Confounding and awkard, the colors are very Margiela by Galliano and there's even some similar (de)construction techniques. In the end it doesn't make sense for the house and that's the worst part.
Isn't Nina Ricci always about romance and femininity as far as I could remember? I think Olivier elevated the brand to an unprecedented level and Peter has a good tenure by capturing its femininity so well(not in a sense of innovation). I have a feeling that this brand has been suffering since then.
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.