I agree that Margiela and Hermes were an unexpected match that worked so beautifully, in that both Martin's sensibilities and the house's ultra-lux qualities enhanced, enriched and enlightened one another. But I don't think his aesthetic was so strong for the house that it synthesized and bled into fashion's general sensibilities-- the way Tom Ford, Hedi Slimane and Christopher Bailey's influences have. And I feel that's because the minimalist, monastic, almost puritan ultra-lux that Martin's carved with Hermes wasn't as exciting to most, and new-- Zoran, Jil Sander, Calvin Klein were already known for that style, nor was that style generally coveted by fashion followers-- who typically gravitate towards attention-getting and loud statement designs.
But, looking back now at his work for Hermes, they're truly timeless. But most of all, they work on women of any age-- and mood. I really appreciate designers with that attitude.