…This current fashion era is at its bottommost of the bottom of the barrel when there’s a sudden adoration/appreciation/respect for Anna Sui LMFAO
Straightup, she’s only ever had a handful of templates since the 90s, interchangeable with the prints/patterns/materials of the season. Rinse and repeat: cropped jacket w/mini; babydoll dress; Peter Pan A-line coat; Holly Hobbie ankle-length dress; and the baby tee with the current trendy print of the moment— that I suspect 9yo baby Mullet likely had the silver version of…
I remember us kids in the era of Clueless unanimously rejecting Anna Sui for being too… juvenile LOOL
But now as a working adult, guided with the professional experience of how fragile, fleeting and disposable any fashion brand can be despite dedication/talent/hard work, I do have a tremendous amount of professional respect for her brand of fashion worldbuilding, that’s securely maintained her place way past the hype of the 90s. She’s managed to keep her products affordable but still uniquely personal, and beyond fashion at this point. It’s never been, and still not my preference, but that she, as others have mentioned, remained true to her sensibility, and still grow her brand, is endearing, enriching and encouraging to all the young, indie brands that just want to design and produce wears that they enjoy wearing themselves— but clearly lacking in creative talent and innovative ambitions. That’s not the secret to her success, of course: Hard work and fortune has a lot to do with it. But people that think talent alone is enough, learn quickly that it isn’t.