Special Report: Fashion Review
 Versace  Opens a Door to a Feisty Future
 	By SUZY MENKES
 	Published: February 26, 2010
     
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 Antonio Calanni/Associated Press
 Versace women’s collection in Milan on Friday.                              
 
        
    It was as though Donatella Versace had re-visited everything that the  brand stands for — blasts of bright color, leather given a sensual spin  and evening dresses opening windows to bare flesh.		
 This Viva Versace! show in Milan’s brief fashion season started with a  surprise: long coats that were worn over ulra-short shiny skirts, and  elongated dresses with a zipper undone in order for one leg to stride.  Another opening-up trick was to cut away the back, leaving it entirely  naked. Whether it was the rear view of a violet fur vest or a cut-away  evening gown, it was like reading a memory stick of the infamous Versace  safety-pin dress just holding decency together.		
 “Graphic, asymmetric, cut-out shapes and very techno fabrics,” said Ms.  Versace, referring to mirrored leather treated with the metallic effect  of chrome on a motorbike. There were also motocross pants worn with a  tailored jacket to suggest biker chic.		
 The building blocks of the collection were leather and zippers, with  minor innovations including jeans inset with leather and a zipper  curling around a skirt. Color blocking was also a powerful theme,  developed even as a knit giving an apron effect at the front.		
 The sheer energy of the collection made it seem purposeful. It was as  though the arrival of the young British designer Christopher Kane at  Versus, the satellite Versace line, had allowed Ms. Versace herself to  see the brand as it was in the 1980’s from a different perspective. The  result was a strong, clear message, although its reality was more about  Gianni Versace’s heritage taken forward than a visionary idea of  fashion’s future.