I hate to make the comparison, but how is this any different from what Tom Ford accomplished? Further, his rise as an influential designer is the perfect example of someone shelling out simply for a big name. Whether or not his designs were "good" or "bad" there were eager customers waiting in queue. The same, in my opinion, does not apply to Balmain as many have noted.
Many-perhaps many not very interested in fashion-are hardly familiar with the name much less are willing to shell out 12 grand for something that is simply "pretty". Yes, Christophe's designs are at times hardly ground breaking and maybe even trite, but I find comfort in knowing that the Balmain women knows who she is even if it's so called promiscuous, which shouldn't even be indicative from a skirt that's too short, however, that's another issue.
In an industry of labels suffering from identity crises-see [SIZE=-1]Chloé-it's still somewhat relieving to know that I can expect a constant vision from Balmain, even if it strays a little from season to season, whether or not it's visually appealing. That alone does not necessarily deserve praise, but sure as hell should call for a little bit of credit.
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