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I feel like someone who has such a high position in the field would be able to say, "You know there's 3 limbs there?" or "She looks fake."
Whoever has the 'creative' input into how the final image should look, holds a lot of responsibility. It would be impossible to totally eradicate the level of retouching that is done, but they should try and find a happy medium where the essence of the original shot is retained and it portrays a more 'realistic' image.
Well, one simple thing would be to save intermediate copies from the retouching process...
I don't think you quite 'get' the process of retouching... of course there are intermediate copies saved...
Wouldn't it be more damaging to self esteem if people saw images of someone like Lara Stone or Miranda Kerr with 'Unretouched' tagged on at the bottom of the page?
Either that or I could be applying the concept of irony to the conversation. Any point before Anja became three-legged would have been preferable, really, pox-marks or not.
Some of those ads that have come out from the likes of Ralph Lauren and Tommy Hilfiger would have been better with 10% of the retouching that was in fact done.
No, I don't think so, because it would harken back to the days of the "supers" when people knew that only a few people "naturally" looked like a model. Nowadays with photoshop every model and celebrity can look unnaturally gorgeous and flawless.
I am totally OK with the idea of the retoucher getting a credit along with the photographer, makeup artist and other contributors to the photo on the grounds of fairness if nothing else.
I don't object to the tagging although I suspect that when all is said and done, almost every photo with a human is going to carry the tag which brings us back to square one. The bestest shot on the roll representing the model and photographer werkin' it may have to be retouched because of a wayward lock of hair or an untucked shirt.
I am going to re-ask a question that I asked earlier and that is, is less time being allotted for photo shoots and if so, are the editors and other clients relying on post-production wizardry to make up for having (made up numbers) 250 photos to choose from rather than 500. I think that I have heard that less time is being allotted, especially for location shoots but can that be confirmed as well as if that has changed the role and importance of the post-production process?
Completely agree but again, those ads probably (not certain, but probably) were the art director's direction. Nothing a retoucher does can go past a director; the client is the one who dictates what to do and how far. Nothing can be published without the approval of the client.
There are tons of bad retouchers out there, as in any occupation, but nothing can go to press without the consent of the client.
EXACTLY. This is also one of the reasons why it is next to impossible for another supermodel to emerge. Celebrities have taken their place, and why? Because they can look just as good as models now. Julianne Moore, gorgeous 40-something, retouched (very well, I might add) to look younger than Karen Elson on Vogue Paris. Any US Vogue cover you look at, you see these flawless celebrities with their beautiful bodies and their glowy skin.
Models once represented a small genetic pool of women who had an out-of-world presence, of beauty. When every single person on a magazine cover can look like that now, well... there's no need for a model spokeswoman anymore.
Drew Barrymore for Cover Girl anyone?
While I am in no way excusing the "three legged model" look, and object to reshaping models faces or bodies, it is pretty clear to me that some retouching is required by most clients.
I remember the first time I did a shoot for a MUAs book, my thoughts were "I need to show off this persons skill, so will do minimal Photoshop work".
I removed obvious skin imperfections but left it at that (the MUA was very happy with the shots). Later that week I decided to try out a few Photoshop techniques on the skin to make it very smooth while retaining skin texture. I asked the MUA what she thought (I thought I might have overdone it) and she said she absolutely adored the shots and was amazed at how good they looked.
My guess is that untouched shots would be rejected by most magazines.