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The video below explains it well:Has Blumarine been relevant since that guys appointment? Really?
The video below explains it well:
They just didn't know how to turn the hype into a healthy profitable business.
It’s true that some of clients are a bit dodo but I really appreciate him as a person, his rise to success and his enthusiasm. I think that somehow, his enthusiasm always got the best of him…Okay I was being dramatic but he's been promoting some of the worst people right now and that is what generates the hype and the speculative value they bring to a brand. I low key blame him for Ludovic getting the job at Ann D
Some consults for brands. We have to keep in mind that there are a lot of designers in studios and only like 1% of them get the chance to be main designer or creative director. So that center stage makes your name and your face known and so either you can consult for brands, either in RTW or luxury sometimes or you can go on your own. Some people go back in the studios of major fashion houses and some others goes to different creative ventures. I think one of the most famous and successful one is Vincent Darre who was someone who worked in the early days of Prada, then worked with Karl at Fendi. He had his big time at Moschino and then did Ungaro but failed. He left fashion and did Interior design and has made most of his success there.Im always thinking what designera doing when that are out of the house where they was a Creative Directors. Like Brognanao who closed his owne brand. They just waiting to be a CD at ocher house or same of them going back to work at some brands working like a "normal" designer under other CD. Im just curious, maybe you know wiat they doing after..
Thank you so much for answer ! <3Some consults for brands. We have to keep in mind that there are a lot of designers in studios and only like 1% of them get the chance to be main designer or creative director. So that center stage makes your name and your face known and so either you can consult for brands, either in RTW or luxury sometimes or you can go on your own. Some people go back in the studios of major fashion houses and some others goes to different creative ventures. I think one of the most famous and successful one is Vincent Darre who was someone who worked in the early days of Prada, then worked with Karl at Fendi. He had his big time at Moschino and then did Ungaro but failed. He left fashion and did Interior design and has made most of his success there.
That’s why relationships are important in fashion. Being liked, being known as professional and being humble makes it possible for people to have long-lasting careers in fashion. I think about a house like Chloe that has a turnover of very talented designers. Their work was noticed and appreciated in different levels but those people have managed to stay in the industry.
And creative director is a huge responsability that surprisingly, a lot of designers are not attracted to. There’s a security in being in the studio to create, in a creative hub without all the pressure a CD has to endure.
Prada still moves the needle on trends more often than we like to admit and there have been a couple of Raf-involved collections I liked (Spring 2023 felt like it had a touch of that richly coloured Prada quirkiness again) but it's still a far cry from the brands's 90s-2010 glory days. NOT saying they should keep recyling the Prada collections from those years the way Brognano was doing for Blumarine btw, that's stale.I haven’t liked Prada for a while now, it’s become cold and pretentious and manipulative whereas before it was always beautiful and hugely desirable in an off-kilter way. They never had to try hard , it was always meaningful and complex. Now it’s those triangle logos everywhere, and that might work in the short run, we’ll see what happens once Miuccia has gone.