiful. The strongest looks are the dress and the coat in black and white that riff on the iconic Schiaparelli tear print (#24 and 25). Those two looks are major.
God bless this man, he saves fashion for me every season. I will never bore of his interpretation of black garments, the opening slew of looks is perfect, although I think my favourite is the long buttoned dress with the sequined skirt slung over the shoulder.
I do feel that in this day and age I rarely see his work featured in editorial though, which does on occasion impact my ability to remember many of the latter collections as easily as I did those back in the day . Not that it's a reflection at all of the quality of his work, rather just something that I've noticed.
But it’s beautiful. The strongest looks are the dress and the coat in black and white that riff on the iconic Schiaparelli tear print (#24 and 25). Those two looks are major.
When I first heard about the relaunch of Schiaparelli, I was expecting something like those two looks from this Yamamoto collection.
I was expecting something which looks arty like this; and not the clownish and kitsch version of Schiaparelli they insist on deliver us.
it seems to reference so many eras - victorians, flappers, the lean 90s - and yet the whole collection hangs together through the colours and details. seeing the man himself is always a treat too.
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