Valentino Group buys a stake of Proenza Schouler

kimair

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this is interesting...
i just saw an interview with them where they said they love being independent...
from wwd...

Already a mouthful in English, Proenza Schouler should now be pronounced with an Italian accent.

Having just wrapped up momentous festivities in Rome for the 45th anniversary of its flagship brand, Valentino Fashion Group SpA has taken a 45 percent stake in the fashion label by Jack McCollough and Lazaro Hernandez, WWD has learned.

Stefano Sassi, Valentino Fashion Group's chief executive officer, will become chairman of Proenza Schouler, and Shirley Cook will continue to serve as the label's ceo.

"We're happy we now have a security net for our company, which we never had before," Hernandez said in an exclusive interview. "The business has been growing exponentially, and to do that you need the proper funding."

And it goes beyond the cash injection, McCollough added. "It's also having a strategic partner who can really get involved in terms of the factories, to be able to help with timely deliveries, and with distribution networks — all things the Valentino Fashion Group has a lot of strength in," he said.

"These two young guys are very fresh and outstanding.…I think they have a great potential to grow," Sassi said. "They have the talent, and we can provide them the financial resources that are required to develop the business. It's the perfect marriage."

"Valentino Fashion Group wants to be a leader in the fashion sector," Sassi said. "People like Lazaro and Jack, despite the fact that their business is not yet big, can bring something significant in terms of image."

Since launching with a label based on their mother's maiden names in 2002 at age 23, the duo has developed one of the hottest names on the New York scene, winning acclaim for sleek and intricate designs that nimbly straddle the tough-chic divide. They have been nominated for the Council of Fashion Designers of America's Womenswear Designer of the Year award twice, and won it last month in a tie with Oscar de la Renta. They also received the CFDA/Perry Ellis award for emerging talent in 2003, and were the first recipients of the CFDA/Vogue Fashion Fund in 2004, taking home a cash prize of $200,000.

Their successful, short-term collaboration with Target's Go International initiative last February put them on the map nationwide. The launch came with an aggressive marketing push, including a TV commercial that brought their image into households they wouldn't otherwise have reached with their designer collection.

With so much attention, it's not surprising Proenza Schouler attracted several potential suitors. In the last year, McCollough and Hernandez bought out their backer, Markus Hofels. Sources said LVMH Moët Hennessy Louis Vuitton and Samsonite also recently held talks with Proenza Schouler about investing in the business, among others.

"Throughout our career, we have had a lot of people knocking at the door," Hernandez said. "We never found a partner that felt right. We are very much instinctual people and we go with our gut. A lot of people who approached us haven't necessarily been experts on the luxury market per se. We were waiting for someone who had a similar vision to what we had, and experience in developing a brand.

"[VFG] is a small conglomerate, there is a personalization within that organization that feels very intimate and right for us," he added.

Sassi stressed that talks with Proenza Schouler were always centered on investing in the brand and "were not linked to" taking on design duties at Valentino, which had been the subject of endless succession rumors ahead of the anniversary blowout. The founding couturier, 75, is said to be zeroing in on a new three-year contract with Permira. Sassi declined comment on Valentino, steering the discussion toward the Proenza Schouler designers.

"They have very clear ideas about how and what they want to do with the brand…and they are very committed to have a success story with their own brand," Sassi said. "We will work as a support because of the experience we have with critical mass."

In addition to Valentino SpA, VFG owns a majority stake in Hugo Boss AG and men's wear brand Lebole, and holds licensing deals for M Missoni and Marlboro Classics.

Sassi said the transaction would not herald any significant changes in the Proenza Schouler business, which he said is "quite developed" in the U.S. and with strong management under Cook.

Proenza Schouler just kicked off its first resort delivery and inked an eyewear deal with L'amy for a September launch.

The company is losing money, but is on track to break even in about two to three years, Sassi said.

Sassi said VFG's global expertise in distribution and logistics would help the firm expand its footprint in leather goods and extend its reach in new markets, particularly Europe and Asia. VFG can also help Proenza Schouler improve its deliveries, customer service and other basic business functions.

"The synergy is really the main thing," McCollough said. "They have their own factories, and fabric mill leverage. Being the small company that we are, it's hard to get a lot of leverage with the mills. Hopefully, we will now be able to get earlier deliveries, and the earlier the clothes are in the stores, the better chance you have of selling."

Hernandez added: "They have experience in developing fashion brands and luxury brands at the level we want to be at. At the same time, they don't have an army of brands that compete against each other, so they have the experience, but the vacancy for a brand like ours. It's that mixture that appealed to us."

Proenza Schouler will continue to be based in New York, and the duo expects to be bolstering its design and sales team. They currently employ a staff of 13.

The designers also plan to open a sales office in Paris and a production office in Italy.

As for the duo's aspirations, they pointed to their upcoming eyewear launch, and a real push into handbags and shoes thereafter, followed by freestanding stores, and, one day, fragrance and even men's wear.

"As of now, we are primarily focused on the luxury end of women's," McCollough said.

The Proenza acquisition marks the establishment of "a sort of incubator of emerging, outstanding talent," Sassi said. "This is part of the activity of a group like ours. Permira as well agrees on this kind of strategy."
 
thanks Kimair,

Good to see them getting support which will allow them to be around for the long term............
 
it's the beginning of the end when people start using a term like 'brand'....like it's supermarket frozen dinners or something....quite unsavoury to me.

but then again,i never considered them indie since so much their success has belied on the fact that they've played kissy face with anna wintour,vogue and corporate junkies at conde nast.
 
at some point i can understand that putting your business on solid feet is a major aim for an emerging designer. it's hard to entirely self-finance in the long view and to eventually take the next step, once you are no longer regarded as the latest hype (mrs. wintour might be the one that can help start such a craze, but in the end, it doesn't guarantee for the right development). it's probably more valuable to have the right distribution and delivery/manufacturing network, then to have won a prestigious award.
 
it's very interesting to hear this from growing designers
i wonder how Dries van Noten did it though
he has no backer.. it would be neat to compare ??
 
This is unexpected. :o, this might help Lazarro and Jack greatly which will be good.
 
Hmm...I wonder if this means we'll see another low-price collaboration soon? Like McQueen had to do when he joined Gucci?
 
This is good news: the fit is perfect for them, the quality and construction is similar.
It is so rare for major designers to reach out and invest in a hopeful, it can only be good. 45% is also ideal- not an aggresive takeover and from what I decipher, they are far too intelligent to allow that to happen.

Every designer starts out as an outsider. Some continue to be that for stylistic reasons but most often for financial factors. There is no point in being poor with so many accolades. Somebody has to become the new institution by default and they deserve to be. It's not selling out, it's success!

Besides, it takes MUCH MORE capital today to break even let alone grow profitably than it ever did for any earlier generation of designers.
One is up against a wall of competition (yes, even from celebutards) and there is only so many buying customers out there in this status based society... so all to them!
 
it's very interesting to hear this from growing designers
i wonder how Dries van Noten did it though
he has no backer.. it would be neat to compare ??

well,sadly,times have really changed in recent years--actually,since the end of 2002,i really started noticing a demise in smaller,indie designers(a la miguel adrover) and one can only blame it on this utter economic and conglomerate dominance. and those pressures coming along in that to stay afloat for a small business,without all the gimmicks,the advertising and tremendous press attention....it's become a huge blow to some of the most talented people.
 
I think theyre wasting their time. The Valentino group was fine on its own.
 
spot on scott! i was there a couple days ago and proposed combined advertising and the first question was if it would cost anything.. so YES they do need good financial backing
im very happy for them all.
they definitely needed a backer as they are fabulous at what they do. truly genius designers who just needed that little bit of extra support.

hooray! i am sure now they can go more global with their first line :heart:
 
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There you go, they're about to become huge, as a business. Valentino will get them straightened out.

"The designers also plan to open a sales office in Paris and a production office in Italy."
 
I'm delighted for the boys, hopefully this will provide them with further financial security to conquer the world with their flawless designs!
 
but i would like this so much better if it was more in the way of backing and not an actual purchase of their label. as i stated,i completely understand the financial struggles but nobody just seems to want to take that chance of supporting talents in that way these days.
 
i rather see them supporting Proenza Schouler than some celebrity line
 
but i would like this so much better if it was more in the way of backing and not an actual purchase of their label. as i stated,i completely understand the financial struggles but nobody just seems to want to take that chance of supporting talents in that way these days.



also agreed!
it is sad but everyone wants to make business these days and as the saying goes "there is no such thing as a free lunch":cry:
but its a nice thought :flower:
 
also agreed!
it is sad but everyone wants to make business these days and as the saying goes "there is no such thing as a free lunch":cry:
but its a nice thought :flower:
well, what i would like to see is a return to the old model (or the creation of a new one) that makes it possible for a designer (with minor outside investment) to be able to grow and develop his/her business,
I think that in todays climate the bar of success (for design companies, that is ) has been set so unreasonably high that it has made the industry look healthy on the outside, but is hollow and rotting on the inside.
when designers like narciso Rodriguez has to sell thier business just to survive and prevent bankrupcy you know there is a problem.
companies and conglomorated nowadays believe they can buy these businesses and invest enough to grow and makje them profitable?
i Doubt it, and i am not speaking specifically about this particular situation.
I am speaking knowing that there are too many "luxury Goods" companies, catering to a "FINITE" number of clients, and this is primarily the reason some businesses are not making any money
they businesses that are not making any now, should they begin to do so, it means someone else will start losing profits............................there is just not enough clients to go around
 

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