aphextwinks
Member
- Joined
- Dec 14, 2023
- Messages
- 27
- Reaction score
- 41
PHOTOGRAPHER: WING SHYA
CREATIVE DIRECTION: MATT MCDONALD
STYLING: VIVIENNE SUN
CREATIVE DIRECTION: MATT MCDONALD
STYLING: VIVIENNE SUN
@TomBlanksFullFatMiuMiu you can laugh all you want for now, sweaty, but come back here once Vogue China's identity will slowly decline when it'll be infested with reprints from editions that don't have to do with Chinese culture and fashion.
Margaret's tenure may not be everyone's cup of tea, but you can't deny the fact that her Vogue was cohesive.
Just because the reprints from editions are awful doesn't make her work good or great
I won't miss her; she was unqualified to begin with and still is, but I can't blame her for accepting this great once-in-a-lifetime opportunity
I think there is no comparison to the great Franca Sozzani, Carine or Emmanuelle Alt
Put Margaret's Vogue China next to Edward's British Vogue, Edward wins! and I would argue Vogue China might even have the bigger budget. Put Margaret's Vogue China next to AC's, AC wins
In the highly commercialized Chinese market, without any advertising on the cover for 3 months, this is unheard of. She messed up.
She had access to the best brands (not just fashion), photographers, models and cheap labour. She focused on promoting her profile rather than the magazine itself. It took Edward Enninful 30-plus years to sign with WME, while Margret is now with CAA, using Vogue as a stepping stone