Share with us... Your Best & Worst Collections of Haute Couture S/S 2025
I think it was their intent to make great quality basics because they didn't find the right ones for themselves...?Beautiful Stranger said:It's only basics...
satin chic said:I think it was their intent to make great quality basics because they didn't find the right ones for themselves...?
haute femme said:How great that they're making basics. Lines by celebrities normally put out the cheesiest crap, even by stylish people..so this is great. Probably pricey, right?
Ashley Olsen, in stilettos and wearing Ray-Bans, navigated a brick courtyard to a banquette in the back of the Polo Lounge at the Beverly Hills Hotel here, and diners did discreet double takes at the sight of the petite blonde.
This was a new Ashley Olsen, evolving her fashion identity to a sophisticated, sexy look that also is a business strategy as she and her twin sister, Mary-Kate, orchestrate the launch of their new high-end label, The Row.
Carrying a vintage Fendi crocodile tote and pairing a tight black Wolford tank dress worn as a miniskirt with a snug chocolate-colored leather jacket by Rick Owens, Olsen upturned the bag lady look she helped popularize.
For fall, Mary-Kate and Ashley Olsen, with the help of four staff members in production, sales and public relations, doubled the number of The Row’s offerings to include $3,220 Tuscan lamb-fur coats, $1,700 cashmere tuxedo jackets with three-quarter sleeves, $875 banded strapless dresses and $360 legging-style pants.
They also expanded distribution worldwide to 29 premium retailers, including 10 Corso Como in Milan, Maria Luisa in Paris, Harvey Nichols in London, Jeffrey in Atlanta, Isetan in Tokyo, DNA in Saudi Arabia and Holt Renfrew in Toronto and Vancouver. In comparison, the spring collection featured 28 knitwear pieces, such as silk Modal tanks retailing for $150 and floor-length Modal cardigans selling for $655, sold at Barneys New York across the U.S. and Maxfield in Los Angeles.
For complete coverage, see tomorrow's issue of WWD.