Everything Luna does, especially for chanel, is Iconic. She, Grace and Vittoria are the last true Chanel girls.Luna Bijl closing the Fall/Winter 2018 show is iconic in my eyes
I'm not feeling this campaign, wish it was done outdoors.
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Everything Luna does, especially for chanel, is Iconic. She, Grace and Vittoria are the last true Chanel girls.Luna Bijl closing the Fall/Winter 2018 show is iconic in my eyes
I'm not feeling this campaign, wish it was done outdoors.
I used to love Chanel ads. I realized it even more when I bought their book dedicated to the campaigns.Lifeless and dull, I never like Chanel ads except those garden shots circa 2010 with Alex White and 2005 Paris streetsnaps with Alt....
thanks for sharing the info vogue28! Kinda sad to read this since I was usually a fan of the eyewear campaigns (Luna looked fantastic) and this one is a disappointment.Instead of producing a separate advertising campaign for eyewear this season, Chanel have just used some shots from this mainline campaign. They have been putting out some footage on their Instagram page over recent days, and I've just seen the print campaign (black and white) in the new April issue of British Harper's Bazaar.
I appreciate cultural, racial diversity and sensitivity but those images above remind me of the super corny ultra PC, Baskin & Robin posters from the 90s which they still use their shops.
Group shots in general seem to befuddle the heck out of modern editorial, campaign teams. US VOGUE is terrible although some International editions like Italian ELLE trying to evoke Bensimon, King, Toscani are even more cringe.
In the 90s magazines featured models of color along side white models but it looked natural. And they weren't using that banner as a stunt or political message. Now it's done out of fear and public demand rather than an editorial standard. Look at 80s and 90s US ELLE.
Chanel’s print imagery isn’t known for diversity last I checked anyways. To me the set up of the models looks mechanical and oh yeah it’s 2019 let’s not forget to include a black model.
I’m more turned off by the static aesthetic, editorial presentation which rather than emphasizing racial diversity and harmony in a natural way, we’re presented with this stiff Barbie line up, corresponding to a check off list for racial diversity quota. To me the ad’s stiffness further highlights Chanel’s lack of experience representing diversity in print.
But the inclusion of more models of color in all publications and companies will translate into a more natural racial norm rather than exception where turning a page and seeing MOCA in a fashion mag invites admiration of beauty and campaign creativity rather than highlighting look here at this racial diversity anomaly. The Chanel ad represents visual documentation of growing pains. But still breaking down barriers and we’re here to witness the progress
You forgot Kimora in 1989, Yasmeen Ghauri in 1990 and Nadège Dubospertus in 1992 and 1993, Devon Aoki in 1999, Pharrell and Adut.I just did a quick google search
Chanel Spring Summer 1994 : Brandi Quinones
Chanel Spring Summer 2012 : Joan Smalls
Chanel Spring Summer 2016 : Lineisy Montero, Mica Arganaraz
Chanel Eyewear Fall Winter 2016-2017 : Willow Smith
Chanel Les Beiges : Imaan Hammam, Liu Wen
Chanel Fall Winter 2018-2019 : Adesuwa, Hoyeon Jung, Yoon Young Bae
Seems pretty diverse to me. Of course, they use a lot of white models as well but we can't deny that there is diversity. And like you said, we are here to witness the progress
I just did a quick google search on their campaign history, that's why I didn't include everything.Oh I’d completely forgotten about Brandi for Chanel. Such a knock out.
Granted I’m old school and haven’t paid that close attention since my perceived decline of fashion c 2008 but diversity at Chanel in terms of their campaign archive isn’t what immediately comes to mind.
What I remember based strictly on recall is many a white model, celebrity or muse fronting Chanel. How many people even those who did pay attention to print back in the day could’ve recalled the 1 90s MOCA without the aid of Google?
Looking at Chanel MOCA stats you’ve googled their track record is pretty patchy (20 year camping gap) until recently which likely coincides with recent social media pressure over the last few years. And let’s not forget the incredibly dedicated TFSers tracking diversity on the runway and changing the face of fashion by doing so!
So yeah a definite step in the right direction over the past 3 years. Let’s keep it up and maybe we’ll even see another solo MOCA a la Brandi, Joan or even Saffron as somebody else mentioned in a previous post. Once seeing a MOCA in a print magazine becomes a non-event in the same way a white models presence has become, hopefully by then Chanel’s multiracial line-up of models will come across less mechanical, more fanciful and convey a rich, layered capmpaign concept!