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Monroe 'Murder' Documentary On The Way.​


The late Marilyn Monroe is the subject of a new documentary which claims to expose vital information and evidence pointing to the screen star's alleged murder.
Keya Morgan, a dealer in historical documents and manuscripts, is not convinced with the official cause of Monroe's death - that she died of an overdose of sleeping pills in August 1962.
Morgan is convinced there is more to the mysterious circumstances surrounding her untimely death and made the documentary after becoming friends with Monroe's ex-husbands, James Dougherty and Arthur Miller.
The film is tentatively titled Death on Helena Dr., and features interviews with Monroe's neighbour Abe Landau, Beverly Hills detective Lynn Franklin, former Los Angeles Police Chief Darryl Gates and Lapd Officer Jack Clements, who was the first on the scene the night of the actress' death.

He tells the New York Daily News, "I have interviewed the Fbi agent who is now in his late 80s, with prostate cancer, who was listening in on Marilyn in a van outside her home the night she died."

"He saw (then U.S. Attorney General) Bobby Kennedy and other men go inside the house. He heard them screaming and yelling in the guest cottage. They were in the guest cottage, not in her bedroom where her body was found".

News of the new documentary follows recent plans by British author Keith Badman to release a book naming Monroe's alleged 'killers'.

source: femalefirst.co.uk (3rd August 2007)





archive.xusenet
 
Motion Picture Magazine, January 1954​


Q: Is it true you dress for men?
MM: Don't most women dress for men? Isn't it true that men and women have mutual appreciation of each other?

Q: Why do you wear low cut gowns?
MM: I haven't really noticed.

Q: What do you do in your spare time?
MM: When an actress is building her career in pictures, as I am, there is very little spare time. What little there is I spend in reading and studying.

Q: In Niagara, were you clad only in a sheet when you were lying in bed, or were you wearing other clothes underneath?
MM: I always wear clothes appropriate to the occasion.

Q: What is your description of the ideal man?
MM: Someone who is gentle and considerate - but I've never thought of one 'ideal man'. I doubt if there is such a person.

Q: How do you feel about being the sexiest girl in Hollywood?
MM: Isn't that a 'loaded question'?

Q: What do you do to keep your body so beautiful?
MM: I walk, exercise and study body control.

Q: What do you think of girls in pictures who try to imitate you?
MM: This is a free and democratic country and no-one has a monopoly on anything.

Q: What is your age, birthplace and nationality?
MM: I was born in Los Angeles on June 1st. I'm an American.

Q: How many different boyfriends do you have a week?
MM: I think you've been reading too many gossip columns.

Q: Are you happy being the type you are, or would you rather be more like Ann Blyth or Jeanne Crain?
MM: I am content to be Marilyn Monroe, to the best of my ability. Being one's self is a twenty-four hour a day job anyway isn't it?

Q: What is your worst fault?
MM: I probably have many, but my worst is my difficulty in remembering that there are only 60 minutes in an hour. I'm variably late, but I can't break myself of it.

Q: Do you like to dress up and go out at night to formal affairs?
MM: No. I don't go to many formal affairs, and when I do I usually go by myself because I want to, or else with someone from the studio. These formal affairs are in the line of duty, anyway.

Q: Do you think it is rude, or do you like it when men whistle at you?
MM: Any girl who resents whistles should live on a desert island.

Q: What are your measurements?
MM: Bust 37, waist 23.5, hips 37.5 - or so they tell me.

Q: Is it true that you really posed for calendar pictures?
MM: Yes.
Q: Do you act the same off screen as you do on?
MM: When I work I act; when I'm home I don't act. Do you do the same things at home as when you're working at your job as secretary, salesgirl, teacher, clerk or whatever? Why bring your work home with you?

Q: What is your favourite pastime?
MM: Walking. I can walk alone for hours and enjoy it.

Q: Were you popular at school?
MM: I won no popularity awards, but I did have a number of good friends.

Q: How many dates do you have a week?
MM: When I'm working in a picture I have no time to go out. Besides, I don't think in terms of dates per week, that's silly. If someone asks me to go out, and I find his company enjoyable, I go out with them. If not then I'd rather stay home.

Q: If you weren't an actress, what would you want to be?
MM: It's funny, but I've never thought of being anything but an actress.

Q: Do you walk in real life the way you did in Niagara?
MM: I never think about the way I walk. But since I was playing a certain type of girl in the picture who was not myself, and since the way I walked helped emphasize her, I walked as I did. I'm sure my real life walk is not exactly the same.

Q: Are you happy with the type of publicity you get or would you rather be known for something else besides your figure?
MM: I want to be known as a good actress.

Q: Who was your first love?
MM: No-one you would know.

Q: Are you sultry and sexy by nature and do you enjoy being this type?
MM: What is a type? I am myself - Marilyn Monroe.

Q: What are your favourite hobbies?
MM: Swimming, collecting records, reading and dancing, when I have time.

Q: What is the truth about your romance with Joe DiMaggio?
MM: Mr DiMaggio is a good friend and a gentleman I greatly admire.

Q: Have you a temper, and what makes you lose it?
MM: I have a little temper, and I really lose it when people write untruths about me.

Q: What attracts you first to a man, his looks or personality?
MM: It depends on the man, but I'd say that personality means more. However, a sense of humour is a wonderful help as far as I'm concerned in sizing up a man's personality.

Q: Who is your best girlfriend?
MM: I don't have a best girlfriend, but I do have many good friends whose companionship is worth much to me.

Q: Was there friction between you and Jane Russell when you were making Gentlemen Prefer Blondes?
MM: None whatsoever. I don't know why this rumor sprang up unless people just can't believe that two women can work together in harmony. I consider Jane to be one of the sweetest persons I've ever met, and I'm happy to call her my friend.

Q: What's your idea of a good time when dating?
MM: I like a quiet evening with someone whose personality and conversation intrigues me.

Q: How do you feel about criticism of your low cut gowns?
MM: I don't like unfair criticism at any time. Do you? I feel that some of the criticism has been unfair.

Q: What kind of man do you want to marry?
MM: How can I say? I'm not thinking of marrying at the moment. I do want to get married and have children some day, that's for sure, but I'll cross the career-marriage bridge when I get to it.

Q: What kind of life did you live before you became a star?
MM: There were some difficult days and some pleasant ones. I went to school, held down a number of jobs, looked for openings in pictures all the time, had many disappointments which were very crushing and finally reached some small measure of success.

Q: Do you ever want to play something besides a siren on the screen?
MM: Certainly. I want to play a variety of roles. I don't think it's good to be typed.

source: doheny.demon.co.uk
(I hope I'm not reposting. I searched this threat for my source doheny.demon and for Motion Picture and got 0 matches).






archive.xusenet
 
You are really fabulous.. you know even though I dont find her a natural beauty.. more fake but I love her personalityy.
 
Interview written by Richard Meryman in 1962
(on the site it says it was her last one)


Sometimes wearing a scarf and a polo coat and no make up and with a certain attitude of walking, I go shopping or just looking at people living. But then you know,there will be a few teenagers who are kind of sharp and they'll say, "Hey, just a minute. You know who I think that is?" And they'll start tailing me. And I don't mind. I realize some people want to see if you're real.The teenagers, the little kids, their faces light up. They say, "Gee," and they can't wait to tell their friends. And old people come up and say, "Wait till I tell my wife." You've changed their whole day. In the morning, the garbage men that go by 57th Street when I come out the door say, "Marilyn, hi! How do you feel this morning?" To me,it's an honor, and I love them for it. The working men, I'll go by and they'll whistle. At first they whistle because they think, oh, it's a girl. She's got blond hair and she's not out of shape, and then they say, "Gosh,it's Marilyn Monroe!" And that has it's, you know, those are times it's nice. People knowing who you are and all of that, and feeling that you've meant something to them.

I don't know quite why, but somehow I feel they know that I mean what I do, both when I'm acting on the screen or when if I see them in person and greet them. That I really always do mean hello, and how are you? In their fantasies they feel "Gee,it can happen to me!"





But when you're famous you kind of run into human nature in a raw kind of way. It stirs up envy, fame does. People you run into feel that, well, who is she who does she think she is, Marilyn Monroe? They feel fame gives them some kind of privilege to walk up to you and say anything to you, you know, of any kind of nature and it won't hurt your feelings. Like it's happening to your clothing.
One time here I am looking for a home to buy and I stopped at this place. A man came out and was very pleasant and cheerful, and said, "Oh, just a moment, I want my wife to meet you." Well,she came out and said, "Will you please get off the premises?" You're always running into peoples unconscious. Let's take some actors or directors. Usually they don't say it to me, they say it to the newspapers because that's a bigger play. You know, if they're only insulting me to my face that doesn't make a big enough play because all I have to say is, "See you around, like never." But if it's in the newspapers, it's coast to coast and all around the world. I don't understand why people aren't a little more generous with each other. I don't like to say this, but I'm afraid there is alot of envy in this business.
The only thing I can do is stop and think, "I'm all right but I'm not so sure about them!" For instance, you've read there was some actor that once said that kissing me was like kissing Hitler. Well, I think that's his problem. If I have to do intimate love scenes with somebody who really has these kinds of feelings toward me, then my fantasy can come into play. In other words, out with him, in with my fantasy. He was never there.





But one thing about fame is the bigger the people are, the simpler they are, the more they are not awed by you! They don't feel they have to be offensive, they don't feel they have to insult you. You can meet Carl Sandburg and he is so pleased to meet you. He wants to know about you, and you want to know about him. Not in any way has he ever let me down. Or else you can meet working people who want to know what it is like. You try to explain to them. I don't like to disillusion them and tell them it's sometimes nearly impossible. They kind of look toward you for something that's away from their everyday life. I guess you call that entertainment, a world to escape into, a fantasy.
Sometimes it makes you a little bit sad because you'd like to meet somebody kind of on face value. It's nice to be included in peoples fantasies but you also like to be accepted for your own sake. I don't look at myself as a commodity, but I'm sure alot of people have. Including, well, one corporation in particular which shall be nameless. If I'm sounding picked on or something, I think I am. I'll think I have a few wonderful friends and all of a sudden, ooh, here it comes. They do alot of things. They talk about you to the press, to their friends, tell stories, and you know, it's disappointing. These are the ones you aren't interested in seeing everyday of your life.

Of course, it does depend on the people, but sometimes I'm invited places to kind of brighten up a dinner table like a musician who'll play the piano after dinner, and I know you're not really invited for yourself. You're just an ornament.





When I was 5 I think, that's when I started wanting to be an actress. I loved to play. I didn't like the world around me because it was kind of grim, but I loved to play house. It was like you could make your own boundaries. It goes beyond house, you could make your own situations and you could pretend, and even if the other kids were a little slow on the imagining part you could say, "Hey, what about if you were such and such, and I were such and such wouldn't that be fun?" And they'd say, "Oh, yes," and then I'd say, "Well, that will be a horse and this will be..."it was play, playfulness. When I heard that this was acting, I said that's what I want to be. You can play. But then you grow up and find out about playing, that they make playing very difficult for you. Some of my foster families used to send me to the movies to get me out of the house and there I'd sit all day and way into the night. Up in front, there with the screen so big, a little kid all alone, and I loved it. I loved anything that moved up there and I didn't miss anything that happened and there was no popcorn either.

When I was 11, the whole world which was closed to me. I just felt I was on the outside of the world. Suddenly, everything opened up. Even the girls paid a little attention to me because they thought, "Hmmm, she's to be dealt with!" And I had this long walk to school 2 1/2 miles to school, 2 1/2 miles back. It was just sheer pleasure. Every fellow honked his horn you know, workers driving to work, waving, you know, and I'd wave back. The world became friendly.
All the newspaper boys when they delivered the paper would come around to where I lived, and I used to hang from the limb of a tree, and I had sort of a sweatshirt on. I didn't realize the value of a sweatshirt in those days, and then I was sort of beginning to catch on, but I didn't quite get it, because I couldn't really afford sweaters. But here they come with their bicycles, you know, and I'd get these free papers and the family liked that, and they'd all pull their bicycles up around the tree and then I'd be hanging, looking kind of like a monkey, I guess. I was a little shy to come down. I did get down to the curb, kinda kicking the curb and kicking the leaves and talking, but mostly listening. And sometimes the family used to worry because I used to laugh so loud and so gay; I guess they felt it was hysterical. It was just this sudden freedom because I would ask the boys, "Can I ride your bike now?" and they'd say, "Sure." Then I'd go zooming, laughing in the wind, riding down the block, laughing, and they'd all stand around and wait till I came back, but I loved the wind. It caressed me. But it was kind of a double edged thing. I did find too, when the world opened up that people took alot for granted, like not only could they be friendly, but they could suddenly get overly friendly and expect an awful lot for very little. When I was older, I used to go to Grauman's Chinese Theater and try to fit my foot in the prints in the cement there. And I'd say, "Oh, oh, my foot's too big! I guess that's out." I did have a funny feeling later when I finally put my foot down into that wet cement. I sure knew what it really meant to me. Anything's possible, almost.





It was the creative part that kept me going, trying to be an actress. I enjoy acting when you really hit it right. And I guess I've always had too much fantasy to be only a housewife. Well, also, I had to eat. I was never kept, to be blunt about it. I always kept myself. I have always had a pride in the fact that I was my own. And Los Angeles was my home, too, so when they said, "Go home!" I said, "I am home."
The time I sort of began to think I was famous, I was driving somebody to the airport, and as I came back there was this movie house and I saw my name in lights. I pulled the car up at a distance down the street, it was too much to take up close, you know, all of a sudden. And I said, "God, somebody's made a mistake." But there it was, in lights. And I sat there and said, "So that's the way it looks," and it was all very strange to me, and yet at the studio they had said, "Remember you're not a star." Yet there it is up in lights. I really got the idea I must be a star, or something from the newspapermen, I'm saying men, not the women who would interview me and they would be warm and friendly.
By the way, that part of the press, you know, the men of the press, unless they have their own personal quirks against me, they were always very warm and friendly and they'd say, "You know, you're the only star," and I'd say, "Star?" and they'd look at me as if I were nuts. I think they, in their own kind of way, made me realize I was famous.





Source for interview: norma2marilyn.com
Source for pics: archive.xusenet
 
I remember when I got the part in Gentlemen Prefer Blondes. Jane Russell, she was the brunette in it and I was the blonde. She got $200,000 for it, and I got my $500 a week, but that to me was ,you know, considerable. She by the way, was quite wonderful to me. The only thing was I couldn't get a dressing room. I said, finally, I really got to this kind of level, I said, "Look, after all, I am the blonde, and it is Gentlemen Prefer Blondes!" Because still they always kept saying, "Remember, you're not a star." I said, "Well, whatever I am, I am the blonde!" And I want to say the people, if I am a star, the people made me a star. No studio, no person, but the people did. There was a reaction that came to the studio, the fan mail, or when I went to a premiere, or the exhibitors wanted to meet me. I didn't know why. When they all rushed toward me I looked behind me to see who was there and I said, "My heavens!" I was scared to death. I used to get the feeling, and sometimes I still get it, that sometimes I was fooling somebody. I don't know who or what, maybe myself.





I've always felt toward the slightest scene, even if all I had to do in a scene was just to come in and say, "Hi," that the people ought to get their money's worth and that this is an obligation of mine, to give them the best you can get from me. I do have feelings some days when there are scenes with alot of responsibility toward the meaning, and I'll wish, "Gee, if only I had been a cleaning woman." On the way to the studio I would see somebody cleaning and I'd say, "That's what I'd like to be. That's my ambition in life." But I think that all actors go through this. We not only want to be good, we have to be. You know, when they talk about nervousness, my teacher, Lee Strasberg, when I said to him, "I don't know what's wrong with me but I'm a little nervous," he said, "When you're not, give up, because nervousness indicates sensitivity." Also, a struggle with shyness is in every actor more than anyone can imagine. There is a censor inside us that says to what degree do we let go, like a child playing. I guess people think we just go out there, and you know, that's all we do. Just do it. But it's a real struggle. I'm one of the world's most self conscious people. I really have to struggle.





An actor is not a machine, no matter how much they want to say you are. Creativity has got to start with humanity and when you're a human being, you feel, you suffer. You're gay, you're sick, you're nervous or whatever. Like any creative human being, I would like a bit more control so that it would be a little easier for me when the director says, "One tear, right now," that one tear would pop out. But once there came two tears because I thought, "How dare he?" Goethe said, "Talent is developed in privacy," you know? And it's really true. There is a need for aloneness which I don't think most people realize for an actor. It's almost having certain kinds of secrets for yourself that you'll let the whole world in on only for a moment, when you're acting. But everybody is always tugging at you. They'd all like sort of a chunk of you. They kind of like to take pieces out of you. I don't think they realize it, but it's like "rrr do this, rrr do that." But you do want to stay intact. Intact and on two feet.






I think that when you are famous every weakness is exaggerated. This industry should behave like a mother whose child has just run out in front of a car. But instead of clasping the child to them, they start punishing the child. Like you don't dare get a cold. How dare you get a cold! I mean, the executives can get colds and stay home forever and phone it in, but how dare you, the actor, get a cold or a virus. You know, no one feels worse than the one who's sick.
I sometimes wish, gee, I wish they had to act a comedy with a temperature and a virus infection. I am not an actress who appears at a studio just for the purpose of discipline. This doesn't have anything at all to do with art. I myself would like to become more disciplined within my work. But I'm there to give a performance and not to be disciplined by a studio! After all, I'm not in a military school. This is supposed to be an art form, not just a manufacturing establishment. The sensitivity that helps me to act, you see, also makes me react. An actor is supposed to be a sensitive instrument. Isaac Stern takes good care of his violin. What if everybody jumped on his violin?






If you've noticed in Hollywood where millions and billions of dollars have been made, there aren't really any kind of monuments or museums, and I don't call putting your footprint in Grauman's Chinese a monument, all right this did mean a lot, sentimentally at the time. Gee, nobody left anything behind, they took it, they grabbed it and they ran, the ones who made the billions of dollars, never the workers.

You know alot of people have, oh gee, real quirky problems that they wouldn't dare have anyone know. But one of my problems happens to show, I'm late. I guess people think that why I'm late is some kind of arrogance and I think it is opposite of arrogance. I also feel that I'm not in this big American rush, you know, you got to go and you got to go fast but for no good reason. The main thing is, I want to be prepared when I get there to give a good performance or whatever to the best of my ability. A lot of people can be there on time and do nothing, which I have seen them do, and you know, all sit around and sort of chit chatting and talking trivia about their social life. Gable said about me, "When she's there, she's there. All of her is there! She's there to work."





I was honored when they asked me to appear at the President's birthday rally in Madison Square Garden. There was like a hush over the whole place when I came on to sing Happy Birthday, like if I had been wearing a slip I would have thought it was showing, or something. I thought, "Oh, my gosh, what if no sound comes out!"

A hush like that from the people warms me. It's sort of like an embrace. Then you think, by God, I'll sing this song if it's the last thing I ever do. And for all the people. Because I remember when I turned to the microphone I looked all the way up and back, and I thought, "That's where I'd be, way up there under one of those rafters, close to the ceiling, after I paid my $2 to come into the place." Afterwards they had some sort of reception. I was with my former father-in-law, Isadore Miller, so I think I did something wrong when I met the President. Instead of saying, "How do you do?" I just said "This is my former father-in-law, Isadore Miller." He came here an immigrant and I thought this would be one of the biggest things in his life, he's about 75 or 80 years old and I thought this would be something that he would be telling his grandchildren about and all that.
I should have said, "How do you do, Mr.President," but I had already done the singing, so well you know. I guess nobody noticed it. Fame has a special burden, which I might as well state here and now. I don't mind being burdened with being glamorous and sexual. But what goes with it can be a burden. Like the man was going to show me around but the woman said, "Off the premises." I feel that beauty and femininity are ageless and can't be contrived, and glamour, although the manufacturers won't like this, cannot be manufactured. Not real glamour, it's based on femininity. I think that sexuality is only attractive when it's natural and spontaneous. This is where alot of them miss the boat. And then something I'd just like to spout off on. We are all born sexual creatures, thank God, but it's a pity so many people despise and crush this natural gift. Art, real art, comes from it, everything.



Source for interview: norma2marilyn.com
Source for pics: archive.xusenet
 
I never quite understood it, this sex symbol. I always thought symbols were those things you clash together! That's the trouble, a sex symbol becomes a thing. I just hate to be a thing. But if I'm going to be a symbol of something I'd rather have it sex than some other things they've got symbols of! These girls who try to be me, I guess the studios put them up to it, or they get the ideas themselves. But gee, they haven't got it. You can make alot of gags about it like they haven't got the foreground or else they haven't the background. But I mean the middle, where you live.





All my stepchildren carried the burden of my fame. Sometimes they would read terrible things about me and I'd worry about whether it would hurt them. I would tell them, don't hide these things from me. I'd rather you ask me these things straight out and I'll answer all your questions. Don't be afraid to ask anything. After all, I have come up from way down.

I wanted them to know of life other than their own. I used to tell them, for instance, that I worked for 5 cents a month and I washed one hundred dishes, and my step kids would say, "One hundred dishes!" and I said, "Not only that, I scraped and cleaned them before I washed them. I washed them and rinsed them and put them in the draining place, but I said, "Thank God I didn't have to dry them." Kids are different from grown ups. You know when you get grown up you can get kind of sour, I mean that's the way it can go, but kid's accept you the way you are. Fame to me certainly is only a temporary and a partial happiness, even for a waif and I was brought up a waif. But fame is not really for a daily diet, that's not what fulfills you. It warms you a bit but the warming is temporary. It's like caviar, you know, it's good to have caviar but not when you have it every meal every day.





I was never used to being happy, so that wasn't something I ever took for granted. I did sort of think, you know, marriage did that. You see, I was brought up differently from the average American child because the average child is brought up expecting to be happy. That's it, successful, happy, and on time. Yet because of fame I was able to meet and marry two of the nicest men I'd ever met up to that time.

I don't think people will turn against me, at least not by themselves. I like people. The "public" scares me but people I trust. Maybe they can be impressed by the press or when a studio starts sending out all kinds of stories. But I think when people go to see a movie, they judge for themselves. We human beings are strange creatures and still reserve the right to think for ourselves.

Once I was supposed to be finished, that was the end of me. When Mr. Miller was on trial for contempt of Congress, a certain corporation executive said either he named names and I got him to name names, or I was finished. I said, "I'm proud of my husband's position and I stand behind him all the way," and the court did too. "Finished," they said. "You'll never be heard of."





It might be a kind of relief to be finished. It's sort of like, I don't know, what kind of a yard dash you're running, but then you're at the finish line and you sort of see you've made it! But you never have. You have to start all over again. But I believe you're always as good as your potential.

I now live in my work and in a few relationships with the few people I can really count on. Fame will go by and, so long, I've had you fame. If it goes by, I've always known it was fickle. So at least it's something I experienced, but that's not where I live.





Source for interview: norma2marilyn.com
Source for pics: archive.xusenet
 
susa31 said:
Motion Picture Magazine, January 1954​
Click to expand...
Great Q&A! Rather than getting overly defensive or too explanatory, Marilyn answers those blunt questions with retorts people are still quoting today. I love it.
 
susa! thank you for those adorable pics!
I love your posts - karma for you!! :flower:
 
Thank you so much Susa31 for your pics! I love them. Some I have never seen before.
For the first time I have an avatar. I have finally understand how to get one. I choose the picture from the movie Niagara. I found it at a Marilyn fan site. They have over hundred Marilyn avatars. Take a look if you want at this link.
http://www.marilynfan.org/avatars.php
 
Platinum Blonde said:
Thank you so much Susa31 for your pics! I love them. Some I have never seen before.
For the first time I have an avatar. I have finally understand how to get one. I choose the picture from the movie Niagara. I found it at a Marilyn fan site. They have over hundred Marilyn avatars. Take a look if you want at this link.
http://www.marilynfan.org/avatars.php
Click to expand...


:flower:

Thank you for the link....there are some really lovely avatars on that site...maybe I'll use one of them if I change mine the next time! ^_^








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