Vœu D'Artifices Photographer: Paolo Roversi Model: Lara Stone Styling: Aleksandra Woroniecka Hair: Christian Eberhard Make-Up: Lucia Pica Nails: Elsa Deslandes
I like the use of digital noise and color-shifting in the Lara ed, but not so convinced that the blurriness is a positive component of this "embrace", if that's what it is, of digital imaging.
Really love how Roversi has added color to some of these b&w shots. Really beautiful ed and Lara, although it looks like she only has two looks throughout the entire ed, looks amazing.
I kind of wish to see Lara in more dynamic photo sessions rather than a close up on her face, don't get me wrong! I loooove Lara's signature open-mouth-gap-tooth-blank-stare look, but i'm kind of at the point where i'm like "mmhmm, yea that's ok, but i've seen this a dozen times...come on photographers" lol.
You know there are few woman who can be photographed as beautifully as Lara in a black and white, grey background photoshoot. She is just startlingly captivating.
I'm still forming an opinion about Paolo Roversi (and Peter Lindbergh) in digital. The amount of processing involved in film photography seems outlandish now, and I love the accessibility of digital, but perhaps there have to be some artists whose best work was defined by the film era. It would be like Clara Bow or Theda Bara... I'm not an opponent of movies with dialogue, but those actresses are remembered as great silent stars, the same way I tend to remember Roversi as a great film photographer, with a sigh. Of course, it's still a good editorial by general standards.
24 h Dans La Vie D'Une Femme (Part I) Photographer: Cédric Buchet Model: Guinevere Van Seenus Styling: Aleksandra Woroniecka Hair: David Von Cannon Make-Up: Romy Soleimani Nails: Meg
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