Like Liu Wen and Imaan, Feifei carries any story on her own sheer force of will and untouchable beauty. And unfortunately, the story is sort of a directionless mess that doesn’t know where it wants o go, or what tone to set-- and she has to carry it all on her own LOL Some solid shots that are on the tip of classic American Vogue Horst. But that it starts out strong enough with the Balenciaga sharp, graphic, industrial sleekness; then meanders into a more pedestrian bridal softness (local designer?); then a random portrait with suds LOL; and ending in classic Horst’s American Vogue… is the equivalent of convincing your reader that the local department-store’s catalogue shoved into Franca’s Vogue is really a part of it.
(BTW, who knows what’s going on with Japan— even Yohji and Comme has never supported Japanese models. But Koreans and the Chinese have always advocated for their own models. Korean Vogue/ELLE/Bazaar not only full cast Korean models, but they consistently than not produce gorgeous stories, full of mood and cinematic allure. And their pagecounts often run above 300pages. Didn’t Angelica say that when Vogue China first appeared, the Western photographers didn’t want to asscaoite with it— seeing it as inferior to Western Vogues? That whiff of discrimination is still prevalent in most Western Vogues and their likes; despite the tiresome droning of “inclusivity/diversity/representation", these rags have yet to cast a sole Asian model for their covers, especially the most supposedly “progressive” of the lot: American/UK/France/Italia.)