Fulton St Critique
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- Apr 27, 2020
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I don’t know I feel like it’s something quite personal at the end of the day, even if there are some pieces that have some kind of instant visual appeal. When you see a collection that is very directional it’s easy to sense which pieces will sell the most or at least can grab the attention.
But for me, eye-catching doesn’t necessarily means desirable (when there’s a use of logos for example).
For me, fashion is daywear. That’s what I look forward to, something that I buy and I really love the idea of buying or being inspired by HF in my everyday life. Tomas Maier’s Bottega Veneta was at it best with Cocktail dresses and eveningwear. I may have 4 or 5 pieces from his time and they were all cocktail dresses. What made them maybe desirable was a combination of many things…Shapes, colors, fabrics and a kind of minimalist prettiness but also the aura of the brand at that time. They are all from the 2007-2009 era of BV.
What separates something good or great from desirable is details. Tomas was a great and technically accomplished designer for BV. He did drapés, plissés, insanely gracious and luxurious collections… Daniel Lee had just that perfect eye for colors. His strength was really knitwear and the separates had those colors that are just yummy. Even the signature green that was so annoying and almost irritating has become such a strong stamp!
Sometimes the presentation can make something desirable. Hedi Slimane has that genius of turning basic pieces into things you feel like you cannot live without.
I admire your braveness for commenting on Hedi Slimane’s ability to transform the basic into the desirable. If I remember correctly, someone stated he is in his “flop era”
