D
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He's high as a kite and he's not looking well at all.
This is kind of painful. I feel bad for him.
He's high as a kite and he's not looking well at all.
This is kind of painful. I feel bad for him.
He also needs a new stylist, someone who can polish up his look.
He's high as a kite and he's not looking well at all.
This is kind of painful. I feel bad for him.
I guess I find it strange because the mood is really hard to understand. It is a very sellable collection for sure, especially when you split the pieces up and away from their looks. But the mood of this felt hypo/hyperthermic. The layering and shapes feel too hot, heavy and sweaty (funny I know because it's a F/W collection) and yet the mood is really depressive and cold.Not strange at all. Very strategic. This is the kind of fashion that makes the shareholders happy. Very commercial juniorwear at the local mall vibe (down to the cast of headcount children). If the runway was painted all-white, it would look like 80s-Benetton produced a runway show.
Very smart business move with the nova check in all those electric colors: They will sell well with the flex-addicts— from tiktokers to outlet mall middle-America. There’s nothing British about this. (…But then again, British kidz these days are so desperate to be Americanized, so he definitely gets the mood of the masses.)
I think that the main difference in how Alber and Daniel use of what I call "Lanvin Lighting", is that with Alber, the runway was little more than a straight line with a illuminated backdrop and the clothes presented were bright enough in colour and simple enough in shape to see.I think it’s main issues lie in styling and presentation. Heavy and unclear shapes cascade on the bodies, creating looks that are hard to read. To me that feels like he’s insecure, especially with the light design. Albez used similar light but he made sure his silhouettes read as clear and strong.
It’s so bad that it’s almost good….
I found it really ugly but there were some interesting touches of humor. I gravitate towards designers who likes to challenge my perception of taste so maybe it has something that I can appreciate.
I loved that it felt British, I loved the cast, the mood and the music. I really loved one look towards the end: a chiffon dress with ruffles around the neck worn with riding boots. The bags were good..
That being said: THE FAKE FUR! Stop with that already!
The collection felt very much trendy, IG oriented and quite mediocre in terms of real proposition to wear…
It felt like the new Marni…
It will be interesting to see how this will be translated in the commercial collection.
It’s weird because Riccardo did delivered better collections but this really had a British flair to it…
hahahaha!!! You nailed it!!Marni van Noten by Stuart Vevers...What a waste
j in
He's high as a kite and he's not looking well at all.
This is kind of painful. I feel bad for him.
for real though, even though his last collections for the house were very underwhelming he produced really good material in his tenure for the house.Somebody get Christopher Bailey out of the countryside he's hiding and save this mess.