I like her (very much) as well, Lola. She's way ahead of most of the other Vogue editors in her confidence of her vision for Vogue.
It may be same old same old when VP runs with this sort of thing— but it’s still better, still more confident and still having a hold of who they are— which is an exclusive, high fashion ratified atmosphere, than most of the other clueless Vogues out there running about aimlessly with their heads cut off, latching to the latest SM-craze.
And I will gladly lose myself in Alt’s adult high fashion world anytime, anyplace rather than suffer through the desperately-trying-to-be down-with-the-PC-kids that so many editors have been infected with. Or… dumb down high fashion to an accessible, department-store blandness for easy consumption and wider readership.
When I look at American Vogue’s Dec cover, all I see is a polite but so dull, consumer-catalogue aesthetic aimed at selling to middle-America. It’s not high fashion; then there’s the unholy mess of Spain’s Dec Vogue cover. If it were not for the premiere brand of Penelope, Burberry and Testino, it looks so shockingly amateur, so thoughtlessly cobbled together with its flat cut-and-paste grey background (did they even bother with a seamless????), Penelope looking so sad, and the hilarious chicken-scratch that’s meant to be a layout; and then there’s Ukraine’s Vogue which most are gushing over— and as high fashion-friendly as the UV’s team seems to be, it’s just really a tribute-act to Vogue Italy and Meisel; and speaking of Italian Vogue, Franca seem so lost with no clear direction…
Even with Karl and this girl on the cover, Vogue Paris still rules far and above the others.