i am clearly not the customer for this......
it's very 'fashion victim'...
IE- gimmicky and unflattering and expensive
the sheep will follow...
they always do...
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Oh come on!!. If any of you see a "more structured" coat IMMEDIATELY you say "BALENCIAGA" I really think this is just a WANG show (not one with "Balenciaga references" to get us excited for Paris, like some people said)... I loved this collection, and the part impressed me the most was the pants! I liked how they were made..I don't know how to explain it (one side of it ended in the opposite side(?) ) but it looked great on movement.
***do not quote images***
style.com
that jacket is so wrong on so many levels
There was splendid irony in Alexander Wang’s bon voyage collection, shown in the former ticketing hall of the Cunard Building in Lower Manhattan. He’s off to France to design Balenciaga.
Cunard completed the building in 1921, when Coco Chanel and Jeanne Lanvin were hot, and Paul Poiret was broke. I was tempted to dig up some fashion columns from the era to refer to the type of drop-waist coats that Mr. Wang showed, but I didn’t have time. Besides, anyone can Google those ’20s styles: the draped blouse with a wide waistband, the plucky walking skirt, the tops with a twist in front. Even the wool socks that cuffed the models’ shoes vaguely recalled stockings indecently rolled down to the ankles.
The amount of foggy, soupy gray in the show would have delighted James Cameron.
No, Mr. Wang picked the silliest, most hackneyed theme, and managed to make it work.
There were a few problems.
Like many designers of his generation, Mr. Wang has a gift for essentially Photoshopping two or three unrelated styles to make a look that feels contemporary. Paired with those sack coats and skirts were mohair hoodies. More forthright, and modern, were evening tops in white or black duchess satin with a banded waist; they were worn with tailored pants.
But all too often the effort to blend styles showed, or the results looked as leaden as the grays. Phoebe Philo may have also had her eye on those twist-front tops, last season, but in her case the results looked gracefully tossed off.
Another problem that Mr. Wang has perennially is fabrics. That’s strange to say about a designer, but some fabrics and furs in this show looked as thick as upholstery. A light hand he does not have. And I thought it was a little bit funny when, at the end of the show, Mr. Wang bolted down the runway, taking the steps two at a time. If a woman in one of his coats tried that, she’d be overheating like a Model T.
nice post---To be fair, a lot of high fashion is gimmicky and makes the wearer instant walking fashion victims. I think Anne and Rei are incredible and true Rumpelstiltskins-- when it comes to their womenswear, but I'm no fan of their menswear and think it's one definition of fashion victim wear most of the time. Miuccia is all kinds of awesome to me, but those stupid juvenile scrawls resembling flowers for S/S 2013 are a complete joke to me.
As for Wang, I like this collection for what it is and I'm no fawning fan of his: He's like a charming popstar with just a touch of the contrived/forced quirkiness to appeal to and excite the masses without being too severe. He doesn't come across to me as someone who takes his fashion too seriously, so I definitely don't.
Alexander's collections have become "let's spot all the European designers he's shamelessly ripped off" season after season, there's no denying that. Despite this, I do feel he's the best of the current crop of overhyped and overexposed American "New Guard". To me, it's really just Alexander, and the others are just there to prop him up. These new kids are nothing compared to Ralph, Calvin and Donna. But Alexander, as much as he rips off the big boys, he's still able to do it with some direction and pull it together into a statement for the season. And more importantly, it doesn't look messy and a ragtag of odds and ends in a desperation to look daring-- like Prabal Gurung, or so bland it looks like a selection from a department store cobbled together as a collection like Jason Wu's; or the always over-the-top caricature that is Zac Posen masquerading as glamour and elegance. They're all decent-enough stylists trying to come off as important designers, but Alexander's efforts actually looks like a collection with just enough appeal to me (minus the exposed staples)-- even if it's
just to sell more bags and tees and sweatpants from his T line.