MulletProof
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BALENCIAGA PATCHWORK SPRING/SUMMER 2002.
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The Best Hands in the World
One of the pleasures and privileges of covering the haute couture collections is visiting the ateliers of the houses. If the heavy lifting is done in the unconscious—Lagerfeld always says his ideas come to him in dreams—then couture’s lightness is finessed in the workrooms. Couture models are made in pieces, to accommodate the flow of deliveries from embroiderers and other specialists, and then everything is assembled. At Dior, the workers were awash in the bright tulle and silk that would become John Galliano’s show for the 60th anniversary of the house. Pride? Yes. The people in the ateliers love a visitor to (slightly) gawp at the quality of their handwork. And they like a good joke. Tucked into a frame of Coco Chanel’s picture in Madame Jacqueline’s atelier was a snap of Lagerfeld. Who rules in Paris? The hands.