LMFAO whenever I read the title of this thread: Haider Ackerman - Designer, Creative Director of Canada Goose & Tom Ford… What actual input would he have other than quickly signing off on their team’s overpriced mallwear twice a year… Remember when Tommy Hilfiger actually showed bespoke suits and tailored gowns for one hot second, only to quickly came to his senses and revert back to basic outletwear…???
Anyway, my seething loathing for Canada Goose aside, that sort of glittery, sequinned kaleidoscopic pop confectionary disco dancing queen that’s unfortunately become the signature of the Tom Ford brand is so cringe— especially when he named a lipstick “fcukin fabulous”: So Boomer desperate for attention level of secondhand embarrassment. Shame the casual fashion fan doesn’t know.care that at his best, the brand is sly, clever and even cocky—more so when Terry helmed his branding that hinged on naughty, even vulgar decadence. But it’s never beent fun fashion, at least not when the label was supreme. So glad Haider scrubbed the bops off the label’s playlist. And reintroduced a coldness, an iciness, a moneyed Blade Runner android chill, that has always been a strong component of Tom Ford, going back to his Gucci days: His Gucci A/W 2003 remains a masterclass of balancing a chilliness with a vulnerability in disciplined structure and flowing lightness— I can imagine Rachel from Blade Runner wearing all these designs.h
Then moving into his YSL reign, Tom is such a ferocious, mean tailor of that combination of bespoke and deconstruction. His YSL S/S 2004 moves and glides with the sharp ease of liquid mercury. Just unbelievably feminine and authoritative. No one came close.
And his smoulder, sensuality that the best of his namesake label, Tom Ford A/W 2016 is pure soulful luxe, with that hinge of 1970s icy cocaine and champagne Bianca Jagger and Halston cool.
That’s Tom Ford at his best. Haider successfully instilled and distilled this coolness, iciness with a lethal dose of stealthy sensuality for his debut— not to mention he’s being faithful to the label with teh strong tailoring and fit that flatters the human form to the utmost; an effort that’s all but in the minority these days, where ill-fitting forms are insultingly sold as the highest of fashion, when in reality, it’s just so much easier to manufacture and produce shapeless forms. I get that his iciness, and no-nonsense tailoring may be a turnoff for those wanting faSHON, but those traits have always been a reliable trademark of Tom’s, going from Gucci to his own label. And Tom and Haider have always dressed women and men— not girls and boys. Thank goodness.
(I was looking for a Tom Ford winter coat on luisaviaroma— and the model for a Tom Ford coat is a tall, gangly, beanpole, whose arms are too long for the cut, and he can’t fill in the coat. He looked like that silly Nosferatu from 1922. Tom Ford is not designed for every body, and that Haider understands this, is always a good thing.)
Gucci A/W 2003
YSL S/S 2004
Tom Ford A/W 2016