Tiffany & Co. - The All-Things Tiffany & Co. Thread

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Tiffany’s New French Owner Brings a Makeover—and a Culture Clash
LVMH aims to heighten the jeweler’s allure to elites abroad while preserving what makes it popular in America

By Suzanne Kapner / Dec. 23, 2021 7:56 am ET

The French takeover of Tiffany & Co. started with insults, lawsuits and accusations of mismanagement. Then things got really uncomfortable.

Soon after LVMH Moët Hennessy Louis Vuitton SE closed its $15.8 billion acquisition of the American jeweler last January, it replaced several of Tiffany’s senior leaders with executives from other parts of the LVMH empire. Some remaining employees joked that French lessons were a prerequisite for job security.

In April, a group of Tiffany staffers circulated an unsanctioned memo offering tips on “Franco-American cultural nuances and etiquette.” It advised against discussing weekend plans while waiting for a meeting to start. “French people share more negative feedback,” it warned. “Expect less warm and fuzzy: ‘amazing’, ‘fabulous’ and excessively positive comments are not the norm.”

Tiffany’s new chief executive, Anthony Ledru, denounced it after it circulated, disputing the notion that people had to assimilate to succeed at their jobs. He told his team “we are not aligned with this,” Mr. Ledru said in an interview at his Manhattan office.

Bridging the cultural divide is not the only challenge facing Tiffany’s new owner. The other is strategic. LVMH is trying to reboot what it sees as a sleepy brand that hasn’t kept pace with Cartier, Chopard and other luxury jewelers.

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‘There is something friendly, approachable and very American’ about Tiffany, said the CEO appointed by LVMH, Anthony Ledru.
PHOTO: VICTOR LLORENTE FOR THE WALL STREET JOURNAL

That means Tiffany will have to maneuver from a high-end but accessible American jeweler to one that is more exclusive and meant to appeal to wealthy European and Chinese buyers.

Tiffany holds a special place in American culture, from its iconic blue box to its idealized engagement rings. Its Fifth Avenue store was immortalized in the 1961 movie “Breakfast at Tiffany’s,” starring Audrey Hepburn.

“There is something friendly, approachable and very American” about Tiffany, Mr. Ledru said. He said he doesn’t want to lose those traits, even while nudging the jeweler more upmarket.

Pauline Brown, who was chairman of LVMH North America from 2013 through 2015, said Tiffany’s new management is underestimating the cultural challenges.

“The senior-most decision makers in Tiffany’s C-Suite are not American,” said Ms. Brown, now a Columbia Business School professor. “They assume that because they speak fluent English and, in some cases, have worked in America, that they understand the American mindset. But they are trying to impose a strategy that won’t necessarily gel for the brand’s core customers or employees.”

LVMH and Tiffany looked like the perfect union when the two agreed to the acquisition in late 2019. The combination paired a deep-pocketed French conglomerate with a famed but faded jeweler that was betting its future on an expansion into China and Europe.

Covid-19 threw the luxury industry into turmoil. Bernard Arnault, LVMH’s billionaire controlling shareholder and chief executive, demanded Tiffany lower the deal price. The jeweler refused and sued. LVMH tried to back out, saying Tiffany bungled its handling of the pandemic. In the end, LVMH agreed to buy Tiffany at a slight discount. The deal closed early in 2021.

LVMH, which owns dozens of brands, from the Christian Dior fashion house to jeweler Bulgari to Hennessy cognac, has struggled with its American acquisitions. It sold Donna Karan in 2016 after failing to turn around the money-losing fashion label. Marc Jacobs also lost money for years, though it turned a profit last year after layoffs at the brand.

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Tiffany's 'World’s Fair' necklace made of 180 carats of diamonds with an 80-carat diamond at its center, unveiled in Dubai in November.
PHOTO: TIFFANY & CO.

Mr. Arnault is under pressure to show investors the big Tiffany bet will pay off. To make Tiffany more competitive with other luxury brands, LVMH is orchestrating an overhaul that includes higher prices, a push to sell more high-end jewelry—such as a necklace made of 180 carats of diamonds with an 80-carat diamond at its center, unveiled in Dubai in November—and the introduction of new fine-jewelry collections, Mr. Ledru said.

Also in the works are new home and accessories collections and plans to open flagship stores around the world. The New York store, which has been under renovation since January 2020, is expected to reopen in time for next year’s holiday season. Tiffany has already supercharged its marketing by hiring Beyoncé and Jay-Z to star in campaigns as well as a raft of other celebrities.

“The Tiffany integration has moved forward smoothly and its performance has been strong,” LVMH’s director of financial communications, Christopher Hollis, told analysts in October.

Not everything has translated well.

At a town hall meeting with staffers in January 2021, Mr. Ledru responded to a comment about Tiffany’s progress hiring female executives by saying, “Leave some jobs for us men, because we need to work, too,” according to attendees.

Although employees understood that Mr. Ledru was joking, the comment didn’t sit well with some of them, given the sensitivity in corporate America about gender bias in the wake of the #metoo movement, the people said.

Mr. Ledru said in the interview that since he became CEO, two-thirds of jobs at the manager level and above have been filled by women. That is up from 60% before the acquisition, according to a Tiffany spokeswoman. “The facts speak for themselves,” Mr. Ledru said.

Tiffany recalled corporate staff to its New York headquarters two days a week on March 1, when many offices were still closed due to Covid-19, and monitored badge swipes, people familiar with the matter said. They added that if a group’s numbers are low, its manager is asked to fill out a form explaining why certain people didn’t come in.

Certain technology-focused divisions suffered high turnover as a result of the policy, with employees leaving for jobs that allowed them to continue working from home, one of the people said.

The company said the monitoring was for contact tracing and the paperwork for exemptions, which employees can get for health and other reasons.

In addition, said Mr. Ledru, “When you buy gemstones, you have to be in the office to grade them and assess the stones. When you are in product development, you have to see the proportions. Zoom works, but there are limitations.”


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A window display at the Tiffany store in Manhattan.
PHOTO: VICTOR LLORENTE FOR THE WALL STREET JOURNAL

Current policy is for corporate staff to work from the office four days a week. Mr. Ledru said the company is considering whether to relax the rules for employees in certain departments such as finance and technology. “We’re having discussions with our senior management about how to bring more flexibility to those functions,” he said. With the spread of the Omicron variant of Covid-19, the company is giving department heads more flexibility to decide whether some staff can work from home, a spokeswoman said.

In March, LVMH brought in architect Peter Marino, who has designed many Louis Vuitton shops to spearhead a review of the Fifth Avenue renovation. Some Tiffany employees who had spent years on the project were upset by the change in direction so late in the process.

“It was a tough discussion with the team,” Mr. Ledru said. “I remember telling them, ‘This is the way it works at LVMH. We challenge ourselves.’ We said, ‘Should we have the elevators where they’re planning to be? Why the stairs there?’ I mean, we really questioned it.”

LVMH decided to stick with the original structure but to have Mr. Marino redo decorative interior touches, including new lighting and cases.

In some ways, the 48-year-old Mr. Ledru is an ideal candidate to bridge the Franco-American divide. He has dual French-American citizenship and spent 16 years working in New York, including a stint as Tiffany’s senior vice president of North America from 2013 to 2014. He returned to Paris in 2017 as a Louis Vuitton executive. “When I went back to France, I was told I was a bit too American,” he said.

Under previous management, Tiffany had a more egalitarian culture, which made it a friendly place to work but also contributed to slow, bureaucratic decision making, according to people familiar with the matter. Now, some of them said, the company is run more efficiently by a tight group of mostly non-American executives that includes Alexandre Arnault, the 29-year-old son of Mr. Arnault.

Most recently CEO of LVMH-owned luggage brand Rimowa, Alexandre Arnault joined Tiffany in January 2021 as executive vice president of product and communications. In meetings, the younger Mr. Arnault, who is responsible for rebranding the jeweler, can influence the outcome of a debate by saying, “I spoke with BA and this is what we agreed on,” referring to his father. Through a spokeswoman, Alexandre Arnault declined to comment.

Mr. Ledru reduced the number of employees in meetings to around 10 from 40 or more, which has helped speed decisions, according to current and former executives. He decentralized some corporate functions and handed more responsibility back to regional divisions.

“When you have empowerment and accountability, then you get speed,” Mr. Ledru said. “A meeting where you have more than 10 people is a difficult meeting.”

Charles Lewis Tiffany, who founded the company in 1837, cemented his reputation as the “King of Diamonds” by purchasing jewels from fleeing French aristocrats following the 1848 abdication of King Louis-Philippe of France. In 1887 the company bought roughly one-third of the French crown jewels and sold them to Americans, including socialite Caroline Astor.

Jean Schlumberger, who designed for Tiffany from 1956 until his death in 1987 and created iconic pieces such as the “Bird on a Rock” brooch, was French. Mr. Ledru noted that Tiffany opened a buying office in Paris in 1850, an unusual move for an American company at that time.


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Jean Schlumberger's ‘Bird on a Rock’ brooch.
PHOTO: TIFFANY & CO.

Still, Tiffany remains very much a U.S. company. As of 2019, it got 43% of its sales from the Americas, putting it at a disadvantage to Cartier and other jewelers that have a larger presence in the lucrative Chinese market, analysts said. Overall sales totaled $4.4 billion in 2019, the last full year for which it reported results. Financial figures for Tiffany no longer are broken out.

Despite its blue box pedigree, Tiffany has long relied on less-expensive silver jewelry for a large chunk of its sales. Jewelry categories with an average price of $530 or less made up 45% of sales in 2016. Analysts worried that Tiffany was allowing the proliferation of silver jewelry to weaken the brand.

Under LVMH, Tiffany is raising prices on silver and in some instances pairing it with other precious metals and stones. Prices on certain collections are up 7% to 13% from 2020, according to the company. Increases are bigger for some items, such as a “Return to Tiffany” silver charm bracelet—$425, versus $300 a year ago. Some of the increases reflect the rising cost of raw materials, the company said.

“They are OK with losing some consumers,” said Erwan Rambourg, the head of consumer and retail research at HSBC. “They want to compete with Cartier, not with Zales.”

Tiffany is making a bigger effort to stress high-end jewelry such as Mr. Schlumberger’s Plum brooch with pink sapphires, diamonds and a 53-carat tanzanite gemstone that was part of its 2021 Blue Book collection on view in Shanghai in April.

Mr. Ledru said sales of high-end jewelry, with prices above $100,000, are up 50% in 2021 compared with 2019. This has helped spur a 35% increase in the average amount that consumers, particularly those under 40, are spending with the brand, he said. Total sales have increased 30% from 2019, according to a person close to the company.

Mr. Ledru said his team is scouting opulent properties beyond its signature Fifth Avenue location, including in Paris, Beijing and Shanghai. The company recently signed a lease on a former palazzo in Milan that it will transform into a store by 2023. “We’re going to go big, or we’re not going,” Mr. Ledru said. The company has about 332 stores world-wide.

A campaign unveiled in July with the tagline “Not Your Mother’s Tiffany” that features young, hip-looking models created a backlash on social media by customers who felt the slogan was insulting.

“I look up to my mom for her elegance and class,” said Victoria Stafford, a 22-year-old consultant in Logan, Utah, who has a heart-shaped Tiffany necklace that matches one her mother owns. “Why would I want to shop at a brand that is degrading her style?”

Mr. Ledru said the intended message was more along the lines of, “Not Just Your Mother’s Tiffany,” in the hopes of reaching a broader audience. “We knew there would be a strong dialogue,” he said. “We’re ready for that.”
WSJ
 
This is the "Not Your Mother's Tiffany" campaign, that was discussed in the article:


Tiffany & Co Instagram

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Tiffany & Co
 
That's funny - this campaign and the brand's latest zoomer shenanigans is making it more and more like Zales and farther away from their idealized Cartier positioning.
 
I went shopping a few weeks ago on 5th ave for a ring and stopped by Cartier first then Tiffany. The difference in overall experience in store is astounding. If they are hoping to convert current Cartier etc customers then a critical eye should be taken to branding, clienteling and creating high-touch experience with SAs. I couldn't even get an appointment and left after 10 minutes feeling like I was in a Zales/Pandora with the amount of foot traffic they had who were clearly (non-Asian) tourists window shopping.... I understand that's part of the business but they could at least create a separate floor that is a bit more gated for those that are looking to spend more money on the high AUR / non-silver pieces.
 
^ Maybe that'll be a feature when the renovation/expansion of the flagship is complete. But I have to ask, since you didn't book an appointment, when separates you (walking in off the street and spending 10 minutes in store without making a purchase) from the "non-Asian" tourists also walking in off the street and merely window shopping, in the eyes of the sales associates that should have signaled to them you were a serious customer ready to drop some serious coin and needed a gated experience? Were you flashing them your Black card or something?
 
^ Maybe that'll be a feature when the renovation/expansion of the flagship is complete. But I have to ask, since you didn't book an appointment, when separates you (walking in off the street and spending 10 minutes in store without making a purchase) from the "non-Asian" tourists also walking in off the street and merely window shopping, in the eyes of the sales associates that should have signaled to them you were a serious customer ready to drop some serious coin and needed a gated experience? Were you flashing them your Black card or something?

Sure. to contrast...

Cartier:
I walked in, security opened the door for me and I was immediately greeted and asked what I was there for. I went in with a clear budget and specific ring in mind - i.e. I was shopping for my wedding ring with my boyfriend which I noted. They immediately pulled out an ipad, took my info for the client system and let me know that I would have an appointment within 10 minutes and to go to a separate floor where the pieces I was interested in were located. SA took her time with me even though I noted that I likely wouldn't purchase today. She took out numerous pieces at a range of prices, educated me on the settings and CCCC of each diamond, availability, trends etc. She probably took a solid 30-45 minutes with me and then gave me her business card. She also gave me recommendations of which other brands have rings similar to what I'm looking for so I can comp shop. Overall extremely high touch even though it was a pretty busy weekend prior to the holidays and there were a lot of other people in the store.

Tiffany:
I walked in, security opened the door for me. I noted to the SA at the door same thing as above and she just told me to go to that floor (did not bother to make an appt or take my info). I go to my floor and volume of foot traffic is so high that I am unable to make an appointment. It was overall so crowded that it was unpleasant to even window shop. I go back a second time and have a similar intro, but it's a bit less busy that day. I get an appointment within 10 minutes. I'm asked what I want to see. I don't really like the setting and ask if she has anything else that I might be interested in... she goes "depends what you're looking for". I ask to see one more ring in another case further down, she pulls it out. Not in any way conversational given the prices I'm looking at are quite high priced and it doesn't seem as though she's interested in my business. Spent less than 10 mins with me.

Granted the above is highly variable depending on the employee and foot traffic but I went to Tiffany twice and had a similarly negative experience both days. My budget was high and for a special occasion piece which both brands theoretically specialize in. If I was a regular jewelry shopper, I would have been even more put off by the experience. Cartier won a new customer purely off experience of the store (felt very luxurious and private even when busy) and how staff were clearly trained to provide a calm, educational and friendly experience for clients. Had similar experience at De Beers, Van Cleef etc as Cartier so my negative reaction is restricted to Tiffany.
 
I was listening to the podcast The Grand Tourist with Dan Rubinstein, who recently had as his guest Francesca Amfitheatrof, who was the Design Director of Tiffany from 2014-2017. She had the following to say about her time working for the company.

It was tough, because I went from working at biggish companies with a creative vision to going into corporate America. God it was like hitting a double-decker bus, it was literally everything that I was not prepared for. It was soulless, it had..actually let me rephrase that. The first year there was great, because the CEO at the time was Mike Kowalski, and Mike Kowalski was a legendary CEO of Tiffany. He had steered Tiffany for decades into enormous growth, he was so focused on the growth that maybe it had become too ubiquitous and too low-price-point-silver-focused, that they wanted me to come in and elevate.

I came in with the T Collection, which is a collection that in four years made one billion dollars...it was probably the fastest growing, most successful collection that they're ever had, or god knows any other house could launch. But I came with the drawings of it and they first showed me what they were going to launch for the year, because you always work a year ahead, at the very least, and I said to them 'I don't understand, I'm sorry...', and you know in a very corporate situation nobody says anything...everybody has their heads down to the ground, eyes down to the floor, CMO included, nobody says a word. So I piped up and I said "Hey guys I'm going to put my two cents in...I don't understand why you plan to make more of the same stuff. It's just more stuff. It's nothing different from what you already have. And I said, "look I've got this idea", and I showed them the sketches, and Mike [Kowalski] said "right, we're stopping everything, and this is what we're going to do". Which is kind of extraordinary because you're stopping a giant train, that is just speeding full speed ahead towards something and you have to completely stop it and turn it all around, and that's a huge money loss, difficult, and [a] risk. And they did it, and they were open on me working on the advertising, which I did the full campaign on the positioning, and on the windows, on the in-store design, on the merchandising. I designed everything. And it was immensely successful, and it was great, but then they changed CEO.

And a different CEO came in, who had very odd ways of working. His ideas were good, Frederic Cumenal, but his working methods and communications were appalling, and he was actually, I would say, fairly rude and offensive, and nobody supported me within the company when that happened, so it was a really difficult time. And the more success I brought them, the more they hated me... so it was tough. And you know, a lot of the beauty of Tiffany is it’s culture. It’s the fact that if you cut your finger, you bleed blue, you’re just so into that Tiffany mentality; that old, very polite, American way of being, which is perfectly represented in Breakfast at Tiffany’s. [That] was being stripped away and actually that’s the best thing it had going for it, really, what people, when they think of Tiffany, what do they think, what comes into their mind. And so the last three years were really tough. And they were very political, very unpleasant to be in as a world. So it became a pretty damaging place, Tiffany actually.

I love the fact that at Vuitton, ideas is what enriches you, and it isn't about politics, or undermining someone because of being scared of creativity, which is what had happened at Tiffany. Creativity was just too unknown, too risky...no one understood it. And instead at Vuitton, its literally a house that is driven by so many interesting ideas that are actually quite risky, and you have the power to do it, and the freedom to do it.
 
Sure. to contrast...

Cartier:
I walked in, security opened the door for me and I was immediately greeted and asked what I was there for. I went in with a clear budget and specific ring in mind - i.e. I was shopping for my wedding ring with my boyfriend which I noted. They immediately pulled out an ipad, took my info for the client system and let me know that I would have an appointment within 10 minutes and to go to a separate floor where the pieces I was interested in were located. SA took her time with me even though I noted that I likely wouldn't purchase today. She took out numerous pieces at a range of prices, educated me on the settings and CCCC of each diamond, availability, trends etc. She probably took a solid 30-45 minutes with me and then gave me her business card. She also gave me recommendations of which other brands have rings similar to what I'm looking for so I can comp shop. Overall extremely high touch even though it was a pretty busy weekend prior to the holidays and there were a lot of other people in the store.

Tiffany:
I walked in, security opened the door for me. I noted to the SA at the door same thing as above and she just told me to go to that floor (did not bother to make an appt or take my info). I go to my floor and volume of foot traffic is so high that I am unable to make an appointment. It was overall so crowded that it was unpleasant to even window shop. I go back a second time and have a similar intro, but it's a bit less busy that day. I get an appointment within 10 minutes. I'm asked what I want to see. I don't really like the setting and ask if she has anything else that I might be interested in... she goes "depends what you're looking for". I ask to see one more ring in another case further down, she pulls it out. Not in any way conversational given the prices I'm looking at are quite high priced and it doesn't seem as though she's interested in my business. Spent less than 10 mins with me.

Granted the above is highly variable depending on the employee and foot traffic but I went to Tiffany twice and had a similarly negative experience both days. My budget was high and for a special occasion piece which both brands theoretically specialize in. If I was a regular jewelry shopper, I would have been even more put off by the experience. Cartier won a new customer purely off experience of the store (felt very luxurious and private even when busy) and how staff were clearly trained to provide a calm, educational and friendly experience for clients. Had similar experience at De Beers, Van Cleef etc as Cartier so my negative reaction is restricted to Tiffany.

To be fair, the price point and the products at Cartier, Van Cleef, De Beers, Bulgari, Pomelatto or Boucheron are a bit different than Tiffany. Even with going to Harry Winston, you wouldn’t necessarily expect the same foot traffic.

But then again, they are going into a restructuration of the company. It will be interesting to see how the strategy is applied to the stores. So far, Arnault’s efforts have been focused on marketing.
 
To be fair, the price point and the products at Cartier, Van Cleef, De Beers, Bulgari, Pomelatto or Boucheron are a bit different than Tiffany. Even with going to Harry Winston, you wouldn’t necessarily expect the same foot traffic.

But then again, they are going into a restructuration of the company. It will be interesting to see how the strategy is applied to the stores. So far, Arnault’s efforts have been focused on marketing.

Perhaps this revamp and restructuring started with the visuals and needs to trickle down into all of the other areas, from the shops themselves, to the customer experience, to the training of the sales associates.

I did see a video on YouTube a while back, however, that took us behind the scenes of the "secret floor" with pieces that aren't on the floor, for their top tier customers. With that crowd, however, they are in a database, and aren't likely just walking in off the street. This was prior to the renovation of the shop, but I suppose these things do not change and happen overnight. The disconnect is the image they are putting out and what you are actually getting upon arrival.

But, as you said, the price point and general perception isn't the same as Cartier, Van Cleef, Boucheron etc, and that should be kept in mind. For the meantime.
 
#2 Except for the Bone bracelet by Elsa, the others look like Pandora....I remember they have Grace Coddington as consultant a few years ago right? (brand image kinda stuff...she styled some ads I remember)

LVMH already has Bvlgari & Chaumet (Fred is too tiny), they are putting Tiffany at a position for younger customers obviously. The watch department is very weak and they don't have a successful accessories line(fragrance & eyewear) like many other jewelry brands.

Again except for the three big name collections(Elsa, Paloma and Schulumberger) and the famous big yellow diamond, there is nothing interesting left.
 
I remember they have Grace Coddington as consultant a few years ago right? (brand image kinda stuff...she styled some ads I remember)


I really liked the results. Grace’s work with them was youthful but still very much fit the brand’s established identity. The ads she did with Elle Fanning especially really worked, for me.
 
A new boutique concept in Barcelona.

The new flagship of Tiffany & Co. has decoration inspired by Gaudí
BY MRT ON DECEMBER 24, 2021

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The number 61 of Paseo de Gracia in Barcelona is celebrating. Tiffany & Co. has decided to move its store from the capital to an iconic building with 85 years of history. A place that endows the firm in the city with a charm and special attraction since the spaces in which the appreciated luxury jewels of the brand. They have elements signed by the renowned architect Antonio Gaudi and inspired by the artist Jean Schlumberger. Tiffany surprises us so with its last opening in Barcelona.

It’s almost 400 square metres, and already show customers who visit the new address how the firm is evolving through the spaces they choose to show the public those jewels that have made us all dream. Thus, the golden mile of Barcelona has welcomed this international jewelery classic with open arms at this flagship store that used to occupy a Caixa Bank branch.

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Six colourful and stately shop windows (two of them with digital animation), are the façade that invites each of the passers-by to dream into the universe of the most dreamed of jewelry.

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Although the most striking item in the store at a first glance is a huge lamp inspired by the designs of the renowned and legendary designer and creative director of Tiffany at the end of the 20th century: Jean Schlumberger.

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Once inside, the ‘Collections Room’ is in charge of speaking on behalf of the architect Gaudí; since it has a mosaic on the ceiling made by the same artist. Key figure in the city of Barcelona. But Tiffany wanted to pay tribute to Gaudí for his genius through the artistic designs of his columns.

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okdiario.com/
 
A temporary pop-up boutique in the West Village, featuring new store design too.

Tiffany & Co. Opens a Hidden Gem in the West Village
BY Christina Holevas / 19TH November 2021

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Paris may be the city of lights, but no place shines quite as bright as New York City during the holiday season. Come Thanksgiving, the Big Apple may as well be called the Big Turkey, stuffed as it is with holiday spirit from the Rockefeller Center Christmas tree to the local corner pub.

Tiffany & Co. understands this unique excitement, of course. A brand synonymous with New York City elegance and energy, its 5th Avenue flagship is known for its iconic holiday window displays. This year, however, they’ve chosen to spread the love downtown as well, with a delightful West Village pop-up shop that is quite the hidden gem.

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According to Tiffany & Co., the space, which is located on the corner of Bank Street and West 4th (a quintessentially New York locale), was imagined through the eyes of the jeweler’s legendary designer, Jean Schlumberger. I observed his opulent influence during my first visit to the shop a few weeks ago. Upon entering, I was transported through 3 rooms—one with ethereal clouds, and another with surreally dotted stars and lights. The final room, a jewel-toned space complete with an oversized jewelry-filled snow globe, is reached by walking through a faux bookcase.

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Of course, in all of the rooms, visitors will find brilliant jewelry for sale (or just for ogling), from Tiffany classics by Schlumberger himself to its newer Knot collection. The space is open now and will remain until January 8th, 2022. I recommend checking it out for a dose of holiday fantasy and cheer.
W Magazine
 
Tiffany Is Collaborating With Pharrell Williams
The musician wore diamond sunglasses, his first design, to the Kenzo show in Paris.

BY MILES SOCHA / JANUARY 23, 2022, 7:21AM


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Pharrell Williams strode into Kenzo’s fall 2022 show in Paris on Sunday wearing almond-shaped sunglasses rimmed in diamonds and with an emerald studding each temple, teasing a new design project with Tiffany & Co.

“Tiffany and I are engaged,” he told WWD, flashing a big smile.

He said the sunglasses were the “first of many things that I’m gonna do with Tiffany.”

Asked about the collaboration, he retorted: “No, it’s different. It’s a partnership.…It’s about seeing things differently.”

Pressed for more details about the glasses, and the partnership, Williams demurred: “I can’t give it all away now. I don’t want to go too much into detail, OK, because we’re here today to celebrate my brother Nigo.”

He was referring to the Japanese streetwear guru who was making his debut as the new creative director of Kenzo. The show attracted the likes of Ye, formerly known as Kanye West, Julia Fox, Pusha T, Tyler the Creator and Shygirl to a chilly, covered passage near the Place des Victoires.

Williams is no stranger to jewelry design, having collaborated with Louis Vuitton in 2008 on a fine jewelry collection that was based on coats of arms. A Chanel ambassador, the music star also often wears that brand’s necklaces.

Tiffany & Co., now owned by LVMH Moët Hennessy Louis Vuitton, has been shaking up its image with surprising collaborations, like a recent one with skater brand Supreme that included a pearl necklace and a pocket knife shaped like a key.

Alexandre Arnault, Tiffany’s executive vice president, product and communications, also teased the Williams collaboration on his personal Instagram account.

The tie-up with Williams, believed to be coming out some time next year, is the latest surprising move as LVMH shakes up the storied American company with a fleet of buzzy brand ambassadors — including Beyoncé and Jay-Z, Blackpink singer and recent solo artist Rosé, and actresses Tracee Ellis Ross and Anya Taylor-Joy — and high-impact advertising.
WWD
 
The first design is extremely reminiscent of the Mughal bespectacles Sotheby's sold last October, especially the "Gate of Paradise" with the emerald pear tablets.
 
The Barcelona shop looks more interesting than the pieces they sell inside...
I thought the same, it's the same standardized merchandise around the world, and the same boring stores too. It was time to refurbish and individualize.
 
The first design is extremely reminiscent of the Mughal bespectacles Sotheby's sold last October, especially the "Gate of Paradise" with the emerald pear tablets.

Good Eye! The collab is already being called out on Diet Prada!


DIET PRADA
 
How Alexandre Arnault Is Shaking Things Up at Tiffany & Co.
Jay-Z and Beyoncé! Supreme! Hailey Bieber! One year into LVMH’s takeover of the American jewelry company.

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Alexandre Arnault, seated in his New York office in front of a Richard Prince painting, is part of the new LVMH team at the head of Tiffany & Co. “Alexandre to me is 40 percent analysis, 60 percent gut feeling; he’s about…making it happen today rather than waiting for tomorrow,” says Tiffany CEO Anthony Ledru.

By Rory Satran | Photography By Yoshiyuki Matsumura for WSJ. Magazine

In February 2021, just one month after Alexandre Arnault began his new role as executive vice president of product and communications at Tiffany & Co., he went to Beyoncé and Shawn (aka Jay-Z) Carter’s house in Bel-Air, Los Angeles. Over dinner prepared by the Carters’ private chef, the young Arnault pitched them on his ideas for the 185-year-old American jewelry company, then recently acquired by his father Bernard Arnault’s luxury conglomerate, LVMH Moët Hennessy Louis Vuitton, in a $15.8 billion deal. Even though Arnault, 29, is friendly with the couple, and LVMH announced its 50 percent stake in Jay-Z’s champagne brand, Armand de Brignac, the same month as the dinner, he still knew that getting them involved with Tiffany’s first big campaign was a reach. Like the New Yorker he now is, he uses a basketball metaphor to describe the meeting: “The hoop is so far, and you feel like you’re never going to put it in, but for some reason it goes in.”

Arnault came prepared with a clincher. He remembers, “I had a Steve Jobs moment where I was like, ‘One more thing’ ”—a Jobs aphorism that concluded many of the late executive’s Apple keynotes. At the end of the dinner, Arnault pulled out a high-res printout of Jean-Michel Basquiat’s 1982 painting Equals Pi. He had just acquired the painting, with its background in an uncanny shade of Tiffany-like aqua, on behalf of the company. (There’s no confirming evidence that Basquiat, who died in 1988, intended the color as an homage, and some fans and friends of the artist decried the implication.)

Arnault told the duo that he wanted the painting to be part of the advertising; they were intrigued. “I do things based on relationships,” wrote Jay-Z in an email. “Alex and I have developed a great relationship and friendship over the years. Our partnership with Armand de Brignac is great, so I was definitely interested.”

That conversation would result in Tiffany’s “About Love” campaign, which was revealed in August 2021. Beyoncé, wearing the 128-carat yellow Tiffany Diamond, appears in the ads as a contemporary Audrey Hepburn alongside Jay-Z—and that painting. In the accompanying films, the couple are playful and intimate. They eat pizza. She sings “Moon River.” It’s Breakfast at Tiffany’s for the TikTok generation.

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Jay-Z and Beyoncé’s appearance in a recent Tiffany campaign, brokered by Alexandre Arnault, alongside a Jean-Michel Basquiat painting he acquired on behalf of the brand.

Although the campaign was first discussed during an anxious, Covid-riddled winter, Arnault bet that by the time it came out there would be hope in the air again and the ads would make people want to fall in love. The timing of a pandemic love story synced up with Arnault’s personal life. He married designer Géraldine Guyot in 2021, first in a civil ceremony in Paris in June and then in a Venice extravaganza in October, attended by the Carters, Pharrell Williams, Roger Federer and Kanye West, who also performed.

Between his wedding, a new job, a move to New York and his family’s acquisition of one of the most storied American luxury brands—the largest takeover ever in the luxury business sector—it was a pretty big year for the second-oldest son of 72-year-old French tycoon Bernard Arnault. Moving quickly and breaking things, as the startup cliché goes, is in his nature. In the context of his private and hardworking family, Alexandre is a disrupter. He’s the technology-obsessed futurist who counts Snap’s Evan Spiegel and Jack Dorsey, Twitter co-founder, as confidantes. Which is not to say he’s brash—in interviews he comes across as self-possessed and disciplined.

While he was still a computer engineering student, Arnault was methodically groomed for the family business, going on official LVMH trips to China, Japan, Korea, the Middle East, the U.S. and Singapore. Pietro Beccari, the chairman and CEO of Christian Dior Couture, remembers him from these trips as very tall and very shy. He said, “He was there to learn and observe as much as possible.” Later, in 2014, Arnault shadowed Beccari, then the CEO of Fendi, at the brand’s Rome headquarters.

During his time as CEO of German luggage brand Rimowa, which was founded in 1898 and acquired by LVMH in 2017, the company grew exponentially, according to LVMH (the group does not release performance for individual brands). And crucially, Arnault helped make the heritage brand hip. Its packaging now bears a resemblance to that of Apple products, with streamlined white labels and boxes. Arnault spearheaded collaborations including Supreme logo–emblazoned luggage and a clear case designed by the designer Virgil Abloh for Off-White. That 2018 suitcase was a nod to issues of privacy and surveillance. It wasn’t just a suitcase—it was a comment on contemporary society. And to cement its place in pop culture, Rihanna carried it.

Now Arnault brings that contemporary approach to Tiffany, a company whose wide range of products includes entry-level sterling pieces like the small $275 Elsa Peretti heart necklace beloved by generations of teens; extensive engagement ring offerings; home collections; and fine jewelry that goes well into the millions.

Anthony Ledru, Tiffany’s CEO, who’s also worked at jewelry companies Cartier and Harry Winston, says, “Alexandre brings a huge influx of modernity [to the group].” Ledru adds, “You have to engage with new fans, and that’s what he brings in a big way.”

All of Bernard Arnault’s five children are in the family business, which reported about $50.5 billion in revenue in the first nine months of 2021, from businesses including the fashion houses and spirits it’s most known for—Louis Vuitton, Dior, Dom Pérignon, Hennessy, to name a few—as well as less glamorous enterprises like Starboard Cruise Services and Le Parisien newspaper. The fashion and leather goods business group, which Rimowa is part of, recorded a 38 percent gain in organic revenue growth in the third quarter of 2021 compared with the same period in 2019.

Alexandre’s half-sister Delphine, 46, is executive vice president at Louis Vuitton; his half-brother Antoine, 44, is CEO of Berluti and chair of Loro Piana. His brother Frédéric, 27, is chief executive of Tag Heuer, and his brother Jean, 23, is director of marketing and development at Louis Vuitton Watches. By all reports, they’re close-knit and compatible—King Lear this is not. The siblings continued their regular lunches with their father over Zoom during the pandemic, although Arnault is often eating breakfast due to the time difference. At these gatherings, they discuss common interests like tennis and art.

And of course, they talk business. Unlike Rimowa, which Alexandre scouted as a potential acquisition, the Tiffany & Co. deal was for years in the hands of bankers and lawyers working for the group. Between the first reports of the deal in 2019 and its closing in January 2021, the transaction was marked by lawsuits, countersuits, price haggling and insults. By Arnault’s account, he was distanced from the back-and-forth, still focused on his work at Rimowa, where he remained as CEO until the end of 2020 and is still the president. Running a luggage brand during the travel standstill of a pandemic meant trying to weather the storm.

Arnault’s last day at Rimowa was Christmas Eve 2020. He moved to New York on January 6, 2021, into an apartment in SoHo with Guyot and their black Labrador, Lemon. And on January 7, Arnault took the subway uptown to his first day of work at Tiffany’s headquarters. That first day involved “a bunch of Zoom meetings,” he remembers, as well as an introductory town hall with his new team. He was coming in somewhat blind, with just a paper org chart. He says, “Until [the deal is] actually signed, you can’t really interact with the company or do anything.”

Bernard Arnault had tapped Ledru, a longtime LVMH executive, to lead Tiffany, with Alexandre working beneath him. (Trusted LVMH executive Michael Burke is chairman of Tiffany’s board of directors.) Ledru says, “I am in an Arnault sandwich. That’s the structure.” Together, they set about getting to know the current team and hiring new talent.

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Mementos in Arnault’s office.

Taking on a beloved American company as a European luxury conglomerate is a diplomatic challenge. Arnault bristles at the idea that LVMH might somehow sully or Frenchify Tiffany. He says, “I don’t know why people perceive us in a way where we would bring the office to Paris or something, but it’s so far from what we do…. Our history has always been acquiring companies from different nationalities and staying very true to their DNA.” Citing examples of previous acquisitions—Fendi, which stresses its Roman heritage, and Rimowa, which remains based in Cologne, Germany—Arnault speaks of a desire to preserve Tiffany’s identity. (Arnault, meanwhile, has adapted his disciplined routine to New York, jogging around Lower Manhattan and playing tennis along the Hudson River. Jay-Z made sure to send him to a favorite Brooklyn pizzeria, Lucali.)

Tiffany is an American brand—some of its manufacturing is in New York and Rhode Island, and it has 94 stores in the States—but it’s also very much a New York brand. In the 1950s, it became an icon of midcentury sophistication, burnished by its designer Jean Schlumberger, another Frenchman from a wealthy family who landed in New York. It has always been a magnet for talented creatives—Elsa Peretti, Paloma Picasso, Frank Gehry—as well as a beacon of iconography, like the famous still from 1961’s Breakfast at Tiffany’s of Audrey Hepburn peering into a Fifth Avenue window. Even the Yankees logo was derived from a Tiffany’s design.

Many of LVMH’s early moves for the company were in line with that Manhattan lineage. In September 2021, Tiffany released a limited edition of 49 eroded bronze boxes designed by New York–based artist Daniel Arsham, twists on the classic Tiffany blue box, which were sold by Tiffany along with a bracelet inside for $40,000. Two months later, another limited-edition collection dropped, a collaboration with New York streetwear giant Supreme that included plays on the “return to Tiffany” dog tag. It sold out in a day.

But Arnault’s marketing strategy owes as much to Silicon Valley’s omnivorousness and streetwear’s speed as to New York City’s clout. Ledru, Tiffany’s CEO, explains, “Alexandre to me is 40 percent analysis, 60 percent gut feeling; he’s about…making it happen today rather than waiting for tomorrow.” In one year, the relentlessness of the drops has kept the fashion and business press churning.

In addition to the Arsham and Supreme collaborations and the Jay-and-Bey advertising, the brand also released a limited-edition Patek Philippe Nautilus watch with a Tiffany-blue dial in December 2021. At a Phillips auction to benefit the nonprofit Nature Conservancy, the watch exploded its estimate, which was around $50,000, to sell for over $6 million. Also in December, artist Urs Fischer released an NFT of Tiffany’s Bird on a Rock brooch colliding with a habanero pepper as part of his Chaos digital sculpture series. Hailey Bieber signed on in the fall of 2021 as a brand ambassador.

In its most literal statement against the past, Tiffany launched a controversial campaign in July 2021 that included one image emblazoned with the words: Not Your Mother’s Tiffany. Although the effort was nowhere near the scale of “About Love”—it consisted of wheatpaste posters in cities and social media imagery—it struck a nerve, with Instagram comments from alienated customers (an example: “My mother has amazing taste thanks”). Arnault says that he stands by the campaign: “It had some backlash but it also had people who had never thought of Tiffany talk about us, which I view as a good sign.” And it taught him about the ferocity of Tiffany’s consumers. He says, “The brand is looked at with binoculars and sniper guns, and people are really waiting to see what we’re doing. It’s quite fascinating to see the level of engagement we have, either on the hate side or the love side.”

Is this steady stream of attention-grabbing methods effective, or is it too much, too soon? Robert Burke, a New York retail consultant, says, “These frequent drops are very smart. They may go over the head of the current customer, but I think that’s OK.” With a swift, decisive rebranding, Tiffany may be able to nab a new customer as well as readjust expectations of the existing client base. Burke explains, “Some people do believe that if you are quicker during these transitions, the customer evolves quicker. If it’s a slow and steady change, it’s maybe not as effective.”

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Alexandre Arnault in his office at Tiffany & Co.

Slow and steady is no longer the modus operandi at Tiffany. Arnault says that when he’s hiring, he’s looking for street smartness. To him, that’s the “ability to roll your sleeves up and get things done.” It’s not antithetical to the establishment, necessarily. He says, “All entrepreneurs throughout their fields, whether it’s my father or Mark Zuckerberg or God knows what, are street smart in a way.”

As for future projects, the brand will not confirm anything solid, but Arnault did take Tiffany-obsessed artist Tom Sachs on a tour of the brand’s Rhode Island factory. The iconic Fifth Avenue flagship is being redesigned by LVMH stalwart Peter Marino, with Equals Pi, Richard Prince’s Tiffany paintings and the Tiffany yellow diamond all given spots of honor.

But perhaps the most poignant Tiffany collaboration is the one that will never happen. Virgil Abloh, the men’s artistic director of Louis Vuitton and a close friend of Arnault’s, died of cancer in November 2021. Arnault remembers, “His creativity was endless, and he was constantly pushing boundaries in everything he was doing.” They had been in very early talks to collaborate on Tiffany before he died. “He was interested in the wedding category, and so he played around with the idea of wedding rings. We hadn’t really sat down and started designing but we were having chats about the potential idea of doing something.”

Arnault admired Abloh’s “never-be-scared mentality.” It’s a state of mind necessary to run a marathon in a new city, as Arnault did in the fall of 2021. He marveled at the difference between the Paris marathon—when Parisians joke that it’s a time to get out of town—and the New York City marathon, an effusive, earnest celebration. Arnault’s friends, who wore “Run, Alex, run” sweatshirts, instructed him to write his name on his shirt, which was counterintuitive for such a private person. But on that blue-skied, cool day, it felt good to be seen. He says, “When I was running I had people saying, ‘Alex! Alex!’ It was so cool.”
Wall Street Journal
 

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