New York Fashion Week Schedule S/S 06 September 8-16

Another article from nytimes.com

Frivolity Revs Up as the Big Week Starts

By GUY TREBAY
Published: September 9, 2005
WHEN a reporter happened upon Patricia Hearst Shaw in the front row of an InStyle magazine runway presentation on Wednesday evening with her hand up the hem of a woman's dress, Mrs. Hearst-Shaw, the former socialite, former Symbionese Liberation Army member, former federal prisoner and sometime movie actress, gave a pert laugh. "Oh, it's all right," said Mrs. Hearst-Shaw, who was straightening the dress lining. "I'm her mother.

Christopher Smith for The New York Times Ali Sheedy at the InStyle party for Fashion Week.


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Christopher Smith for The New York Times A patron gets the troubled-times Evian spa treatment.




And so began another New York Fashion Week, the twice-a-year carnival, where hard-core commerce meets heedless frivolity, the apparatus of hype swells to gargantuan proportions and the city seems overrun with It girls and between-gigs actors and Russian models bearing an uneasy resemblance to underage p*rn performers and with all the soldiers in that brisk modern army that toils so fearlessly in the trenches of marginal celebrity.

"Do you know who's sitting right in front of you?" the actor Callie Thorne whispered into her cellphone at the InStyle party, which was called Clothes We Love and featured so many outfits that one was forced to conclude that the editors suffer from love addiction. "Dennis Leary," Ms. Thorne hissed to a friend on her own phone across the room. Moments earlier Mr. Leary had entered the lobby of the Time Warner Center, transformed into a catwalk through the liberal use of Mylar and fashion pixie dust. "No alcohol or booze?" he asked.

The booze, and plenty of it, came later at the party following the show. Flutes or splits of Champagne drunk through straws are never far from hand in Fashion Week, which officially starts today. (And how have child welfare authorities failed to notice the backstage guzzling by teenage models?) A reporter experiences the temptation to grab a tray of glasses from a passing waiter and drink until the senses are dulled to conversations in which the pressing issue is what flat boot is the right one to wear this fall.

It has been said before and is worth repeating: "Prêt-à-Porter," Robert Altman's 1994 movie about the fashion business, was no parody. Insiders found the depiction cartoonlike. It was. No one who has ever heard a designer describing what is generously termed inspiration can really claim that lines like the one Richard E. Grant uttered in the movie are that outrageous. "It's plastic, it's rad, it's prêt-à-go-go-go-go," said Mr. Grant's character, who wore pancake makeup, eyeliner and a spit curl glued across his forehead. Believe it or not, that person exists.

And so, even when much of the nation's attention is focused on the devastation of Hurricane Katrina, there are those this week who will cling to their determination to put across the wonders of the Maidenform Dream Bra. (Tagless, made of two-way stretch foam, it has a sweetheart neckline and is available in sizes 32A to 40DD, just so you know.) They will doggedly push the latest Robb Report findings on the highest end of the luxury market (as divined by Carol Brodie, the publication's chief luxury officer) at a Chelsea Piers event offering a select group (the only kind, really) a chance to smoke hand-rolled Zino cigars, to try on $1 million worth of jewelry and to ride in a Grand-Craft mahogany runabout and a Rolls-Royce Phantom.

And they will be pleased to explain to passers-by who stop at the Evian Pop-Up Spa on Fifth Avenue at 43rd Street how important indulgences like a hot-stone massage using only rocks soaked in pure imported Evian can be in the aftermath of tragedy.

"Especially in troubled times, when people are suffering, and you are thinking of water," said Marjan Mehrkhast, an Evian spa consultant, "it's crucial to think about your health."

Not everyone involved with Fashion Week is oblivious to outside events, of course. Among the philanthropic tie-ins for the InStyle runway show was one for hurricane relief. And a number of manufacturers have quietly made donations of clothing to the hurricane's victims.

"When these things happen, you're forced to put fashion in perspective," said Mary Gehlhar, the fashion director of Gen Art, a nonprofit organization that showcases new talent in fashion, film and the visual arts. The Gen Art show, which takes place tonight, is the culmination of 10 months' work for the young designers. Still, "you realize that fashion is important to the creative life of the city," she added. "It's an important driver of the economy, it's important to the young designers, but it's not nearly as important as basic survival when you've lost your home and everything you have."

As Marcia Ammeen, the marketing director of Neema Clothing Ltd., the owner of Halston and the maker of Haspel men's wear, which donated 1,400 pairs of trousers and 1,000 suits to hurricane victims, said, "Fashion to them is not anything right now, but we wanted to try and give them something decent besides jeans and T-shirts to get their confidence back, go look for jobs and rebuild their lives."

Early this week Diane Sustendal, a style writer who now characterizes herself as formerly of New Orleans, joined a group of volunteers at the Tabasco company in New Iberia, La., cutting up chickens and cabbage for cole slaw to help feed hundreds of refugees camped in the local city park. "There were ex-debs next to pepper pickers, caterers next to convention planners, a university fund-raiser, a dentist and men who could drive long hauls working side by side creating what would be a hot meal to distract ourselves from our problems," Ms. Sustendal wrote by e-mail. Among her problems is where to live in the months until she can go back home.

After they had finished cooking, Ms. Sustendal wrote, her small group took itself down to the local big-box store to begin putting together new wardrobes to replace the clothes they had been wearing for days. What they came up with might not have been runway material. But in the mix of funky post-storm Prada, Michael Kors and the best of Wal-Mart's sale rack, she and her friends experienced an unanticipated spike in optimism as they listened for news that might tell them whether their homes were "safe or looted or gone."
 
Roland Mouret interview

article and pic from nymetro.com

Roland Mouret Inspired

The designer on New York women, bedroom parties, and his spring collection.

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Sales and red carpet sightings have surged for Roland Mouret since he decamped from the London runway to New York four seasons ago. The French-born, London-based designer’s sensual technique has seduced many a top tier A-list lady, including Scarlett, Nicole, Sienna, Demi, and Mischa, who regularly don his dresses at events and premieres.

What it is about wearing a Roland Mouret dress that pleases and empowers women so much?


I truly love women, all women. By the time a woman puts on one of my dresses we’re already into the second part of our relationship—I’ve been thinking about her while I’ve been designing, and I know how I want her to look and feel. I think women are intuitive and can feel that.

What’s your relationship like with Sharai Meyers, the woman you spend the most time with, your creative director, and the co-owner of the label?

It was like love at first sight when we met. We just clicked. Then her husband encouraged her to work with me. And we’re like husband and wife, and the company is our baby. Sometimes we think alike, other times we fight like cats and dogs. We have two distinctly different backgrounds—she’s Scottish, and quiet, and I’m French, fiery, and, well, a guy.

Tell us a little about spring 2006.


Cole Porter’s music, George Cukor’s The Women, and Norman Parkinson’s photography were all important influences. Also key was thinking about Jean Cocteau’s journey into surrealism through his relationships, and Tarantino’s idea of a heroine. For print and color in particular we got inspired by looking at objects through water—distorted sizes and shapes—and by Chihuly’s water form sculptures. So it’s really about contradiction, about mirroring and opposing images. Shape wise, it’s micro versus macro, which means you can expect lots of colors. You’ll find grays and blacks in the collection, as well as canary yellow, raspberry, and green.

What are your favorite things to do in New York?


A great day in New York for me is to go to eat at Mexican Mama, go shopping at Jeffrey and Bergdorf, and finish off with a Broadway show. This time it’s going to be Spamalot. I am crazy about Monty Python, and my friends told me they thought of me when they saw it.

What do you think of New York women?

I love their laidback elegance. A really important part of my work is blending a New York woman’s style with French eccentricity and the quirkiness of English women. I like to combine those different looks, so the clothing has that gypsy, traveled, cultured feel.

What do you usually do post-show?

I love private bedroom parties—I’m a typical Frenchman, you might say. But I love them because they’re new, and intimate. Typically it’s just my close friends and me in my room; we lie around and have cocktails and burgers. It’s great—we kick our shoes off, loosen our clothes, and relax. This season, though, Motorola is throwing me a proper party at the 60 Thompson hotel. But I still plan on sneaking some people to my room. —Tanya Jensen-Hawver
 
So who chooses which designers will show at Fashion Week? I never understood how that process worked. it may be a silly question, but I had to ask. :blush:
 
from newyorkmetro.com

Fashion Roundtable: Our Panel Kicks Off the Week

Friday, September 9, 2005
See Also: Spring '06 Fashion Week
How do the day’s shows play to industry insiders? We assembled a small panel of experts that will call in their take each day:

panel_360.jpg
Bobbi Brown, top makeup artist and fashion industry veteran.
Freddie Leiba, stylist to the stars and Instyle magazine contributing fashion editor
Sarah Easley and Beth Buccini, the best dressed girls downtown, owners and founders of the Kirna Zabete store.
Scott Tepper, dapper (and direct) fashion director at Henri Bendel
Kate Schelter, serious fashion and vintage collector and photographer for Zac Posen, Visonaire, The New York Times, Jeremy Scott….

TODAY’S TALK…..

What are you wearing?
Kate Schelter: Black Hollywould flats with Swarovski crystals, my usual jean mini, a red YSL peasant blouse, a lederhosen-style belt, plastic beads from a thrift store, and a flower in my hair.
Scott Tepper: A Gucci blazer, Paper, Denim & Cloth jeans, and a white shirt.
Bobbi Brown: Comfortable working attire, Paper, Denim & Cloth jeans, and a t-shirt.
Freddy Leiba: White Levis, white Pumas, and an embroidered black Paul Smith shirt.
Beth Buccini: A vintage dress, Old Navy ballet flats, a crazy necklace by Georgina Goodman, and a gold Chloe Silverado bag.

What were today’s highlights?
KS: I had two hours between shooting so I went to Zac Posen’s studio to try on a dress to wear to his show. I’m very friendly with Zac and his family so it was great to see them. After that, I’d have to say, relaxing in the W lounge.
ST: Oh my dear, you’re asking me this on the wrong day, there have been none.
BB: Meeting Charles Nolan and seeing my friend Kevin Krier, who I hadn’t caught up with for ages.
FL: Catherine Malandrino’s collection coming in from Italy. (I style Catherine Malandrino’s show every season and am working with her today.) Sometimes you get some awful pieces, but today there were no shocks. Everything is beautiful so my job is so much easier.
Bbuccini: We’re doing an installation with Glam.com and I just went down to the store—it’s covered in red polka dots, and it looks darling.

Which up-and-comers do you have your eye on this season?


KS: Sari Gueron and Libertine, who are using amazing technology and Swarovski crystals in their show. Then of course the best Proenza Schouler, Zac Posen, and Marc Jacobs.
ST: We’re always very focused on the new designers at Henri Bendel. This season I’m really excited to see Jenni Kayne and Brian Reyes.
BB: He’s not a new designer, but he is to me—Charles Nolan. I put my order in for everything and the make-up is so pretty, which always makes me happy.
FL: I cannot wait to see the Libertine show. I think it’s going to be marvelous and I always love to see the Proenza boy’s collection.
BBuccini: Rodarte, who have their presentation tonight. We love them and have them in the store.

Any surprises?

KS: Just how calm and relaxed it was back stage at Esteban’s show. It was a pleasurable atmosphere back there, very unusual for fashion week.
ST: Only very unpleasant ones that I don’t want to talk about. Hopefully there’ll be some goodies tomorrow.
BB: How the models get younger, taller, and skinnier every season. I worked with a 14- and a 15-year-old and they were saying how much their mothers loved my makeup. I was horrified and kept thinking, “Get me out of here, these girls are making me feel old.”
FL: Yes! I just found out I’m styling the January and February Instyle magazine covers and have to fly out straight after the shows. This means I somehow have to call in clothes during fashion week. I’d love to tell you who I’m working with but I am afraid I’d get into trouble and it would come back and slap me in the face.
BBuccini: Having the time to take my daughter to the store for a while, to get a hair cut and do some personal vintage shopping on the Lower East Side.



Fashion Roundtable Day 2: Hype, Bad Memories, and Saturday Night

Saturday, September 10, 2005
See Also: Spring '06 Fashion Week
How do the day’s shows play to our panel of industry insiders?


panel_360.jpg
Bobbi Brown, top makeup artist and fashion industry veteran.
Sarah Easley and Beth Buccini, the best dressed girls downtown, owners and founders of the Kirna Zabete store.
Freddie Leiba, famed stylist and Instyle magazine contributing fashion editor
Scott Tepper, dapper (and direct) fashion director at Henri Bendel
Kate Schelter, serious fashion and vintage collector and photographer for Zac Posen, Visonaire, The New York Times, Jeremy Scott….

TODAY’S TALK…..

Do you think Miguel Pena, Sari Gueron, Gary Graham, Brian Reyes and Rodarte lived up to all the pre-show hype?

Scott Tepper: My team and I were at Brian Reyes and really loved it. I think there’s real talent there. We stopped going to Sari Geuron’s show as it seemed she always sent the same dress out.

Kate Schelter: I think Sari is the only one who truly delivered, it was so beautiful and poetic. Every season she takes it to another level. Rodarte were over hyped but I do think they are talented girls and they are elevating their name.

Freddie Leiba: I think the industry is so desperate for a new star that any designer with a vague promise is crowned as ‘the thing’ before they have a chance to grow and evolve. They are made king when they’ve barely put out a single collection.

Bobbi Brown: I haven’t even heard of these people. They must be that up and coming.

What’s the worst thing you’ve seen during a fashion week?

BB: Aside from the nasty, bitchy models who never crack a smile and are sourpusses? I think when during a Michael Kors runway show and the ceiling fell down on the runway. He ran out and yelled “It looks like I’ve brought the house down again.” Then he ran back and the show went on.

ST: Although poor Miguel Adrover has suffered enough I have to say his show with the sheep, no-one could ever forget that one could they?

KS: For me an empty road with no taxis when I’m laden down with cameras. For others when I see really crowed shows and people being pushed around everywhere.

FL: The badly dressed fashion people attending the shows, and those same people chewing gum and talking on cell phones with no manners. It’s absolutely hideous, shall I go on?

What are you wearing?

BB: A navy Marc Jacobs sweater, J. Crew shorts and Steve Madden flip-flops.

ST:A black Helmut Lang jacket, a black Nudie polo and black Nudie jeans.

KS: A t-shirt, a Gap skirt and some sandals I had made , copies of a pair my mother got in Mexico.

FL: A stripey Paul Smith shirt, Pumas and Kahki pants.

Where would we find you on a typical Saturday night?

BB: With my husband and friends in a great restaurant in Bayhead, New Jersey. Tonight though, there are no kids or friends; it’s our seventeenth wedding anniversary.

KS: Dinner at Bar Pitti with a group of friends and then either Saturday Night Live or the SNL re-runs.

FL: Either at the Lincoln Plaza cinema or in bed.
 
Does anyone know any open fashion shows this week? I havent had the luxury of being invited to any :(
 
Narciso Rodriguez men's new line produced in-house by him and his team will be manifactured in U.S. it's separated from his women's collection (Aeffe) and will be available at Barneys exclusively.
so let's see tomorrow
 
Article from nytimes.com

Taste and Technology Succeed on the Runway

By CATHY HORYN
Published: September 12, 2005
Everybody always wants to know the same thing: What does it take to be a success in American fashion? What combination of luck, brains, money and filthy groveling does it take to create a style that other people will think is worthwhile - will buy and invest in? It's like the formula for Coke or something. Everybody wants to know. And here, maybe, is the answer: It takes 15 years, a nicotine habit and one genial Hawaiian.


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Marilynn K. Yee/The New York Times
A layered chiffon shirtwaist dress from Brian Reyes.




Even before one knew anything about Waleed Khairzada and Julia Jentzsch, it was obvious from the clothes they presented last week that they had design experience and taste. You could tell this from the fit of a beige linen jacket with embroidered cross-stitching on the seams, and from the proportion of the pants, and the opaqueness of a white T-shirt. You didn't have to know that the fabrics came from Italy and Japan and included so-called "intelligent fabrics," like a pima cotton with antibacterial agents (so you don't have to wash a garment as often and can conserve water) and a denim made of cotton and paper that is lighter than conventional denim and sensitive to body temperature as well.

Five years ago, in his spare time, Mr. Khairzada, who was then the design director at Harve Benard, a coat and suit house on West 39th Street, drafted a business plan for a luxury-goods company that would use future technologies, which in most cases are already here. He had been working with a company that had developed a T-shirt that could upload a person's heart rate and other vitals to a satellite. You could see how something like that could have tremendous meaning to sports and medicine, but what about fashion? "This got me thinking," said Mr. Khairzada, 37. His business plan had 60 pages of financial details alone, and the support of a number of experts, including a professor at Columbia, he said. Then came Sept. 11, and no investors could be found.

A couple of years ago, though, a friend of Mr. Khairzada's, Ann Gentile, who is director of fabric research at Ellen Tracy, mentioned the plan to her cousin, Kosta Naum. Mr. Naum has business interests in Hawaii that include gardening. He wanted to invest. Then last summer, while having a cigarette outside 205 West 39th Street, Mr. Khairzada met Ms. Jentzsch, a designer with atelier training in Europe. The two met again and realized they shared a belief in the radicalism of minimalist design. One day they went up to Dia: Beacon to see Richard Serra's "Torqued Ellipses."

"Julia said, 'I could design the whole collection right here,' and I said, 'Oh, my God, so could I,' " Mr. Khairzada recalled. He laughed. "Some cheesy music must have come up in the background."

That was the beginning of Naum, the collection they presented last Thursday in Greg Mills's showroom in the garment district. The designers still have their day jobs-Ms. Jentzsch as the creative director of Philippe Adec in Paris and Mr. Khairzada as a consultant at Harve Benard. But with Naum they have at least tried to embrace the ideals of Rudi Gernreich and Issey Miyake, who said 35 years ago that the future of fashion lay in technology.

As another season of fashion shows got started last week, you couldn't help looking at the fichu collars and clam diggers and wondering: Does anyone get mad anymore? All these young designers are pouring into New York, like Ashleigh Verrier, and Kate and Laura Mulleavy from California, who have a new label called Rodarte, and presumably they have cellphones and maybe iPods and computers. They are not living in the past. So why do their clothes look as if they are?

Maybe you have to be 37 and used to working on Seventh Avenue before you get worked up enough to want to stand alone. But despite the Mulleavy sisters' ability to spin a kind of Jean Shepherd yarn about their clothes, there is a limited future in nice dresses with pinked edges. Ms. Verrier's collection, in particular, suffered from what might be called "ishness." Her attempt to give ironic twists to puffed sleeves and other old-school fripperies looked Marc Jacobsish.

Brian Reyes at least seemed to ask himself what he had to contribute to fashion. He didn't assume, simply by being 24, that he could occupy a place. A former designer at Michael Kors and Oscar de la Renta, Mr. Reyes presented his first collection last Friday, and it showed the value of experience. His simple tank tops in crinkled chiffon with softly gathered skirts - and a terrific shirtwaist dress in khaki Sea Island cotton - looked youthfully elegant. He sees fashion a bit the way Alber Elbaz of Lanvin does, but with a Latin undercurrent. And there is no irony. Irony in fashion has worn itself out.


Nicole Miller had a solid collection of Empire dresses in khaki and periwinkle brocade, with fresh takes on classic scarf prints (a long powder-blue halter dress) and exaggerated tulip skirts. Naeem Khan had the tennis ace Roger Federer in his front row, and sundresses and lightly beaded day coats that continue to strive for sophistication beyond mother-of-the-bride.

Among men's designers, Daniel Silver and Steven Cox of Duckie Brown seemed to have the most fun, cutting loose (literally) with droopy shorts and the new cropped jacket, which they showed with some great polo shirts and on fuzzy-hair models, including one whose Mohawk curled at the crest like a dollop of whipped cream.

"What's appropriate for men?" Mr. Silver said backstage, spreading his arms as if to say: "Who knows? Who cares?"

John Varvatos's crinkled, casual collection of suits and clam diggers in muddy shades was in line with the men's shows this summer in Europe, though you have to wonder why a designer of his stature and resources doesn't take a few more risks - say, as Dries Van Noten does. He sets the mood but withholds the creative fireworks. John Bartlett opened his show with two-button sharkskin suits and straw helmets that were a cross between a lion hunter's and a bobby's. An editor remarked that the styling of the collection, which featured crystal-net scarves and a brawny model in swim trunks laden with canvas travel bags, recalled early Emporio Armani shows. That's less of a dig than it appears. Mr. Bartlett is learning how to get commercial value from a hint of fashion.

Project Alabama is now five years old, and on Saturday, in the tents at Bryant Park, Natalie Chanin presented a line of sportswear - again, based on the style and craft of her native Alabama. The snug jackets and full, stenciled skirts, with flaring petticoats, were pretty, if repetitive.

By contrast, Gary Graham's many washed and frayed skirts and boned dresses displayed more inventiveness - one might even say more rebel courage. He used fabrics like pale silk organza and plain old Oxford cloth, army twill for close-fitting jackets, and as romantic as everything was, you never had the feeling it was drowning in Southern syrup.

pics from nytimes.com

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[font=Arial, Helvetica, San Serif][size=-1]Rahav Segev for The New York Times[/size][/font]
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[font=Arial, Helvetica, San Serif][size=-1]Project Alabama
An embroidered cotton dress and stenciled petticoat.

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[font=Arial, Helvetica, San Serif][size=-1]Elizabeth Lippman for The New York Times[/size][/font]
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[font=Arial, Helvetica, San Serif][size=-1]Duckie Brown
A plaid suit with short pants.[/size][/font]


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[font=Arial, Helvetica, San Serif][size=-1]Marilynn K. Yee/The New York Times[/size][/font]
[font=Arial, Helvetica, San Serif][size=-1]Ashleigh Verrier
The designer’s spring 2006 collection.

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[font=Arial, Helvetica, San Serif][size=-1]Jennifer S. Altman for The New York Times[/size][/font]
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[font=Arial, Helvetica, San Serif][size=-1]Gary Graham
A knit shrug and striped linen skirt.[/size][/font]

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[font=Arial, Helvetica, San Serif][size=-1]Hiroko Masuike for The New York Times[/size][/font]
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[font=Arial, Helvetica, San Serif][size=-1]Nicole Miller An empire dress in satin and brocade.

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[font=Arial, Helvetica, San Serif][size=-1]G. Paul Burnett/The New York Times[/size][/font]
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[font=Arial, Helvetica, San Serif][size=-1]Naum
A linen jacket with embroidered seams and soft drawstring pants.[/size][/font]
 
HauteFashion said:
So is "house of dereon" still showing?

:innocent: this is going to be the ultimate laughing stock, it is showing right?

my friend is doing the cloak show later on today.......i just called him and hes still sleeping! im sure he should be there for hair&makeup now
 
UPS Designer Runway Report
Doo.Ri...Matthew Earnest...Project Alabama...

Tuesday, September 13, 2005



(NEW YORK) Doo.Ri
Of the designers showing under the UPS umbrella, none so far has managed to attract as many megawatt press and retailers front row as Doo.Ri. And only someone trained at the right hand of the late, great Geoffrey Beene could work miracles with fabric the way she has. All the more amazing is that she limited herself to a basic palette of flesh tones, beiges, and browns, which meant that cut and construction were all-important. From the whisper-quiet layering of shaded chiffon ruffles under a quilted chiffon bolero to the back of a trench gathering into a dipped seam, or a simple dab of crystal around a raw neckline, the result was an unparalleled purity of vision. It takes real talent to design and make clothes like this so perfectly that the look is effortless.

“This was especially beautiful. We’re taking it for the store.”
—Robert Burke, Bergdorf Goodman

“She really pushed herself to do a very strong collection.”
—Julie Gilhart, Barneys New York

“Doo.Ri is so focused and sophisticated. I loved the softness on top and the structured bottoms.”
—Lesley Jane Seymour, Marie Claire

“I think it’s quite a move for her. She showed she could do tailoring and more than just jersey.”
—Sally Singer, Vogue

Matthew Earnest
Though the models’ cue cards read, “You are very clever—perhaps too clever—so sometimes you try not to be,” there was no disguising Matthew Earnest’s smart spring designs. Working with a limited palette, he toyed with notions of social uniformity, juxtaposing lively mod detailing with subdued Parisian chic: A clear plastic raincoat with yellow patent-leather binding electrified a clean black and white silk tank-and-shorts combo; irregular black Plexiglas rectangles—like stylized city skylines—spangled structured navy and cream bustier dresses. Especially showstopping was a sleek pencil skirt with midnight-blue ostrich feathers. We could get used to uniforms like these.
CAROLYN BONILHA

Project Alabama
For their New York fashion week debut, Project Alabama turned the UPS Hub into sweet home Alabama. A preteen violinist playing upbeat, farm-friendly ditties stood by the runway’s entrance. Known mostly for their appliqué and hand-sewn T-shirts, Project Alabama showed a full collection, incorporating elements like intricate metallic beadwork and airbrushing. The best looks were argyle skirts under skirts printed with a spiral burst pattern. Colors like oxblood, slate blue, and mustard gave the cowpoke-chic dresses a modern feel. Baby cardies were worn over full skirts in delightfully dizzying prints.
PETER DAVIS

http://www.fashionweekdaily.com/
 
Full Frontal Fashion on TIME WARNER NYC

this is fantastic news for everyone in manhattan who thought Full Frontal Fashion was off the air...nasty cablevision/metrotv brouhahaha etc... well - and i don't know if it's been posted BUT...

New York fashionistas have a new place to turn for their Full Frontal Fashion fix! NYC TV 25 is dedicating over 60 hours to the show's coverage of Olympus Fashion Week.

When: Today from 12am-3am and 9pm-midnight
Channel: NYC TV 25



:woot: :woot: :woot:


so happy!


http://www.newyorkmetro.com/fashion/fashionshows/schedule/13.html
 
Does anyone know what happened to Patrik Rzepski? he's supposed to have show on Sept 10th.:(
 
Zazie said:
Does anyone know what happened to Patrik Rzepski? he's supposed to have show on Sept 10th.:(

His interns finally realized that he exploits their work to get all the attention and left. :ninja:
 
faust, you're not pulling my leg are you? That sounds unbelievable...ack!:shock:

I was SO looking forward to his show this SS as he finally got some recognition for his A/W05...tragic for NY Fashion.... :cry:

Is he really an exploitative jerk? That would be contradictory to all his "Baader-Meinhof" posturing wouldn't it?
 
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Zazie,Patrik,actually,showed on Saturday ;) Despit some qualms,I quite like his style...hopefully though he's done something different than the last two seasons...something strong like his first two. I suppose,however,we'll be seeing it on his web site,only,come Milano or Paris.

Still,no news about Tess Giberson. She's not even been added to the calendar at all...even mere presentation...makes me wonder if she's even showing at all this season...or perhaps she's decided to go to Paris to show?? :woot:
 
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