Frida Giannini - Designer

This is just part of a very lengthy article here


The extent to which the next designer mines the horsey heritage and the Ford component, or rejects them, remains to be seen. Several major names have been floated as possible replacements for Giannini, including Tisci, Tomas Maier, Joseph Altuzarra and Christopher Kane. His LVMH contractual situation aside, Tisci would be lights out. He counts among the most closely watched drivers of fashion today, his work indicative that homage to house codes matters less than creating exciting fashion. That said, Givenchy is a very different kind and scale of business. Tisci hasn’t had to make sure his designs for Givenchy work back to a huge classics business.

Maier is even-keeled and disciplined, and as creative director of Bottega Veneta, oversees the creative output of Kering’s second-largest business, one performing beautifully right now. He understands luxury and not trading down. His Bottega bags are gorgeous and often inventive while incorporating the signature woven element. Though Maier’s clothes have been less consistent than his accessories and sometimes awkward, his best work is his most recent. His last collection infused sophisticated chic with an artful touch.

Altuzarra would be amazing for Gucci, but whether Gucci would be amazing for Altuzarra is another story. His is a decidedly sensual aesthetic. He could run with the sexy thing without falling prey to Ford mimicry. But, even after the Kering investment in his company, Altuzarra has been mindful of expanding his own business slowly. To suddenly concern himself with how last season’s bag re-issues are performing online and in hundreds of stores around the world — and make no mistake, he would have to be so concerned — could distract from his essential creative development.

Ditto Christopher Kane on the development front. During his stint at Versus he gained some experience working within the confines of a larger, established brand, though hardly one the scale of Gucci. His charming aesthetic is younger and less obviously sophisticated than Altuzarra’s.

Kering has an interesting, diverse stable of designers at its major houses. In addition to Maier: Stella McCartney, a trailblazer in ethical fashion with a grounded real-woman aesthetic. McQueen’s Sarah Burton, a rare artistic breed and de-facto couturier. Balenciaga’s Alexander Wang, a bold young talent unafraid to fuse street and couture concepts. YSL’s Hedi Slimane, probably the most fascinating designer working today. The shows look to me like the emperor’s new (contemporary) clothes. But the numbers say that a lot of women are buying in.

All of which may play into Pinault’s thought process as he determines how to position the Gucci brand for its next phase, and who is best to take up that creative mantle. Gucci is the flagship. Getting it right — beginning with clear articulation of what Gucci is and should be — is essential.



wwd
 
For the Hedi rumors, Gucci was exactly what YSL is today. The critics and the collections were kinda mediocre but it sold well.
Frida's first good reviews were for her SS2010 collection.

Bridget Foley made a point. At Gucci they tried to ignore the Tom Ford years but it was a wrong move. Before Tom Ford, Gucci made clothes...Tom Ford gave the vision, the identity & the fashion. She compared Gucci to Prada and she is right, it's totally the same equation.
At YSL, even if they tried to ignore the Tom Ford, Alber & Stefano years, it was all about Yves!

Seriously, seeing the way Stefano left YSL, i don't think he is going to work for Kering again. Don't forget that Stefano, like Frida or Christopher Bailey and others used to work with Tom Ford at Gucci & YSL. They were used to a standard regarding the creative control of the brand.
When Stefano tried to make more personal collections at YSL, even with a huge success, he was outed.

Even if i want an Italian designer doing Gucci, i think they will go for Altuzarra. I'm afraid because i still remember that he is the only designer ever who copied a whole collection. That collection was the Gucci FW 2003.
 
Well....I can't say I'm holding my breath for any innovative or smart choice here. Fashion is simply not what is used to be and all decisions made within the last 5 years all feel incredibly short-sighted and wimpy.

I think the only designer who could actually do something interesting with the house would be Haider Ackermann. He's the only one who has a strong enough aesthetic of his own which could add another chapter to the Gucci story as opposed to re-iterations of chapters before. I could see him adapting very well to the house and can imagine him injecting a lot of luxe nonchalance to all product categories. I think he'd be smart enough and capable enough not to do the whole drapey, overly layered look that is his mainline at the house of Gucci. A designer like Olivier Theyskens, who is even more talented in all actuality, is not suited to a house like Gucci. It just doesn't match. He'd be far better at a French Couture house...there's nothing Italian about his aesthetic.

However...I highly doubt that's who they'll pick. If it truly is Hedi, and he does both Saint Laurent and Gucci - it will be such a travesty. If it's Altuzarra - that will be even more devastating.
 
Well....I can't say I'm holding my breath for any innovative or smart choice here. Fashion is simply not what is used to be and all decisions made within the last 5 years all feel incredibly short-sighted and wimpy.

I think the only designer who could actually do something interesting with the house would be Haider Ackermann. He's the only one who has a strong enough aesthetic of his own which could add another chapter to the Gucci story as opposed to re-iterations of chapters before. I could see him adapting very well to the house and can imagine him injecting a lot of luxe nonchalance to all product categories. I think he'd be smart enough and capable enough not to do the whole drapey, overly layered look that is his mainline at the house of Gucci. A designer like Olivier Theyskens, who is even more talented in all actuality, is not suited to a house like Gucci. It just doesn't match. He'd be far better at a French Couture house...there's nothing Italian about his aesthetic.

.

Haider hasnt been able to keep the interest and the buzz around his brand for more than 3 seasons....doesnt matter if you like it or not, if he is good or not, the true is that nobody cares about him anymore. The expectation for him designing at gucci wouldnt last long.

For me the best option is riccardo taking the gucci job and leaving Givenchy to Olivier ( I think Anna Wintour adviced thyeskiens not to take de la renta's creative direction because she knew something better was coming )
 
YSL’s Hedi Slimane, probably the most fascinating designer working today

I feel like I've just taken a trip backwards through time. I doubt that statement holds true today.

I like the idea of Tisci heading to Gucci with Theyskens stepping in at Givenchy. That represents a win/win.
 
Haider hasnt been able to keep the interest and the buzz around his brand for more than 3 seasons....doesnt matter if you like it or not, if he is good or not, the true is that nobody cares about him anymore. The expectation for him designing at gucci wouldnt last long.

For me the best option is riccardo taking the gucci job and leaving Givenchy to Olivier ( I think Anna Wintour adviced thyeskiens not to take de la renta's creative direction because she knew something better was coming )
While I would agree that Haider has seemed to have fallen off the radar in recent seasons, I think he's the kind of designer that really would flourish so much more at a house with codes, with archives and with the platform to advertise, merchandize and on-the-whole really push for a brand-identity. Much more than what he is capable of doing at his own label.

Again, while someone like Theyskens is and always has been immensely talented, I think the work he did at Rochas and Nina Ricci (ESPECIALLY Rochas) was so much more iconic and influential than what he created at his own line - and his own line was gorgeous, inventive and important, no doubt. But sometimes the combination of the right house and the right designer is even stronger than a designer flying solo.

I think Haider is one of those designers. I think what suits him for this kind of job is his holistic vision and "world." Very few designers, especially designers working today, have a strong enough, unique enough and personal enough point-of-view that can unite all product categories, all marketing, all brand ambassadors and all other corners of the brand together and make it something recognizable and desirable.
 
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In 2013 (Jan or Feb) Givenchy has signed Riccardo Tisci for another three years.


However, he's the best option :cool2:
 

I feel like I've just taken a trip backwards through time. I doubt that statement holds true today.

I think the writer was being sarcastic.

Kering has an interesting, diverse stable of designers at its major houses. In addition to Maier: Stella McCartney, a trailblazer in ethical fashion with a grounded real-woman aesthetic. McQueen’s Sarah Burton, a rare artistic breed and de-facto couturier. Balenciaga’s Alexander Wang, a bold young talent unafraid to fuse street and couture concepts. YSL’s Hedi Slimane, probably the most fascinating designer working today. The shows look to me like the emperor’s new(contemporary) clothes. But the numbers say that a lot of women are buying in.

And no one in this world thinks Stella, Wang, Sarah or Hedi are interesting designers. Right?


Haider hasnt been able to keep the interest and the buzz around his brand for more than 3 seasons....doesnt matter if you like it or not, if he is good or not, the true is that nobody cares about him anymore. The expectation for him designing at gucci wouldnt last long.

Totally agree. I mean, he has done a couple of 'good' shows, but he's irrelevant and stuck. No one cares about him. Plus, I think we have already seen the best he can do.
 
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ugh, stop it with Theyskens. he's dreaming too big, a designer like him needs strict guidelines to which he must adhere to. his Nina Ricci days were out of this world gorgeous, but that stuff doesn't sell, nor can it be worn by regular people (that includes celebs who'd wear it on the red carpet)

his work at Theory was good cause they had guidelines. he was there to inject his talent, vision and eye for detail into what would else be boring office safe clothes. he's like that accent that looks good in small doses, but unbearable when full on.
 
i feel the opposite to everyone here.. i am not a haider fan at all , hedi would be really cool :D i love what he is doing these days
 
This is just part of a very lengthy article here

Stella McCartney, a trailblazer in ethical fashion with a grounded real-woman aesthetic. McQueen’s Sarah Burton, a rare artistic breed and de-facto couturier. Balenciaga’s Alexander Wang, a bold young talent unafraid to fuse street and couture concepts. YSL’s Hedi Slimane, probably the most fascinating designer working today.

wwd

That's one great list of the most uninspiring names in fashion right now.

At least one of the others, Giannini, is gone from Gucci. Her collections have always been repetitive, commercial and bordering on hideous.

I swear, if they replace her with another visionless bore, I'm quitting.




 
For people excited for Tisci at Gucci, do you realize he comes with the Kanyes, Kims, and all the other attention whores of this world? Say what you will about Frida, but she kept Gucci clean of the undesirables. From the celebrity clients to campaigns and runways casts, there was always an aura of exclusivity and class. Tisci would destroy it all.
 


That's one great list of the most uninspiring names in fashion right now.

At least one of the others, Giannini, is gone from Gucci. Her collections have always been repetitive, commercial and bordering on hideous.

I swear, if they replace her with another visionless bore, I'm quitting.

I love Stella, she seems to be the only one in that group with a vision and a certain integrity. AND, she must be the only who really sells clothes.
Weird to see that she is the only one left from the original Gucci Group. Everybody is gone... :(
 
We need some fresh talent and by fresh I mean someone we've never heard of. I'm sick and tired of all the mediocre J.W. Anderson's and Altuzarra's out there. Nicholas Ghesquiere and even Frida were both unknown when they got their starts. Someone in house would be better than some of the mentioned candidates.
 
Good Lord....reading this thread is about as painful as reading the Terms & Conditions on a new iPhone update.

Anyways, the way I see it, Gucci is nothing more than a glorified accessories company...leather goods and uncomfortable footwear. Sure, they have clothes, but who really wears it, besides celebrities on the red carpet? And when you consider that the bread & butter of damn near every big designer label these days is glorified accessories, it's hard for me to get excited over the clothes...much less who's actually going to be designing it.
 
Good Lord....reading this thread is about as painful as reading the Terms & Conditions on a new iPhone update.

Anyways, the way I see it, Gucci is nothing more than a glorified accessories company...leather goods and uncomfortable footwear. Sure, they have clothes, but who really wears it, besides celebrities on the red carpet? And when you consider that the bread & butter of damn near every big designer label these days is glorified accessories, it's hard for me to get excited over the clothes...much less who's actually going to be designing it.

Yeah, I mean that's pretty much all the luxury brands now save for a handful.

The name of the game is not to find a designer who will rejuvenate the RTW business but rather raise the profile of the brand (get it shot, talked about and worn by all the right people) all the while steer the various products (bags, shoes, fragrance, etc) in the right commercial direction under a unified voice.

No one's really buying the collections Ghesquiere is doing for Vuitton yet their presence adds cache to the overall brand. Vuitton was starting to go adrift and now it stands for something unique and special (or at least that's the idea).

In Gucci's case the company has no identity, no relevant signature, and with the market so overloaded it's gotten lost amongst all the new names. I think Tisci would have been ideal but apparently Gucci has pursued that and it's a dead end. Not really sure who can do this job but I bet you there's an unknown toiling away somewhere, perhaps even at Givenchy or Celine or who knows where, someone who is due for his or her time in the spotlight.
 
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This conversation brought me out of the shadows. I would love to see what Matthieu Blazy would do with Gucci!!!! He has brought incredible attention to MMM and he is a Raf Simons prodigy which lends clout. I think he is a young and incredible designer that could fit, along with the other names like Pilati or Ackermann!
 
altuzarra at gucci would be interesting. and could be a good follow up after wang took balenciaga.
 

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