Carmen Dell'Orefice

7 Covers

- Vogue US February 1948
- Vogue US May 1948
- Vogue US November 1948
- Vogue US April 1949
- Vogue US May 1951
- Vogue US September 1955
- Vogue US July 1959



condenaststore.com, whosdatedwho.com, vogue.co.uk
 
Stéphane Rolland - Haute Couture ss13 (C)

stylebistro
 
great interview with carmen from the dailymail.


Carmen Dell'Orefice, the 82-year-old model reveals the secrets to her lasting success

While most models have a short career window, the legendary Carmen Dell’Orefice has been strutting her stuff for nearly 70 years (the knee replacement notwithstanding). Here she tells Jane Mulkerrins the secret of her lasting success

‘Being on the cover of Vogue at 15 meant nothing to me,’ confesses Carmen Dell’Orefice. She doesn’t mean to sound ungrateful; it was more that she was baffled by it all.

‘I never really understood what it was they were looking at, what they saw in me,’ she shrugs. Whatever it was, she’s still very much in possession of it; Carmen has been modelling – albeit with a few brief attempts at retirement – for almost 70 years now.

At 13, she was spotted by the wife of a photographer, getting off a bus in her native New York City; the following year, she sat for Salvador Dalí – who gave her a painting in addition to the $7 she officially earned for modelling for him – before going on to work with the most celebrated photographers of the 20th century, including Cecil Beaton, Norman Parkinson and Richard Avedon.

And at an age when many of her contemporaries are long forgotten or sadly deceased, she is still fronting campaigns for luxury brands such as Rolex and walking the runway for Gaultier, Galliano and Mugler.

On a scorchingly hot summer’s day, we meet in the suitably elegant surroundings of the Carlyle hotel on Manhattan’s genteel Upper East Side, where the dining room is populated by ladies who lunch (and, it would seem, see the plastic surgeon with some frequency, too), and where Carmen is a regular. While in photographs she projects a haughty imperiousness, in person she is warm, charming and thoughtful, with passionately held opinions on politics and economics (‘I can’t talk about fashion,’ she says dismissively over the cobb salad and lemon sorbet).

She’s still incredibly striking: tall and slim, with her trademark silver hair tied back in a neat, low bun, high, smooth cheekbones and tight, firm skin – not a sagging inch of neck or jawline.

She openly admits to having enhanced her god-given bone structure with regular silicone injections for decades, and undergone a fearsome-sounding ‘medical dermabrasion’ almost 50 years ago to banish wrinkles and sun damage, but that is all she is willing to discuss until she writes her memoirs.
She refuses to be frail; in spite of a painful double-knee-replacement operation just three months ago, she wore high heels a few days after we meet, for her 82nd birthday.

But more than her looks and her impressively lengthy and illustrious career, it’s Carmen’s personal life that should surely have Hollywood scriptwriters salivating.

The only child of an Italian immigrant father and Hungarian mother, Carmen modelled initially only to help support both her impoverished parents, who lived apart but never divorced. She herself has been married three times: first, at 21, to Bill Miles, after five years of dating and three illegal abortions.

The couple eventually had a daughter, her only child, Laura, but Bill was unfaithful, so they divorced. At 28, she married the photographer Richard Heimann, but he left her soon after because he decided he wasn’t ready for marriage or bringing up another man’s child.

Her third marriage to Richard Kaplan, an architect, who she met in early 1963 and married later that year, fizzled out after 11 years.

Outside matrimony, her lovers have been many, varied and not all entirely single, from the photographer Norman Parkinson to the US talk show host David Susskind and the multimillionaire Norman F Levy.

The latter introduced her to Bernie Madoff, who defrauded Carmen to the tune of several million dollars in his infamous Ponzi scheme.

‘Sure I might feel more secure with my little fortune at my disposal in my old age, but the loss of it doesn’t change who I am as I never changed my lifestyle,’ she reasons. ‘How many beds can I sleep in in one night? How many roofs over my head do I need? I don’t need that much.

‘I do want to live every day though, rather than fear the inevitable.’ Certainly, nobody could ever accuse Carmen of a life half-lived…

My dream was to become a ballet dancer, but after a year in bed with rheumatic fever at 13, I had grown too tall, and had no muscle tone left. I tried a ballet class and couldn’t even do a plié without falling over. It was my first death.

I have an iMac and an iPad, but I can’t do texting – I have arthritis. Technology should serve us, rather than us serving it. If you think you don’t need something, you probably don’t.

I didn’t marry to have children. I married to have a relationship and I was blessed with one child. I was an only child, too – my mother was smarter than most women today; she just had
me. I nurtured my own daughter’s ambitions the best way I knew how [she was 22 when she had Laura, who is now 60]. Laura always knew that she was a wanted child; she got all of me and she still has me.

My mother taught me how to sew, how to upholster, how to cook, how to wallpaper, how to count the pennies. Our rent was $30 a month, and we’d often be a few dollars short, so at the end of the month, we would sometimes have to pawn the sewing machine, which was a tragedy.

As a model, I didn’t have an identity; I was a chameleon, a silent actress. I was an amorphous thing. I wasn’t full of personality, I was full of solitude and solemnity. I wasn’t a cover-girl type. I’ve had more covers in the past 15 years than I had in all the years before that.

There’s no way I would have got to see so much of the world, with my humble background, without modelling. We were penniless and hungry for most of my youth. I washed the sheets in the bathtub in my bedroom and hung them out of the window on the clothes line, which in winter was difficult as the sheets would freeze and get stuck to the line.

These young models are taught to walk a certain way – it’s all about sex. There is a lack of refinement, there is no romance. Everything is a vulgar description of life – it is so sad.

It took me half my life to find satisfaction. I have been there for a while now, though I can’t pinpoint it exactly. And satisfied is the word. Happiness is a quiet indulgence I do on my own.

I never married unless I was in love. I am an incurable romantic. These days, everyone wants a formula, and a list – they want this, they want that, yadda yadda yadda. People today have their list of demands, and they miss connections, they miss empathy. Life is chemistry.

I was 16 when I fell in love with my first husband. He was 26 and had a young son from
a previous marriage. He was also in love with someone else, an older woman. I had little
self-esteem. Just because those men put me on the cover of Vogue, I didn’t have the insight about my own needs and desires to help my partners treat me the way I wanted to be treated. But we all tried. We just didn’t know how to stay together.

There’s no way I would have got to see so much of the world, with my humble background, without modelling. We were penniless and hungry for most of my youth. I washed the sheets in the bathtub in my bedroom and hung them out of the window on the clothes line, which in winter was difficult as the sheets would freeze and get stuck to the line.

These young models are taught to walk a certain way – it’s all about sex. There is a lack of refinement, there is no romance. Everything is a vulgar description of life – it is so sad.

It took me half my life to find satisfaction. I have been there for a while now, though I can’t pinpoint it exactly. And satisfied is the word. Happiness is a quiet indulgence I do on my own.

I never married unless I was in love. I am an incurable romantic. These days, everyone wants a formula, and a list – they want this, they want that, yadda yadda yadda. People today have their list of demands, and they miss connections, they miss empathy. Life is chemistry.

I was 16 when I fell in love with my first husband. He was 26 and had a young son from
a previous marriage. He was also in love with someone else, an older woman. I had little
self-esteem. Just because those men put me on the cover of Vogue, I didn’t have the insight about my own needs and desires to help my partners treat me the way I wanted to be treated. But we all tried. We just didn’t know how to stay together.

People are always asking me what I’ve had ‘done’. The treatment I had [to eliminate sun damage] is not available to the public any more. It wasn’t a peel; it wasn’t a lift. The doctor used the finest wire brush, and he planed off my skin. It brings you right down to baby skin, and those layers of skin never grow back so you have to be so careful in daylight. I go to sleep with sunblock on, in case I forget to put it on in the morning.

I moisturise my skin with anything that comes to hand, but nothing on the outside is going to make a blind bit of difference unless you take care of the inside. I drink water with lemon juice in the morning, and eat plenty of probiotic yoghurt.

I was never a big shopper, but I have some wonderful Calvin Klein suits that I have bought in the past ten years, all for under $100. He is a tall man and designs for tall people. Donna Karan does that too – the sleeves actually come to my wrist.

Do I like the idea of travelling? Yes. The reality, no – the hours at the airport, the awful way the airlines treat you. I am just so grateful I got to see the world when it was all still prop planes and it took 24 hours to get from New York to Paris.

Diana Vreeland [the late legendary Harper’s Bazaar fashion editor] was a good friend and a great champion. She knew everything about my life and respected the way I conducted it. Once when I was called into her office, she stood behind me and said: ‘I want you to do this collection in Paris with Avedon, but you have to grow your neck.’ She told me to think tall and stretch my neck, and she’d see me next week – if my neck was longer, I’d go to Paris. And I did.

In business, I didn’t always know how to take advantage of events and opportunities that were right in front of me, so I missed that boat a few times. Then, over the decades, a few men of great substance wanted to marry me, but alas I was not in love with them, so my lifestyle in the end stayed happily in my hands.

I have come to realise that love is not the narrow thing I thought it was. If you can find it all in one lovely person with marriage and sex and lust, that is fabulous – and I came pretty close with my last husband. But when one of my oldest friends died recently – we had been friends for 60 years – I realised that you can find your soulmate in friendship, too. There is nothing I didn’t tell her – good or bad – and that is real friendship.
 
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The legendary supermodel Carmen Dell'Orefice takes the cover of You magazine with a new shoot by MoDa's Touch. Carmen has graced her first cover of Vogue at the age of 15 in 1947, working for almost seven decades she is now 82.


designscene.net
 
US Harper's Bazaar October 1980



Over-40 and Fabulous! Pt.1
Photo Albert Watson & Bill King
Celebs Sophia Loren, Diahann Carol, Mary Tyler Moore, Susan Strasberg, Mary Travers, Christina Paolozzi, Judy Collins, Sunny Griffin, Carmen Dell' Orefice, Brooke Hayward & Susan Johner
Hair Anthony Clavet, Leigh Jones-Jean Pierre, Louis Alonzo, Lawrence de Palma, Pamela Greigor, Raymond Camacho & Donald
Makeup Anthony Clavet, Pierre Laroche, Joey Mills, Sophie Levy, Craig Gadson, Amy Effassy & Patricia Bowden



 
Over-40 and Fabulous! Pt.2




Scans by EH
 
Christian Dior Furs 1983

US Vogue November 1983
Photo Richard Avedon
Models Carmen Dell'Orefice, Kelly LeBrock, Vincent Vallarino & Andre Gregory


My scans
 
Carmen doll by Tonner Doll Company

tonnerdoll.com
 
NEW YOU Magazine march 2015

10473989_10152825790058005_4218278791978171348_n.jpg


facebook.com/NewYouMedia
 
Vogue Italia December 1996
"Charming Carmen"
Model: Carmen Dell'Orefice
Photographer: Arthur Elgort
Stylist: Anna Dello Russo
Hair: Bruce Libre
Makeup: Brigitte Reiss-Andersen



archivio.vogue.it
 

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