American Honey.
This film instantly reminded me of Larry Clark’s Kids. It has that brand of casual, candid tone that’s also impressive in just how beautifully captured the frames are: Part Apple advert, part music festival grunge. The kids in this story are like a pack of lost wild pups— eager to please and desperate to belong, from impoverished rural, middle-America, exploited by a matriarch that’s repulsive and enchanting— and her age also seems elusive. At times she’s a supportive cheerleader and just one of the guys of her gang, and at other times when she looms menacingly over those that have displeased her like a dominatrix. Either case, she’s gangster.
Sasha Lane is the star of the story (although Caul Lombardi is the runaway scene-stealer— what a body…). She’s riveting to watch. She’s the very strong, and silent type: Part Lolita-tease, part festival-kid, part streetkid, and a genuine innocent-at-heart but definitely no angel from the very start. I was fed up with her at times, and protective of her character at others. She has that genuine brash and still gentle attitude— much like Chloe’s Jenny from Kids.
The soundtrack is another star of the show. The sly manner it’s used, as a narrative rather than just to invoke tone or mood, is so impressive— progressing from all hip-hop swagger that the kids chant to like a tribal war cry to the final country track “American Honey”— that all the kids seemed to get lost to, gently revealing them all as just children swaying along to a simple siren song for a longing for a home. It’s a gorgeous finale to all the bravado from the start.
American Honey, Closet Monster and Nocturnal Animals are my top 3 films of 2016. (Hoping to add Rogue One to the list LOOOL)