It's not horrific, but it doesn't feel Galliano.
There are some very obvious ruffles and some extremely on-trend structured cocoon jackets, both of which don't feel John, the former tragically feeling like current Valentino..
I think Gaytten is too wrapped up in Dior to fully understand Galliano's own brand - it's much softer, more experimental and hence tends to be about 100% more beautiful.
It feels as if Gaytten didn't understand Galliano's exquisite use of drape, but tried to convey it with flat-pattern over-sized pieces or dresses embellished in ruffles or parts that droop.
I'm finding it hard to understand how the designer thought through that one black sheer finale dress with the strange and awquard shapes.. how he decided that it would be beautiful that way.
Galliano's clothes worked
because they were draped, he could create voluminous shapes but they were flattering because they answered to the shape of the body.
As below:
style.com