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Another OLD interview with Ann, plus a tiny movie of the 1996 collection!
http://www2.cnn.com/STYLE/9607/16/demeullemeester.fall.96/
Demeulemeester reinvents black with subtle color
   July 16, 1996
Web posted at: 6:00 p.m. EDT 
   From Correspondent 
Elsa Klensch 
   PARIS (CNN) -- The fall season signals a first for Antwerp  designer Ann Demeulemeester -- it's the first time she's used  bright colors in her collection to offset her favored black. 
   And the most important of the new, brighter shades, she says,  is red, evoking passion and danger. Demeulemeester uses red  to accent her asymmetrical cuts -- cuts that she twists to  create an illusion of clothes moving around the body. 
  
MOVIE!!!
  
  (
765K QuickTime movie)  
  
  "When I started this collection," says Demeulemeester, "I  didn't know lengths or anything. "I made clothes that all  look like they are twisted, but aren't. So it's like there is  a movement in the clothing and in the body." 
   Demeulemeester explains that she wanted the colors in this  new collection to have "full intensity." 
   "I also think that ... I use color in a big piece, but  sometimes I use it in a very subtle way," she says. "I think  that if the color is strong and you put the color on the  right place, then you get also the full intensity even if it  is only a little thing." 
 
  Some of the "right places" for red, she says, are in the  make-up of her models' eyes, or on the soles of their boots. 
   "It's very strange," she says. "It's not evident and that's  what I like." 
   But Demeulemeester has not forsaken black. 
   "I wanted to reinvent black because I cannot stand that  people are saying black is out," she says, "as long as I have  the impression that I can design new black." 
 
  For evening wear, Demeulemeester created a long black coat. 
   "For evening I just made it the longest possible," she  explains. "I work with coats with trains and skirts with  trains." 
   It creates, she says, a modern look, one that is both  aggressive and beautiful. 
   "There is really a tension, I think," says Demeulemeester.  "That's what I wanted anyway."