softgrey
flaunt the imperfection
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Part I
from the v&a's website about the exhibit and yohji's work...Processes and Techniques
© Courtesy of Jeremy Stigter (click image for larger version)
Yohji Yamamoto's custom-made textiles use a variety of traditional Japanese techniques and other more common weaves such as gabardine and tweed. All his fabrics are made in Japan to his own specifications, making them unique to his designs.
'Fabric is everything. Often I tell my pattern makers, "Just listen to the material. What is it going to say? Just wait. Probably the material will tell you something."'
- Yohji Yamamoto
Fabrics
The importance of the fabric is tangible in every Yamamoto piece. From deciding the exact balance between the warp and the weft of the fabric and dyeing it the ideal hue to establishing the number of washings required to achieve the perfect balance between new and old, every fabric Yamamoto uses is specially created for him in Japan. Yamamoto's preference for exceptionally heavy fabrics and textiles not generally utilized in womenswear, high fashion or even clothing in general lends a particular slant to his sartorial language.
Embroidery
Yohji Yamamoto often uses embroidery, both hand and machine-made, particularly for his menswear designs as can be seen in Autumn/Winter 2006-7, Spring/Summer 2009 and 2011 collections. These intricate decorations contribute to Yamamoto's underlying desire to subvert people's perceptions of what men and women should wear.
Knitwear
The use of knitwear in Yohji Yamamoto's work often emphasises his wish to create space between the garment and the body. The heavy knit featured in both his Autumn/Winter 1998-99 womenswear and Autumn/Winter 2006-7 menswear collections, give the wearer the possibility of inhabiting the garment naturally, without being restricted by a predetermined form.
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