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Balenciaga S/S 2009 Paris

I wonder, how many body shapes fit into Guesquiere's vision? Hmmmm

It is my understanding that a designer should have an uncompromising point of view. He shouldn't have to design for every body type because he is a very specific designer with a very specific aesthetic. I know I have trouble fitting into his shirts (jackets are a dream though), but I understand that's just not for my body and a compromise on his end would completely change the idea of that shirt (very long, extremely slim, high armholes).
 
this collection is 10 kinds of ugly..... world resession and u give us mylar dresses..... this is a joke where is the real collection?
 
Amaaaaazing!!
Nicolas has really done it for me this season, just stunning!
I'm completely in love with the 2nd set of trousers (not the trumpet ones - imo they are the only bad part of this collection...)
The jackets are stunning, and look even better in the detail shots.
The shoes are really interesting, can't wait to see how they work, when they come to sell the shoes in store...
 
Why is Balenciaga so insanely coveted in fashion right now? Its all just regurgitated 90's, if it was done the first time well, LEAVE IT ALONE!
 
I've been anticipating this collection all season and I love it!!
 
:clap:AMAZING!!!!:woot: I think I'm the only one who likes the pants both in men and women I mean come on the one Olga S is wearing is a masterpiece, And the jackets are awesome.

B) Love the menswear:wub:
 
oh, I don't understand how the shoes work... looks like the whole foot is embedded in the shoe. like some kind of claw or something.

beautiful colours and materials/textiles. true luxuries and chic!
 
I love this. But then again, I have always preferred Ghesquiere the furturist versus the lace and fur Ghesquiere.

I am not too fond of the chest plate things on the beginning pieces, but the show definitely gets better as it goes along. By the end of the show, all the pieces are just gorgeous. I especially love the jackets (what are they made of??) and all the delicate but strong sequined pieces.

I think the shape of the pants is very fresh too. Balenciaga is known for being so slim and skinny, its really shocking to see the bell pants but also refreshing. I don't really have any comment on the men's clothes, I wonder why they were incorporated into the show.

I am not a fan of the shoes, however. They look like tights that grew tumors. I am really curious to see what they are like at the trunk show/when the hit stores.
 
I love this. But then again, I have always preferred Ghesquiere the furturist versus the lace and fur Ghesquiere.

Exactly.
 
oh gosh nicolas never dissapoints! i have to agree its more approachable than his past collection. The details are incredible. Love the gliterry dresses at the end paired with those nude tops. And the pants and jackets in the beggining are somewwhat similar to what he did for fall but theyre gorgeous as weel. the menswear is really interesting aswell. The detials make me even love this collection more than i already do.
 
I wonder, how many body shapes fit into Guesquiere's vision? Hmmmm

His clothes are notoriously cut rather small, it's certainly limited. But I've seen normal woman try on pieces to their liking, it's surprisingly more democratic than you think.
 
I really wish the setting had been lighter. i dislike the heart shape plates, and I have serious issues with the sleeves. I wonder how women are suppose to move their arms in them. :huh:

But the dresses at the end and the bags were lovely. :wub:

however the rest I don't know how to comment on just yet. Balenciaga is always so ahead of it's time that it's hard to judge it.
 
It is my understanding that a designer should have an uncompromising point of view. He shouldn't have to design for every body type because he is a very specific designer with a very specific aesthetic. I know I have trouble fitting into his shirts (jackets are a dream though), but I understand that's just not for my body and a compromise on his end would completely change the idea of that shirt (very long, extremely slim, high armholes).

So, clothes wear us, not the other way around.
Also, I guess it takes a truly talented, masterful designer to make women fit into everything [or close to it]. Quite a rare thing these days.
 
THE DETAILS!!THE SHOES!!!!!!!!!!!!
:woot::heart::woot::heart::woot::heart::woot::heart::woot::heart::woot::heart:
Wow this collection looks sooo much better up close!
 
So, clothes wear us, not the other way around.
Also, I guess it takes a truly talented, masterful designer to make women fit into everything [or close to it]. Quite a rare thing these days.

Well you don't go to Balenciaga for classic come-one-come-all pieces. That's what Ralph Lauren is for ^_^. With Balenciaga, there is an understanding about silhouette and proportion that is specific and unusual, and thus will not be for everyone. But that's why we have options :flower:.

Anyway, this really reminds me of 2001: A Space Odyssey, how it begins almost ancient, classical then progresses into this cold, severe futuristic look, finishing in an orgasm of light, shape and color.
 
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Most of the time, conceptual designers aren't doing it for the customer, they are doing it for themselves and for art itself. There's some integrity to that, although I'm sure it annoys plenty of people. What the consumer finds flattering and appealing is subjective to their own circumstances. I admire Balenciaga and the CDG clan's ideals equally, but find Ghesquire's silhouette far more appealing for myself (and it would look better) than something from Tao. Part of Ghesquire's vision involves the female as an Amazonian, futuristic warrior. He designs with that body-type in mind. It's not like anyone buys Balenciaga clothing anyway. 90% of the revenue is in accessories. That gives him the freedom to maintain his vision as he pleases. :blush:
 
Wow...the shoes again is out of this world. He and Raf always designed the most quirky footwear!
:heart:
 
i like it! there were certainly better collections from the past though.

and i completely agree with everyone who said he's trying to fill the gap left post hedi slimane dior homme! he even used hedi's models! it's nice to see ash on the runway.
 
Balenciaga: 'Let there be light'

The god of futuristic fashion has spoken: "Let there be light." With his collection Tuesday, Nicolas Ghesquière at Balenciaga propelled himself into a masterly position, in which light, the eerie colors cast on shimmering dresses, and lightness, as in fluidly draped jerseys, made an extraordinary, other-worldly impact.

"Absorbing and reflecting light," Ghesquière said backstage, though those words did not begin to express the melange of inventive materials. They included a jacket that translated the visual appearance of sequins into a woven Japanese textile; Cristobal Balenciaga's hefty jersey transmuted into ultra-light drapes; and ribbons of crin, or horse hair, made into what looked like futuristic fur.

Most astounding of all, an almost colorless show was tinted by technology. So Ghesquière not only used super-light fabrics that will make packing a sparkling cocktail jacket a traveler's dream. He also used light beams to change the register of color as the outfit walked the runway.

Other extraordinary effects were fringing like electrical filaments with the texture of fur; or a knobbly surface created from ribbons, a significant trend since it first appeared at Lanvin.

Although Ghesquière claimed that "architecture and lightness is a challenge," he has succeeded in redrawing the sculptural nobility of Balenciaga to make it credible, cool and even commercial. The designer's signature pants had asymmetric belts in pastel colors (traditionally, not technically, colored). Even a high-tech glitter jacket was paired with a pair of simple, narrow pants, while a square beige suede dress expressed the matte side of the show.

This Balenciaga collection was powerful also in what it omitted: no high-heeled cages of shoes from the designer who reinvented the platform sole as a fetish object. Instead there was stretch hose over booted feet, using the same nude fabric that covered most bared flesh.

Forget the seven male looks, which seemed a tentative intrusion - though they will probably make pants with elastic under the foot the essence of cool. But there will be an instant rush on what every single female model carried: shiny clutch box bags. They were the antithesis of the Balenciaga bags that originally put on the fashion map squishy sacks tricked out with fringe, tassels and hardware.

Above all, at a time when the fashion world, like any other industry, is reeling in the face of the economic meltdown, and when no one in the Western world actually needs another designer outfit, Ghesquière dared to show a powerful and inventive collection. And who dares, wins.

suzy menkes, iht.com
 

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