Katharine Hepburn

[Browneyes]

i just had to post this!

it's from katharinehepburn.net

i went to look at the sales today and bought a great pair of mocassins/shoes that are "very katharine hepburn", extremely comfortable, quite masculine, to wear for work with trousers

 

[Marvystone]

I just read the most amazing biography about Katherine Hepburn, it supposidly revealed stuff that hadn't been revealed to the public before...

 

[Mercedes]

Browneyes that picture is hilarious!

 

[thehepburn]

from JJB

 

[Orchide]

I adore Kate Hepburn read her bio ME if you get a chance- what a life she led.

My favorite photograph of Katharine Hepburn was one taken by fashion photographer Hoyningen-Huené when Kate was 27 years old. She's draped across a huge wicker chair (the same kind that would appear in a famous portrait of Huey Newton decades later). One sandaled foot is tucked under a bent leg, her big toe aimed casually toward the camera. Her arms akimbo, one on her head, her short hair catching the outdoor sunlight, her face turned away, her mind on anything but celebrity, her striped skirt slid way up her thigh, she looks like an idle college girl in her backyard on summer break from school. One can't imagine anyone professional was anywhere nearby to make sure she looked like a Hollywood star. "I wear my sort of clothes to save me the trouble of deciding which clothes to wear," she would say. The photo was taken for Vanity Fair magazine, and it appeared in the January, 1935 issue.

The caption to that photo read: "Kate Hepburn, box-office riot." At that time, however, she was not so much of a riot. Although Little Women had been a huge hit, word was out that she was demanding (she had signed with RKO only after they had agreed to her salary demand of $1500 per week) and "haughty," and the public had begun to lose patience with her. By the time this photo appeared in Vanity Fair (and numerous others, as well as a cover - Vanity Fair seemed to be a great cheerleader for our Kate), she had already started to obtain the label "box office poison" around town, retreating to her beloved Broadway stage to star in "The Lake," which had also been a disappointment. A projected film version of Joan of Arc, which Vanity Fair also trumpeted, would get shelved. Various flops or quasi-flops came during the rest of the 1930s, including Bringing Up Baby, which only found its audience much later. (One exception was Alice Adams, which did garnish her an Oscar nomination.) Her final defeat of the 1930s came when she was passed over for the role she wanted the most, that of Scarlett O'Hara. But when she was a hit in the stage play The Philadelphia Story, she found herself the ticket back into Hollywood's good graces. She bought herself the film rights and hand-picked the director (Cukor) and the rest of the cast of the now-classic film.

The point is that the very "pluck" that had already caused such controversy was to be, of course, the very pluck that would differentiate her from countless other studio starlets and make her the enduring first lady of film in our hearts, the role model of the strong woman character who could share the screen with such leading men as Cary Grant, James Stewart, John Wayne, Humphrey Bogart, and of course, her paramour, Spencer Tracy. The daughter of a doctor and a suffragette, it's no wonder she had strong ideas about who she wanted to be in a "man's world." Later in life, she explained, "I remember as a child going around with Votes For Women balloons. I learned early what it is to be snubbed for a good cause."

Her early life was marked by a central trauma, discovering the body of her dead brother, who had accidentally hanged himself while practicing a rope trick taught to the siblings by their father. Her psychological coping mechanism consisted of switching her May birthday (she was a Taurus through and through) for his in November, it lasted for years, and some biographies still have it wrong. Much of her private life stayed private, and she resisted, always, the studio attempt to make her image over in their own way. She was born Katharine Houghton Hepburn, and she stayed Katharine Hepburn. (You may notice the actress playing Hepburn's and Tracy's daughter in Guess Who's Coming to Dinner? is Katharine Houghton - she's Hepburn's niece.) Guess Who's Coming to Dinner? is, by the way, the one film she has never seen and won't watch - Spencer Tracy died shortly after the filming, and she can't bear to see him in it.

Almost too much has been written about Katharine Hepburn - and finally she has written about herself, in her autobiography, Me, and also in her book about the making of The African Queen. Those interested in stories from her life can read, there, and in many other places, about her work and her wonderful world.

What continues to stir me is her unflappable courage, her extraordinary brilliance and wit (which are not the same thing), and her great beauty, which - rare occurrence - followed her from her youth to her nineties. "People have grown fond of me, like some old building," she says. But of course, it's not that. It's her. And it's those certain performances, some less well-known than others. And sometimes what makes a Hepburn performance are just discrete scenes, and sometimes even just moments in scenes, when the parts add up to more than the whole:

-- The moment in The Philadelphia Story when it is the morning after the debauched night, and, as Tracy Lord, she walks outside, gets hit by the sunlight, and puts her arm up in terror, scrunches up her face, and backs away, like a vampire confronted with a crucifix.

-- The moment in The Lion in Winter when, as Eleanor of Aquitaine, she has a knock-down drag-out fight with Peter O'Toole's King Henry II, and, pushed on her ***, sits up, and says, almost directly to the camera, "Well, what family doesn't have its ups and downs?"

-- Her extraordinary performance as Amanda in Anthony Harvey's television version of Tennessee Williams' The Glass Menagerie (unfortunately, not currently available on tape or DVD), with Joanna Miles, Sam Waterston, and Michael Moriarty. Watch for it to show up sometime.

-- The scene in Desk Set between Kate (as Bunny Watson) and Spencer Tracy (as Richard Sumner) on the cold roof of the broadcast building where Richard gives Kate a verbal efficiency test over lunch. Kate passes it with flying colors, of course, proving that she is indeed a "rare tropical fish." The Hepburn/Tracy chemistry is never better than in this scene, written by husband and wife team Phoebe and Henry Ephron (parents of screenwriter/director Nora Ephron).

And of course, her extraordinary performances that grace every film she's in - from On Golden Pond to The Rainmaker; from The Madwoman of Chaillot to Long Day's Journey into Night; from Summertime to Bringing Up Baby to Adam's Rib to Pat and Mike to African Queen to Holiday to Bill of Divorcement to . . . well, you fill in your favorite. There are far too many to name here.

"Wouldn't it be great if people could get to live suddenly as often as they die suddenly?"

Hepburn's mind worked in that quirky way. But in fact, she does get to come alive suddenly, every time a projector is turned on, and a screen is set up in a park somewhere, and an audience gathers. We're glad to present at least a few of those "come to life" moments of Kate's. That twentysomething girl, draped so casually across a wicker chair so many decades ago was so much more than a college girl home for spring break. Vanity Fair knew it. We know it too. Come celebrate her genius with us.

-- Kenn Rabin

from a film night honoring her
(taken from filmnight.org)

geocities.com/littleangel129

worldroots.com

 

[Orchide]

Personal quotes

"People have grown fond of me, like some old building."

"If you always do what interests you, at least one person is pleased."

"I'm a personality as well as an actress. Show me an actress who isn't a personality, and you'll show me a woman who isn't a star."

"Wouldn't it be great if people could get to live suddenly as often as they die suddenly?"

"I don't regret anything I've ever done; As long as I enjoyed it at the time."

"Love' has nothing to do with what you are expecting to get - only with what you are expecting to give - which is everything."

"I often wonder whether men and women really suit eachother. Perhaps they should live next door and just visit now and then."

"I've been loved, and I've been in love. There's a big difference."

"Not everyone is lucky enough to understand how delicious it is to suffer."

"There are no laurels in life...just new challenges."

On Hollywood: "They didn't like me until I got into a leg show."

"A really strong character, honest and direct like a man. It was a pleasure to play with her and get to know her." - John Wayne

"I can't say I believe in prizes. I was a whiz in the three-legged race - that's something you CAN win."

"Afraid of death? Not at all. Be a great relief. Then I wouldn't have to talk to you."

"She runs the gamut of emotions from A to B." - Dorothy Parker reveiewing Hepburn's performance in Spitfire (1934). (Kate later said the remark was, "Extremely accurate and funny.")

"Once a crowd chased me for an autograph. 'Beat it, ' I said, 'go sit on a tack!' 'We made you, ' they said. 'Like hell you did, ' I told them."

On fashion: "I wear my sort of clothes to save me the trouble of deciding which clothes to wear."

"My father, a surgeon and urologist, studied sex professionally all his life. Before he died at 82, he told me he hadn't come to any conclusions about it at all."

On marriage: "It's bloody impractical. 'To love, honor, and obey.' If it weren't, you wouldn't have to sign a contract."

"I discovered early on - get a tough director." later said the remark was "Extremely accurate and funny.")

"At my age, you don't get much variety - usually some old nut who's off her track."

"With all the opportunities I had, I could have done more. And if I'd done more, I could have been quite remarkable."

"I find a woman's point of view much grander and finer than a man's."

"I remember as a child going around with Votes For Women balloons. I learnt early what it is to be snubbed for a good cause."

"Life is full of censorship. I can't spit in your eye."

"Only when a woman decides not to have children, can a woman live like a man. That's what I've done."

"Acting is a nice childish profession - pretending you're someone else and at the same time selling yourself."

"It's a bore - B-O-R-E - when you find you've begun to rot."

"Plain women know more about men than beautiful ones do."

"Life is hard. After all, it kills you."

"I think most of the people involved in any art always secretly wonder whether they are really there because they're good - or because they're lucky."

"I never realized until lately that women were supposed to be inferior."
(imdb)

angelfromoz.com

love this Hurrell shot

ultimateart.com

 

[Orchide]

silverscreensirens.com

 

[arlekindearrabal]

i just saw "alice adams" yesterday... what a lovingly sad movie! i adored it

i had never seen her act, now i understand why she is so revered, it comes through even in that meager, pathetic role that she was a fierce, strong, intelligent woman

 

[thehepburn]

If people say that KH didnt deserve to win the Oscar some years or she has no range, I point to her performance in ALICE ADAMS where she was definitely robbed. I always thought this was her greatest performance of her early years. She was so luminous and vurnable, so difference from most of her other characters.

Bette Davis won the Oscar that year for DANGEROUS. It was a consolation Oscar because she didnt win the yr before for OF HUMAN BONDAGE. Even Bette Davis herself said that Kate should have won it.

 

[Merrysage]

"I never realized until lately that women were supposed to be inferior."

I loved the high waisted, wide legged trousers she wore. Which, incidentally, flatter most figures.

She used the staff entrance to Claridge's, when meeting Spencer Tracey, rather than give up her trademark trousers. Trousers on a woman, at that time, were not deemed appropriate attire in a hotel like Claridge's.

 

[Mirik]

http://allqueericons.livejournal.com/9174.html


http://img104.imagevenue.com/img.php?image=44410_0002gfth_122_526lo.jpghttp://img148.imagevenue.com/img.php?image=44449_allqueericons_122_536lo.jpg

 

[outdoorminer]

I wish Scorcese would make a full-length biopic starring Cate Blanchett! (he did the Aviator, she was Katharine in it.)

I can't believe this thread doesn't have more posts and pictures!

 

[outdoorminer]

corbis

 

[outdoorminer]

corbis

 

[outdoorminer]

corbis

 

[outdoorminer]

 

[outdoorminer]

corbis

 

[outdoorminer]

 

[outdoorminer]

 

[outdoorminer]