Runway Makeup S/S 10

[flyme2themoon]

Monique Lhuillier

L.A.M.B



Source: daylife.com

 

[flyme2themoon]

Ports 1961

Prabal Gurung

Source: nymag.com

 

[flyme2themoon]

Rosa Chá

Source: nymag.com

 

[flyme2themoon]

Jen Kao

Vena Cava

Source: nymag.com

 

[flyme2themoon]

Elie Tahari

BCBG Max Azria

Source: nymag.com

 

[jacquelineo]

A close up shot of the makeup at Rosa Cha
Daylife

 

[jacquelineo]

Davidelfin

daylife

 

[chicandcool]

I'm kinda digging the plum lipstick. I'm not sure it would look good on me though.

 

[flyme2themoon]

Jason Wu

Source:
nymag.com
The last three (cropped) photos are from daylife.com

 

[The_Ida]

Erin Wasson x RVCA

style.com

Uhm...why so orange?

 

[flyme2themoon]

Nicole Miller

Source: daylife.com (photos cropped by me)

 

[flyme2themoon]

Luca Luca

Source: nymag.com

 

[flyme2themoon]

Yigal Azrouël

Source: daylife.com (photos cropped by me)

 

[flyme2themoon]

Cynthia Rowley

Preen

Source: nymag.com and style.com

 

[ChloeFrancoise]

Why so very orange? It's not even like it's slightly orange.

I like the looks from Nicole Miller, Yigal Azrouël and Luca Luca and I'll be waiting to see what else I like.

 

[flyme2themoon]

Rag & Bone

Source: style.com

 

[flyme2themoon]

Alexander Wang

Altuzarra

Source: nymag.com

 

[flyme2themoon]

Karen Walker

United Bamboo

Source: nymag.com

 

[flyme2themoon]

Vena Cava Goes Deep For Spring

Vena Cava Goes Deep For Spring
September 11, 2009

When we made our way to the second floor of Milk Studios for Vena Cava, our first backstage encounter at the revamped venue, we were greeted by an unexpected sight. Models were walking between the hair and makeup stations sporting deep violet pouts, a hue that tends to be included in the fall color palette more so than spring. Makeup doesn’t have to be seasonal,” makeup artist Lloyd Simmonds explained of the custom color he created using four different shades of MAC Pro Lipmix in White, Burgundy, Red, and Blue. Unwilling to make the call that darker lip shades will persist into next year (”this is my first show!” he quipped), Simmonds did mention that his motivation to stray from the pastel lilacs more suitable to the season had little to do with a desire to break the mold and was actually a direct correlation with the collection itself. “It comes from the clothes,” he said of the color, which he kept matte for a touch of sophistication, a word hairstylist Ted Gibson also used to describe his coifs. Gibson called his messy chignons “sophisticated chic. Not too put-together, put still put-together,” a dichotomy he achieved by twisting the models’ ponytails before pinning them into buns and pulling pieces out in the back for texture. The nails were a similar mix of business casual, a turquoise/cobalt shade Butter London’s Nonie Creme whipped up especially for the occasion. “We’re calling it Corporate Blue,” she said of the bright lacquer, a reference to the background color of a Staples ad the designers sent her way for a point of reference. It’s all about finding inspiration in the everyday, no?
Photo: Paul Morigi / Wire Image; Marcio Madeira

Source: style.com/beauty/beautycounter

 

[flyme2themoon]

A Small Piece Of Funkified Flair Backstage At Rag & Bone

A Small Piece Of Funkified Flair Backstage At Rag & Bone
September 12, 2009

The backstage story at Rag & Bone is essentially the same very year. The hair and makeup team of Teddy Charles for Frédéric Fekkai and Revlon’s Gucci Westman are out to create the quintessential Rag & Bone girl: “rock and roll, sexy, laid back,” as Charles put it at yesterday’s show. In beauty terms, that translates to rough and tousled hair, which Charles created using a few spritzes of Fekkai Tousled Wave Spray to make hair piece-y and Fekkai Au Naturel Dry Shampoo for a matte finish, and makeup that “enhances the girls’ natural features,” said Westman, who crafted a matte brown eye and a matte nude lip, which she added to a canvas of “squeaky clean skin.” This season, Westman also incorporated a “British bit” to the overall look, a touch of irreverent London street style to remind designers David Neville and Marcus Wainwright of home. Hence the acid yellow nail, a surprising embellishment that seemed to work well with the label’s utilitarian feel. Less surprising was the bottle of neon lacquer used for the effect: that would be Essie’s Funky Limelight, your favorite neon chartreuse and mine.
Photo: Courtesy of Essie; Don Ashby

Source: style.com/beauty/beautycounter