vogue parisSucceeding Arthur Arbesser, the Gilmar Group has just announced that James Long will take over as the creative director of Iceberg. Already in charge of the menswear collections for the Italian label, the designer won’t present his first collection for the house until fashion week Fall/Winter 2017-2018. To be continued.

Carven Parts Ways With Designer Duo
The Paris brand plans to name a new artistic director to succeed Alexis Martial and Adrien Caillaudaud.
By Miles Socha on October 24, 2016
PARIS – Fashion’s revolving door continues to spin furiously, with Carven’s duo the latest to depart after a short tenure.
Alexis Martial and Adrien Caillaudaud, named artistic directors for Carven’s women’s collections in March 2015, are departing “by mutual agreement,” the house confirmed in a brief statement.
It noted a new artistic director would be appointed at a later date.
Martial and Caillaudaud’s last collection was for spring-summer 2017, presented in Paris last Sept. 29 at Paris Fashion Week.
It delved into the heritage of the house and its late founder, Marie-Louise Carven. The duo zeroed in on four house codes: the Carven crest, the green and white stripes from the Ma Griffe perfume packaging, scarves and Carven’s obsession with flowers. All of that yielded a “collection with great breadth and capturing the sense of play that’s central to a fashion-loving girl’s approach to getting dressed,” according to WWD.
The pair, who met at the Atelier Chardon Savard fashion school in Paris and both went on to work at Givenchy, had succeeded Guillaume Henry, who exited to join Nina Ricci.
Martial began his career at Givenchy in 2007, working as a knitwear designer on the ready-to-wear and couture lines.
After getting his start designing shoes at Marc Jacobs, Caillaudaud joined Givenchy in 2009 and was responsible for the design of accessories, including jewelry, leather goods, men’s and women’s shoes. More recently, he has consulted for Tod’s and Jil Sander.
In 2015 tapped Barnabé Hardy as designer for men’s collections, signaling a change in strategy as it split design duties for women and men following Henry’s departure.
Hardy worked alongside Nicolas Ghesquière for eight years at Italian brand Callaghan and at Balenciaga, where he helped to launch the label’s men’s wear.
The brand is among the handful in Paris to stage runway shows while competing in the contemporary designer bracket.
Fashion is enduring a period of many designer exits, with Marni founder Consuelo Castiglioni bidding farewell and Roberto Cavalli parting ways with designer Peter Dundas.
this is getting ridiculous. They probably did not sell, Why else would they let them go if it had been a financial success? I'm asking myeslf if there is anything that still sells, apart from the 'fast' fashion?
Possibly. Which begs the question, are fashion perhaps too in favour of mass appeal (or commercialism?) than creativity right now? There's no way that all these designers are 'no longer a fit' for these brands. And getting rid of them left, right, and centre just isn't the solution. Carven was one of those brands who seemingly went about their business in a quiet way. Seemingly this is no longer enough. Maybe they want more hit bags, and to be hyped like Gucci. I just hope they won't go into rebranding!
Possibly. Which begs the question, are fashion perhaps too in favour of mass appeal (or commercialism?) than creativity right now? There's no way that all these designers are 'no longer a fit' for these brands. And getting rid of them left, right, and centre just isn't the solution. Carven was one of those brands who seemingly went about their business in a quiet way. Seemingly this is no longer enough. Maybe they want more hit bags, and to be hyped like Gucci. I just hope they won't go into rebranding!

Fashion is absolutely too in favor of mass appeal right now, and it's to its total detriment - as we are currently witnessing with designers leaving, quitting, getting fired and brands shutting down or restructuring left and right.Possibly. Which begs the question, are fashion perhaps too in favour of mass appeal (or commercialism?) than creativity right now? There's no way that all these designers are 'no longer a fit' for these brands. And getting rid of them left, right, and centre just isn't the solution. Carven was one of those brands who seemingly went about their business in a quiet way. Seemingly this is no longer enough. Maybe they want more hit bags, and to be hyped like Gucci. I just hope they won't go into rebranding!
Fashion is absolutely too in favor of mass appeal right now, and it's to its total detriment - as we are currently witnessing with designers leaving, quitting, getting fired and brands shutting down or restructuring left and right.
I feel as though we're in the midst of an intense slash and burn period in the industry. It's alarming in the thick of it, but I can't help but think it will ultimately be for the best.
The truth is the luxury market is inherently only so big....it's the simple reality of there being a smaller percentage of people worldwide that have the kind of disposable income to be buying designer fashion and accessories with any kind of regularity.
So - with that reality in mind - it's been a bit bizarre, in my opinion, to watch the entire industry work so hard to democratize itself. There's inherently nothing democratic about designer/luxury fashion. The price tag alone is as exclusive as it gets! The entire industry has been so desperately appealing to the lowest common denominator - what with the ridiculous focus on social media, big puffed up events, and worst of all inoffensive, lukewarm, commercial designs - but what is so foolish about that is that the lowest common denominator does not have the money to spend on designer goods, anyway! The masses shop at Zara and H&M for a reason - the price point! Plus - all the gimmicky, Instagram-ready fashion is the antithesis of what people who have the money to spend actually want to spend their money on - intelligent, interesting, high quality, timeless fashion.
We're currently watching lots of fashion brands spontaneously combust and I think it's ok. These brands - and fashion at large - needs to go through this serious, existential identity crisis. Who are they designing for? And, more importantly, why? Fashion needs to refocus itself, admit to itself that fashion is not a democracy and appealing to the masses is the most dangerous and futile pursuit, as we are so clearly seeing the reprocussions now.
Fashion has simply gotten too big for the reality of the market.

^ Do you mean Serge Ruffieux and Lucie Meier? Because Jacquemus was never at Dior. Or did I get you wrong?