Diane Kendal - Makeup Artist

[flyme2themoon]

Tory Burch S/S 2013
Makeup: Diane Kendal
Hair: Eugene Souleiman

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Backstage Beauty Report | Tory Burch
By LILY NIMA
September 11, 2012, 2:30 pm

The Look: Prairie Girl.

The Makeup: Using M.A.C. Cosmetics, the makeup artist Diane Kendal created a fresh, natural look at the request of the designer Tory Burch. Face and Body Foundation, as well as Prep + Prime Transparent Finishing Powder, were used as needed to perfect the complexion. A touch of Pro Pigment in Frost brought light to the cheekbones and bridge of the nose. On the eyes, cream shadows from the new Pro palette — Runway Rose on the lid and Must Have Brown in the crease — added subtle definition. Brows were filled, with lashes and lips left bare.

The Hair: The stylist Eugene Souleiman opted for windblown, wheat-like fishtail braids to complement Burch’s Spring 2013 collection. “It’s not a boring, Pippi Longstocking sort of look,” he says. “There’s a romance and lightness to the texture.” An excess of extensions were used to create fullness and length, with the hair being set and secured using only Wella Professionals Stay Essential Finishing Spray (light-hold, flexible hairspray).

The Nails: The manicurist Michelle Saunders achieved a natural-looking nail with one coat of Essie Fed Up, a sheer nude-pink.

The Product: M.A.C. Cosmetics Spring 2013 Forecast Palette is available now at the brand’s Pro stores.

The Takeaway: Souleiman opted to glue on the hair extensions (as opposed to clipping in) to allow for texture and volume at the crown.

Source: stylebistro.com , tmagazine.nytimes.com

 

[flyme2themoon]

Alberta Ferretti S/S 2013
Makeup: Diane Kendal
Hair: Guido Palau

September 19, 2012
Sea-Tangled Hair at Alberta Ferretti

MILAN — "Aquatic goddesses — innocent but not naive," hairstylist Guido Palau said about the hairstyle that complimented the fluid dresses in Alberta Ferretti's spring 2013 collection.

To achieve a wet, sea-tangled look, Palau, using Redken products, applied Guts 10 Volume Spray Foam into water-dampened hair. Clips were slipped into the crown to maximize the wind-swept volumes and to keep hair off the face. Naturally-dried hair was slicked with Shine Flash 02 Glistening Mist to hold the glossy, wet shine.

Makeup artist Diane Kendal, using MAC Cosmetics, started with a Prep + Prime Skin Smoother. Grease eye shadow was blended towards the brow in soft, smoky strokes. A yellowy-golden trail was dusted across the lids and shimmered underneath the eyes with Pigment in Golden Lemon. Brows were lightly accented with brown powder to continue the diaphanous, wet look.

On nails, Keri Blair, senior artist with the MAC Pro Team North America, created a custom-made lacquer. The color, painted onto roundly-filed nails, was a mixture of Pigment in Pink Opal and clear nail polish to evoke an "iridescent, mother of pearl wash, like a sequin or a mermaid tail."

Source: stylebistro.com, wwd.com

 

[justaguy]

The Greatest Show On Earth Pt.1
Photo Steven Klein Editor Grace Coddington Models Karen Elson, Maggie Rizer & Liya Kebede Hair Julien d'Ys Makeup Diane Kendal

 

[justaguy]

The Greatest Show On Earth Pt.2



My scans

 

[flyme2themoon]

Akris S/S 2013
Makeup: Diane Kendal
Hair: Guido Palau
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Greg Kessler
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Backstage Beauty Report | Akris
By STEPHANIE LACAVA
September 30, 2012, 3:00 pm

The Look: Minimal Sophisticate.

The Hair: Guido Palau created a simple ponytail using very little product: simply water and Redken Powder Refresh 01 dry shampoo for a matte effect. He pulled wisps of hair out around the face to ensure the look wasn’t too severe.

The Makeup: Embryolisse moisturizer was used to prep the face for a look that was meant to be both classic and modern. To achieve this, Diane Kendall paired a strong ”poppy orange red” lip (YSL Rouge Couture #17) with a “shimmery, luminous face.” NARS Gueule de Nuit cream blush applied to the apples of the cheeks lent a bronze-gold glitter.

Nails: Dior Beige Safari.

The Product: Redken Powder Refresh 01.

The Takeaway: Says Palau: “A lot of hair this season is all about ease.”

Sacai S/S 2013
Makeup: Diane Kendal
Hair: Guido Palau
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Greg Kessler
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Backstage Beauty Report | Sacai
By STEPHANIE LACAVA
October 1, 2012, 10:24 am

The Look: “Innocent girl with some kind of darkness,” said the Sacai designer Chitose Abe backstage.

The Hair: “A little spooky” is how Guido Palau described it. “Tim Burton-ish, ghoulish.” This meant creating a natural texture using only Redken Forceful 23, a middle part and then allowing ears to stick out, and finally setting with a wig cap to be removed at the last minute.

The Makeup: Diane Kendall used M.A.C. set powder and greasepaints to balance the girliness of the clothes. Brown was applied to the contour and crease of the eye, reddish brown to the lid and underneath, black close to lash line and smudged below, while white was used on the brow, down the nose and on cheekbones. There was no mascara and eyebrows were brushed and penciled in. Majorca powder blush for a pop of pretty. Lip balm on lips.

Nails: Nars black with glossy topcoat.

The Product: M.A.C. greasepaints

The Takeaway: “There’s still prettiness in a darker world,” Kendall said.

Source: tmagazine.nytimes.com

 

[Melancholybaby]

Vogue Paris November 2012
Figures De Caractères
Photographer: David Sims
Models: Janice Alida, Estelle Lefébure, Aymeline Valade, Yasmin Le Bon, Lucie de la Falaise, Iselin Steiro, Sylvia Gobbel, Crista Cober, Eva Herzigova, Liu Wen, Anaïs Mali, Moa Åberg, Asia Piwka, Cecilia Chancellor
Stylist: Beat Bolliger
Hair: Guido Palau
Make-Up: Diane Kendal
Nails: Trish Lomax


madeinpresse.fr via Mat Cyruss

 

[Melancholybaby]

Privilège De L'Âge
Photographer: David Sims
Model: Penelope Tree
Stylist: Beat Bolliger


madeinpresse.fr via Mat Cyruss

 

[ellastica]

September 5, 2012

New York Fashion Week | Skin Deep
Two for the Runway by BEE-SHYUAN CHANG


Guido Palau, a hairstylist, and Diane Kendal, a makeup artist, are longtime friends from England who often work together.

Emily Berl for The New York Times



DURING New York Fashion Week, editors will seek standout microtrends like the long, tousled side braid of Alexander Wang’s spring 2010 collection or the glowing sun-kissed complexion and feathery full brow that went with it.

Those looks, and countless before and since, were created by Guido Palau, a hair stylist, and Diane Kendal, a makeup artist: friends for three decades and major forces in the beauty world since the grunge aesthetic of the mid-1990s (bare skin, smudged eyes, bed-head locks).

“They have risen together,” said Sarah Brown, the beauty director of Vogue, adding that some of her favorite recent shoots for the magazine have featured their work, often shot by the photographer David Sims.

Despite their reputations in the fashion industry, the pair went unrecognized on a recent sunny weekday afternoon at Cookshop in Chelsea.

“If there’s a party, we never go,” said Mr. Palau, trim and boyishly dashing at 50 (he once made Out magazine’s 100 most eligible bachelors list).

Over green tea and granola, the two tended to complete each other’s sentences.

“Some people say that if you get to know us, we’re quite similar,” Mr. Palau said.

“Like our intonation and the way we move our hands,” said Ms. Kendal, 52, who has long blond hair and a warm manner. (Mr. Wang described her in an e-mail as “serene, sweet, artistic, strong.”)

She was just back from vacation in Rajasthan, India; Mr. Palau had been in Ibiza, Spain, hanging out with Peter Copping, the Nina Ricci designer, and other friends at a converted farmhouse.

In addition to Mr. Wang’s show, the team is preparing for those of Victoria Beckham and Reed Krakoff. Despite their frequent collaboration, Ms. Kendal and Mr. Palau are represented separately by Art and Commerce, a division of IMG specializing in photography. (Somewhat confusingly, they are also on the roster at the Julian Watson Agency in London, which was founded by Ms. Kendal’s youngest brother. “It was really just to help him get started with the agency,” she said.)

The two friends, both English, met in East London in the early ’80s when it was routine for makeup artists and hair stylists to do repeated test shoots for jobs at edgy magazines like The Face and i-D.

“We were always rolling around our trolleys; it was always raining,” Mr. Palau said.

Mr. Palau, one of four boys, is from Bournemouth, a seaside town in Dorset; Ms. Kendal, from Wokingham in Berkshire (besides Mr. Watson, she has another brother and a sister). Ms. Kendal attended the London College of Fashion, where she studied theatrical makeup. They lived a block apart in Notting Hill, pitching themselves as a package. At night, they hit the clubs, whose characters like Boy George still inspire their work.

“There were young men dressed head-to-toe in black dresses in full-on makeup,” Ms. Kendal said. “People really created themselves. They were like art pieces.”

Mr. Palau added: “You had the New Romantics, the New Wave and subdivisions of that. So if you were around it, that immediately became your library of information.”

But it took a while to build their careers. Ms. Kendal’s breakthrough came in 1988, when she landed an Italian Vogue shoot with the photographer Albert Watson.

“I was nowhere near that,” Mr. Palau said. “I thought, ‘God, how do I do that?’ It wasn’t competitive, but I didn’t want to be left behind.”

Ms. Kendal moved to Milan, then Paris. Mr. Palau stayed in London and enrolled in the Vidal Sassoon hair academy. He was kicked out after 18 months.

“I was probably intimidated,” Mr. Palau said. “It was a very strong structure. I suppose I wanted to run more rather than be held back.”

Not long after, he landed the gig of a lifetime: the George Michael “Freedom ’90,” video, which featured Cindy Crawford, Linda Evangelista and other supermodels in their prime.

“I have no idea how I got that,” he said, laughing. “George Michael was a huge star then. The models were huge stars.”

He began working with Mr. Sims and those in the early grunge movement, including Kate Moss, the photographer Corinne Day and the stylist Melanie Ward. Calvin Klein picked up on the look, giving it a mass audience.

“Hair was coming undone,” Mr. Palau said. “It was when I really started to develop my own style.”

Before long he and Ms. Kendal had both moved to the Chelsea neighborhood of Manhattan, their apartments overlooking Clement Clarke Moore Park.

Ms. Kendal has since had a daughter and moved to Carroll Gardens, Brooklyn. She cut back on her travel schedule, though she is still responsible for striking beauty moments, like the bright matte coral lip at Jason Wu’s spring 2012 show.

Mr. Palau has worked with the photographer Steven Meisel, consulted for Redken and created headpieces for the Alexander McQueen “Savage Beauty” exhibition at the Metropolitan Museum of Art. He has occasionally strayed from his partnership with Ms. Kendal, teaming with Pat McGrath instead for shows like Prada and Louis Vuitton in Europe. And Ms. Kendal has partnered with the hairdresser Odile Gilbert.

For fashion week in Paris, starting later this month, though, the two friends will work backstage together at Sonia Rykiel. But first they have to get through the pressure cooker of Mr. Wang’s show, taking place on Saturday in New York. Were they planning perhaps pallid complexions? Velvety lips? Renaissance ringlets?

“Me and Di, we never talk about work,” Mr. Palau said, before leaving for a pottery class. “We just gossip about nothing and chat about our old age.”



Ms. Kendal backstage at a Jason Wu show.

Stephanie Colgan for The New York Times


Mr. Palau working at an Alexander Wang show.

imaxtree

source: nytimes.com

 

[ellastica]

gorgeous Calvin Klein cosmetics ads which features Ykfe Strum and Diane's handiwork. Calvin handpicked Diane to design, develop the color cosmetics & skin care line. I remember how unconventional yet subtle & wearable the colors were. adored Fabien Baron's minimal packaging and advertising. still very modern yet timeless a decade on!

source/credit: Kanna scans @ tfs

credit: soulredemption tumblr

 

[ellastica]

Diane Kendal backstage @ Thakoon spring 2013:

source: allure.com

@j_watsonagency: Stunning #makeup by iconic make up artist Diane Kendal @jw_anderson

source: showstudio.com

 

[ellastica]

another action shot at Thakoon SS '13:

source: beautystat.com

 

[Melancholybaby]

US Vogue December 2012
Monsieur Simons: Raf Simons at Dior
Photographer: David Sims
Stylist: Camilla Nickerson
Model: Caroline Trentini
Make-Up: Diane Kendal
Hair: Guido Palau


vogue.com

 

[VogueGirl8910]

Vogue Paris November 2004
"Play Couture"
Model: Daria Werbowy
Photographer: Bruce Weber
Stylist: Joe McKenna
Hair: Didier Malige
Makeup: Diane Kendal & Lewis Brann



dariaw.onsugar.com

 

[VogueGirl8910]

V #36 Fall 2005
"V Loves Daria"
Model: Daria Werbowy
Photographer: Bruce Weber
Stylist: Joe McKenna
Hair: Didier Malige
Makeup: Diane Kendal



dariaw.onsugar.com

 

[VogueGirl8910]

US Vogue February 2013: Rooney Mara by David Sims


"Power Player"
Model/Star: Rooney Mara
Photographer: David Sims
Stylist: Tonne Goodman
Hair: Paul Hanlon
Makeup: Diane Kendal


vogue.com

 

[justaguy]

US Vogue March 1991

The Maestro of Mayhem
Photo Irving Penn & Ellen Von Unwerth Editor André Leon Talley Subject Jean Paul Gaultier Models Susan Holmes & Stephanie Roberts Hair Valentin Makeup Diane Kendal



My scans

 

[VogueGirl8910]

Elle France April 27th, 1992: Julie Anderson by Marc Hispard


Folk City
Model: Julie Anderson
Ph: Marc Hispard
Stylist: Patricia Boin
Hair: Charlie
Makeup: Diane Kendal


Scanned by kelles

 

[VogueGirl8910]

Vogue Paris December 1997/January 1998
"Karl Lagerfeld: Met en scene Oskar Schlemmer"
Model: Karen Elson
Photographer: Karl Lagerfeld
Stylist: Marcus von Ackermann
Hair: Serge Normant
Makeup: Diane Kendal



Scanned by Mojopin

 

[flyme2themoon]

Victoria Beckham F/W 13.14
Makeup: Diane Kendal
Hair: Guido Palau
Nails: Marian Newman
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Backstage at Victoria Beckham this morning, the designer ordered up what’s become something of a signature helping of simple, modern, and sophisticated beauty. Guido Palau’s loose ponytails were slung low, left wispy, and treated to a high-shine texture, accordingly, while Diane Kendal kept makeup on the natural side, tinting lids with MAC Sculpting Cream in Coffee Walnut and contouring the face with its Prep + Prime Transparent Finishing Powder. As for the nails, they were groomed and unassuming—pretty self-explanatory, or so we thought. “I’m using a Nail White Pencil,” Marian Newman explained of the stick she was implementing to clean under the edges of models’ fingertips, lightening the nail in the process. “It looks like eye liner, but it’s thicker,” she continued of the new-to-us tool from Rimmel London that boosts the healthy appearance of nails without trying too hard. Slicked with a top coat of MAC Overlacquer and buffed for a glossy effect, it made for an impressively clean, perfect-looking manicure. You learn something new every day in the backstage trenches.

Source: style.com

 

[flyme2themoon]

Tommy Hilfiger F/W 13.14
Makeup: Diane Kendal
Hair: Eugene Souleiman
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February 11, 2013
All-American, Preppy Chic Backstage at Tommy Hilfiger
By Julie Naughton

Unsurprisingly, all-American, preppy chic ruled the day at Tommy Hilfiger. Diane Kendal, working with MAC at the show, did “a very beautiful, natural, clean face.” She started by prepping the models’ faces with MAC Complete Comfort Créme, adding Face and Body Foundation and Studio Finish Concealer to create a perfect canvas. Next, she brushed eyebrows up, filling in sparse areas with pencil before adding eye shadow in Onyx to further define the brow. MAC’s Paint Pot in Stormy Pink was applied in the crease of the lid with a brush, following the eye’s contour and shape, and a tiny bit was added under the eye. A very thin line of black eyeliner was applied on the top lash line, and eyelashes were curled. Eye shadow in Exposed was used as a blush on the apple of the cheeks. To finish, Kendal applied foundation to the lips, covering it with Prêt-à-Pretty, a soft pink lipstick.

Eugene Souleiman kept hair even simpler than the makeup. “The only products we used were shampoo and conditioner,” he said, adding that each model’s hair was washed before he began styling. After creating a middle part, he used a blow-dryer, leaving the hair just short of being completely dry for a natural look. “We felt we should do glam in an easy way, especially as there are a lot of hats in the show,” Souleiman explained.

Source: wwd.com