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Deleted member 7575
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But its not is it. That's what i was trying to say before. This is retro. It is reinterpretations of the pasts vision of the future. Tron, Star Trek, 2001 etc. And as we all know, nothing dates faster than how the past sees the future.
NG gets touted as the forerunner for pushing fashion forward, but i don't see that at all. Its certainly different to what his contemporaries are pushing out and he should be lauded for that, but lets not be mistaken - He too is looking to the past to develop his ideas.
I think the real forerunner is Chalayan who expreiments with fabrics and technology - a new notion of fashion. One of his recent collections involved morphing materials - now that was pushing the envelope to something extraodinary. And yet he doesn't seem to get much mainstream coverage. Maybe that's because his clothes are too far out there and challenging for us to comprehend right now. And for me that's a true test of a visionary, someone's who's really moving things forward. Because we are so uncomfortable with it, the idea of morphing materials and garments with flashing lights. It's ridiculous, right? Only until it becomes normal and we think back and go, 'well of course.'
The thing with NG's vision is that its familiar. It's 'futuristic', ok, but we are comfortable with this future, we can applaud this because we've seen it before - this is acceptable, we don't sit back and go, 'there's no way that'll ever happen'
But Ghesquire does in fact set the trends. Other designers constantly look to his work, collections well over 4 years old at this point, to make designs now. If you look at major trend services like Peclers, WGSN, or Doneger you'll find them constantly pulling from his collections. Of course he references the past, they all do, but he's pulling things that are relevant before the rest of us realize. Fabric piecing, the skinny leg, the high waist, the emphasized shoulder, short hems, the list goes on and on, trends that Ghesquire picked up on before almost anyone else did. Hussein Chalayan differs in that regard. He makes amazing clothes but they never really end up on anyone.
He references a science fiction aesthetic and I don't think he does it because he genuinely believes it is the future, I think it's because he believes that aesthetic has finally found it's place outside of fantasy for right now. He could just as easily look to the past and design with historical periods in mind like so so many other designers do.















Emilia, you made my day with them! 
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