Lola701
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This is in part the problem with L’Oreal and all those big groups.She left out another possible scenario, which is that Hedi could still be bound by a non-compete agreement with LVMH. His departure from Celine was announced in October 2024 under rather unknown details as to when and especially WHY?
If there's still a non-compete Armani had to deny all rumors, obviously.
She could be totally off, but I think where there’s smoke, there could be fire.
As for L’Oréal, they should be thrilled to have a creative director like Hedi involved in a brand whose beauty license they hold and they should actually listen to what he has to say. He has an excellent track record in fragrance: he played a key role in the successful launch of Dior’s La Collection Privée and later oversaw the entire fragrance line at Celine. That line has performed commercially very well and the perfumes themselves are genuinely good, especially considering how quickly they were developed. There was nothing particularly original in terms of product or presentation, but everything was executed to perfection as one would expect from a control freak like Hedi.
L’Oréal has been moving further into the niche and upscale segment rather than focusing solely on the mass market, so there’s real opportunity in beauty too, even for an already well-developed, but slightly down-marketed brand like Armani.
I guess it's mostly wishful thinking on my part but I'm always somehow rooting for Hedi, despite his flaws and ego....and I think Armani would benefit from someone who can oversee it all and structure the business with all those separate lines in a way that makes more sense too.
Maybe now that the MB sons are having more weight in the company it may change but it can be an issue particularly for the launch of big flagship fragrances.
In the fragrance world for big groups, commercial performance is more important than having a cohesive line.
We saw it with YSL. When Tom Ford took over, he launched very ambitious and interesting fragrances like Nu, M7 or Cinema. Those fragrances were very great. Some were quite edgy like M7. And it was cohesive. When L’Oreal took over, they killed everything. Under Stefano, YSL launched L’Homme and ELLE. The former was a success and so L’Oreal pushed it when they bought YSL beauté but they killed ELLE (which was a bit tapageur) and decided to run the beauté entity like a marketing operation.
When you work in a fully integrated company like Chanel, the only brief the parfumeur would receive is probably: We need a new Gourmand. We need a fragrance for a younger clientele. The creator has Carte Blanche and has at heart to be coherent to his body of work or at Chanel, to the legacy of his father.
When you have an entity run by the marketing team or people who only thinks in marketing, it becomes: Bleu de Chanel is the best sellling menswear fragrance in the world or Tobaco Vanille has created an insane buzz, we need to compete against it. Therefore you end up with clones.
Bois d’Argent and the whole Collection Privée were almost a slow burn but the real success of Hedi at Dior was really Dior Homme.
But yes, a Hedi or any CD is actually an enemy for the people in the marketing teams who are creating fragrances out of the risks others are taking.


