Cocteau Stone
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- Feb 12, 2022
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^ knowing Meisel this is probably still in a studio. The fakery of sets and location with this man knows no bounds nor limitations
I don't know why Italian brands are so obessed with her. She used to be very close to Prada and now for the FW25 show, she was sitting close (or next to? I don't remember) to Mr Pinault. Does she has a connection to the fashion crowd like Sofia Coppola?
It’s all very “Meisel Photoshop Starter Pack”, and it’s been like that for a looooooooong time now. Guaranteed the assistants got it all rigged up, he showed up either in studio or over a zoom call, gave a thumbs up and then *click*. You can see it sharing the same essence as the Anna Sui perfume ads he did, which were once a blip but is now his norm.Meisel's lighting hasn't been hitting the ways that I remember from the past, in these recent campaign bookings. Maybe it's just a punching-the-clock type of vibe? Meisel- a great, no doubt- but I wish there was better stuff. Those WOW factors we used to have. I do like this campaign, the scarf is gorgeous against the blonde. Just wish the light was done more delicately.
Cantino via Artistic Director: Baron & Baron Inc.
if it was ancora boy it would be the troll guy canola (zanola that soon will be fired when Demna arrives if is still sticking around till that time ) lol
the project of course he was part of does not mean final photo shooting we are talking about here was with his final involvement.Are we certain about this?
I mean, it could be done, but setting up an artist collaboration with 9 artists to create designs, getting a campaign together, having the scarfs produced and available for sale, and producing an accompanying coffee table book all within a month? Sabato was fired in early February and by mid-March, the scarves launch was already in the press. It's hard to imagine the CD had nothing to do with this.