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Runway Makeup F/W 07.08
- Thread starter Hanne
- Start date
Extract from makeupbag.net
Make up at Adam+Eve
... Designer Adam Lippes always asks makeup artist Romy Soleimani for something on the healthy, natural side, this season she “added an extra definement to the eye… still young and fresh, but a little more intense.” she said, smudging slate eye liner around the eyes and a gentle taupe eyeshadow into the socket before giving lashes a little help with a coat of MAC X Mascara. With candied pink cheeks and a honey gleam on her lips finishing the look, this girl’s makeup is as effortlessly stylish as her clothes.
Make up at Luca Luca
Luca Luca women aren’t wash n’ go types. She wants a blow-dry and a full face of makeup before running out the door in her fur, thank you very much. So Tom Pecheux didn’t mess around with her makeup. Every bit as haute as her couture, he pumped up the polish with graphite cat eyes that were all about “power and strength… Luca is leaning towards a tougher look this season,” said Pecheux. As if the intense carbon-rimmed eyes weren’t impactful enough as they were, he glammed up the darkness with a layer of shimmery pewter pigment and refused any color on the lips and cheeks “just to keep it form looking pretty.” She’s rich and boy, does she mean business…
Make up at Tuleh
Tuleh designer Brian Bradley always just loves a good makeup look to compliment his frocks. “This season he asked for a deep eye and lip,” said makeup artist Polly Osmond… a tricky one not to end up on eighties Versace/Avedon campaign territory, one might think? Osmond cleverly avoided going hard glamazonian by blending shadowy chocolate eyes in a round, rather than winged, shape, and popped on a peachy blush “to get away from the idea of an eighties contoured cheek.” Rusty chocolate lips were every bit lady Godiva- delicious and diva-ishly intense.
Make up at Luella Bartley
... makeup artist Diane Kendall went down the T Rex route with kohl rimmed eyes, fresh skin and fleshed out lips. “It’s not too precise, of course,” explained Kendall, sketching black kohl in a heavier line along the lower lashline than the top one, and smudging it out a bit with her finger “to make it feel more rock n’ roll.” Unsurprisingly, lashes were left bare as the skin - heaven forbid a glamorous feeling taint the street cred of Luella’s look...
Make up at Adam+Eve
... Designer Adam Lippes always asks makeup artist Romy Soleimani for something on the healthy, natural side, this season she “added an extra definement to the eye… still young and fresh, but a little more intense.” she said, smudging slate eye liner around the eyes and a gentle taupe eyeshadow into the socket before giving lashes a little help with a coat of MAC X Mascara. With candied pink cheeks and a honey gleam on her lips finishing the look, this girl’s makeup is as effortlessly stylish as her clothes.
Make up at Luca Luca
Luca Luca women aren’t wash n’ go types. She wants a blow-dry and a full face of makeup before running out the door in her fur, thank you very much. So Tom Pecheux didn’t mess around with her makeup. Every bit as haute as her couture, he pumped up the polish with graphite cat eyes that were all about “power and strength… Luca is leaning towards a tougher look this season,” said Pecheux. As if the intense carbon-rimmed eyes weren’t impactful enough as they were, he glammed up the darkness with a layer of shimmery pewter pigment and refused any color on the lips and cheeks “just to keep it form looking pretty.” She’s rich and boy, does she mean business…
Make up at Tuleh
Tuleh designer Brian Bradley always just loves a good makeup look to compliment his frocks. “This season he asked for a deep eye and lip,” said makeup artist Polly Osmond… a tricky one not to end up on eighties Versace/Avedon campaign territory, one might think? Osmond cleverly avoided going hard glamazonian by blending shadowy chocolate eyes in a round, rather than winged, shape, and popped on a peachy blush “to get away from the idea of an eighties contoured cheek.” Rusty chocolate lips were every bit lady Godiva- delicious and diva-ishly intense.
Make up at Luella Bartley
... makeup artist Diane Kendall went down the T Rex route with kohl rimmed eyes, fresh skin and fleshed out lips. “It’s not too precise, of course,” explained Kendall, sketching black kohl in a heavier line along the lower lashline than the top one, and smudging it out a bit with her finger “to make it feel more rock n’ roll.” Unsurprisingly, lashes were left bare as the skin - heaven forbid a glamorous feeling taint the street cred of Luella’s look...
Extract from makeupbag.net
Make up at Threeasfour
Threeasfour girls have their downtown DNA injected with elegance this Fall, with Gordon Espinet coming over more polished and precise than is usual for the label. Not that it’s gone totally Bergdorf’s: look closer and “there’s nothing too predictable about her,” says Espinet. True enough, he morphed black liner into an ebony’d teal or an inky burgundy, and applied it “upside down, so that the darkest part of the eye makeup is along the lower lash line rather than on the lid.” Bare lids also added an edge- “there’s something so sensual about a naked eyelid,” cooed Espinet- with liner encasing them at the inner and outer corners to bring in that superblended finish to the look. “Sure, she’s gone uptown, but she’s always got an element of cool to her look.”
Make up at Ruffian
“What Nan Kempner might have worn if spending a bit of time with Bob Dylan in the West Village,” said Ruffian’s Brian Wolk and Claude Morais of their modern Beatnik feeling for Fall. Given that this translated as lean anatomy, rock n’ roll detailing and a sense of androgyny, Rie Omoto “didn’t want the makeup to make a statement or impact. I wanted subtle, believable,” she said. A sheer butter-gold on lids and milk chocolate in the crease of the eyes, set against black lashes, were the means to this delicate end, “just giving enough dimensionso they come alive,” while lips had the whisper of a wintry flush with a well-blotted trace of wine-y Dubonnet Lipstick…Ms.Kempner after a glass of red with Dylan, perhaps.
Make up at Nicole Miller
The nomadic woman has somehow wandered into the tents at Bryant Park. “She’s been hiking,” said MAC makeup artist Christian McCullouch, as he played with earthy tones of clay, taupe and teracotta on models in fish braids and ethnic prints. “Morocco, Peru, India. These are all influences.” he continued, stippling Ladyblush and Pleasureful Blushcremes on not only cheek apples, but across the nose bridge, too, for a burnished effect. Aside from swirling a glimmery brown (Root Cream Colour Base) on lids, he left the face matte, including the lips. There was no lining, no mascara, no nothing. Who’s got time when you’re busy globe-trotting?
Make up at Yigal Azrouel
“It’s the colors of nature when they corrode.” says key makeup artist Romy Soleimani at Yigal Azrouel, describing the softly-blended charcoal brown and olive eyes tha she finely lined with a greenish-black hue. “this collection is more industrial for him.” she said of the designer’s Malevich-inspired, deconstructed pieces in somber hues. “Yigal is into layers so I layered the eyes as well.” Soleimani kept the rest of a rather pale face relatively bare, lightly brushing MAC powder on cheeks to add contour and dabbing the mouth with Flesh Lip- a new, matte balm available in concealer-like tints. topped off with a messy low ponytail, this look conveyed the effortless cool of a New York girl…one who likes to stay up late.
Make up at Threeasfour
Threeasfour girls have their downtown DNA injected with elegance this Fall, with Gordon Espinet coming over more polished and precise than is usual for the label. Not that it’s gone totally Bergdorf’s: look closer and “there’s nothing too predictable about her,” says Espinet. True enough, he morphed black liner into an ebony’d teal or an inky burgundy, and applied it “upside down, so that the darkest part of the eye makeup is along the lower lash line rather than on the lid.” Bare lids also added an edge- “there’s something so sensual about a naked eyelid,” cooed Espinet- with liner encasing them at the inner and outer corners to bring in that superblended finish to the look. “Sure, she’s gone uptown, but she’s always got an element of cool to her look.”
Make up at Ruffian
“What Nan Kempner might have worn if spending a bit of time with Bob Dylan in the West Village,” said Ruffian’s Brian Wolk and Claude Morais of their modern Beatnik feeling for Fall. Given that this translated as lean anatomy, rock n’ roll detailing and a sense of androgyny, Rie Omoto “didn’t want the makeup to make a statement or impact. I wanted subtle, believable,” she said. A sheer butter-gold on lids and milk chocolate in the crease of the eyes, set against black lashes, were the means to this delicate end, “just giving enough dimensionso they come alive,” while lips had the whisper of a wintry flush with a well-blotted trace of wine-y Dubonnet Lipstick…Ms.Kempner after a glass of red with Dylan, perhaps.
Make up at Nicole Miller
The nomadic woman has somehow wandered into the tents at Bryant Park. “She’s been hiking,” said MAC makeup artist Christian McCullouch, as he played with earthy tones of clay, taupe and teracotta on models in fish braids and ethnic prints. “Morocco, Peru, India. These are all influences.” he continued, stippling Ladyblush and Pleasureful Blushcremes on not only cheek apples, but across the nose bridge, too, for a burnished effect. Aside from swirling a glimmery brown (Root Cream Colour Base) on lids, he left the face matte, including the lips. There was no lining, no mascara, no nothing. Who’s got time when you’re busy globe-trotting?
Make up at Yigal Azrouel
“It’s the colors of nature when they corrode.” says key makeup artist Romy Soleimani at Yigal Azrouel, describing the softly-blended charcoal brown and olive eyes tha she finely lined with a greenish-black hue. “this collection is more industrial for him.” she said of the designer’s Malevich-inspired, deconstructed pieces in somber hues. “Yigal is into layers so I layered the eyes as well.” Soleimani kept the rest of a rather pale face relatively bare, lightly brushing MAC powder on cheeks to add contour and dabbing the mouth with Flesh Lip- a new, matte balm available in concealer-like tints. topped off with a messy low ponytail, this look conveyed the effortless cool of a New York girl…one who likes to stay up late.
Backstage at the Erin Fetherston show in New York, Vincent Longo shares his makeup vision for the show, as well as the makeup trends for Fall 2007.
featured on http://www.fashiontribes.com/
featured on http://www.fashiontribes.com/
Extract from makeupbag.net
Make up at Narciso Rodriguez
... along with loose hair (a first for the Narciso catwalk) came altogether simple, soft, taupey-gold lids, a little bronzer and sheer pink blush and a baby-mouth tinted lip balm. (make up by Dick Page) ...
Make up at Rodarte
... Kaliardos set about creating “a sweet young virginal girl discovering her femininity,” with soft Smurf blue eyes (MAC Paint Stick in Clear Sky Blue), fine liquid liner, translucent skin and blanked out lips. Carefully keeping color away from the brows (”too ‘I Love Lucy,’” he warned), “keep something naive and real about it,” directed Kaliardos to his MAC team. “I don’t want it looking like an old Fifties Vogue cover.”
Make up at Temperley London
... I (Charlotte Tilbury) wanted makeup reminiscent of another era and quite Eastern European, but in a modern way,” she said. In keeping with the newly neutral shades of Temperley’s collection (less colorful and embellished than we’ve come to expect) the makeup was a quietly tonal and toned down affair which gave the girls a very monochromatic beauty that still nodded towards the bohemian...
Make up at Chaiken
The rich aubergine lipstick worn at Chaiken was MAC Deep Purple, but the spirit of Tom Pecheux’s makeup was anything but Underground or Hard Rock; “they’re hip and chic young girls,” he said. To fit with the collection (”American sportswear infused with eclectic touches,” says Julie Chaiken) this strikingly pigmented mouth indeed gave a touch of eclecticism to the otherwise paired-back face (simply a dust of light taupe eye shadow and black lashes). While precise and matte, Pecheux stayed away from lip liner - “it would look too severe and hard” …and rather Hard Rock, one could imagine.
Make up at Narciso Rodriguez
... along with loose hair (a first for the Narciso catwalk) came altogether simple, soft, taupey-gold lids, a little bronzer and sheer pink blush and a baby-mouth tinted lip balm. (make up by Dick Page) ...
Make up at Rodarte
... Kaliardos set about creating “a sweet young virginal girl discovering her femininity,” with soft Smurf blue eyes (MAC Paint Stick in Clear Sky Blue), fine liquid liner, translucent skin and blanked out lips. Carefully keeping color away from the brows (”too ‘I Love Lucy,’” he warned), “keep something naive and real about it,” directed Kaliardos to his MAC team. “I don’t want it looking like an old Fifties Vogue cover.”
Make up at Temperley London
... I (Charlotte Tilbury) wanted makeup reminiscent of another era and quite Eastern European, but in a modern way,” she said. In keeping with the newly neutral shades of Temperley’s collection (less colorful and embellished than we’ve come to expect) the makeup was a quietly tonal and toned down affair which gave the girls a very monochromatic beauty that still nodded towards the bohemian...
Make up at Chaiken
The rich aubergine lipstick worn at Chaiken was MAC Deep Purple, but the spirit of Tom Pecheux’s makeup was anything but Underground or Hard Rock; “they’re hip and chic young girls,” he said. To fit with the collection (”American sportswear infused with eclectic touches,” says Julie Chaiken) this strikingly pigmented mouth indeed gave a touch of eclecticism to the otherwise paired-back face (simply a dust of light taupe eye shadow and black lashes). While precise and matte, Pecheux stayed away from lip liner - “it would look too severe and hard” …and rather Hard Rock, one could imagine.
Last edited by a moderator:
Extract from makeupbag.net
Make up at Monique Lhuillier
“Super, super blended and lots of beautifully layered textures… that’s how you get away with wearing a lot of makeup,” declared makeup artist Aaron De May at Monique Lhuillier, where “glamorous, expensive and utterly chic” was the woman he had in mind. Working up eyes in a classic smolder-y contoured shape before coating lids in MAC’s new Blackened Gold Reflex Glitter - “I’m obsessed with steel grays and anything that sparkles at the moment,” he raved. De May extended the feeling of shimmery intensity onto the lips by layering Copper and Rouge Reflex Glitters over matte burgundy Diva Lipstick. Decadent yet polished, “sure, Lhuillier is always sophisticated but I wanted her to feel really cool as well.”
Make up at Behnaz Sarafpour
The focus was on the eyes at Behnaz Sarafpour Fall 2007 runway presentation. For eye drama that picked up the color of each model’s eyes and the textures of the collection, Gucci used Lancôme Color Design Eyeshadow in Ciel du Soir and Style Section. The rest of the face was simple with a beautiful complexion, healthy cheeks (again Lancôme Magique Blush in Pink Parfait) and almost nude lips (Lancôme Color Design Lipstick in Pale Lip mixed with All Done Up).
Make up at Thakoon
In keeping with Thakoon’s wishes for an eye with a feathery line and floaty feel, Lancôme’s artistic director, Gucci Westman Neville used pink and brown shades from Destiny Cube, a new shadow palette from her fall collection. In addition, she used Lancôme Color Design Artist Palette in Stylish Neutrals, and Lancôme Magique Blush in Pink Parfait (a Makeup Bag favorite!)
Make up at Rag & Bone
Backstage at Rag & Bone the look was “‘My Fair Lady’ meets street urchin with a little biker chic thrown in,” said Lancôme’s artistic director, Gucci Westman Neville. “I balanced a wet, almost greasy eye with a matte, fresh, angelic face and lip.”
For this look Gucci used Lancôme Color Design Lipstick in Enigma (new for Fall 2007), Lancôme Magique Blush in Pink Softness, and Lancôme Color Design Eyeshadow in Backstage Pass and Pose.
Make up at Monique Lhuillier
“Super, super blended and lots of beautifully layered textures… that’s how you get away with wearing a lot of makeup,” declared makeup artist Aaron De May at Monique Lhuillier, where “glamorous, expensive and utterly chic” was the woman he had in mind. Working up eyes in a classic smolder-y contoured shape before coating lids in MAC’s new Blackened Gold Reflex Glitter - “I’m obsessed with steel grays and anything that sparkles at the moment,” he raved. De May extended the feeling of shimmery intensity onto the lips by layering Copper and Rouge Reflex Glitters over matte burgundy Diva Lipstick. Decadent yet polished, “sure, Lhuillier is always sophisticated but I wanted her to feel really cool as well.”
Make up at Behnaz Sarafpour
The focus was on the eyes at Behnaz Sarafpour Fall 2007 runway presentation. For eye drama that picked up the color of each model’s eyes and the textures of the collection, Gucci used Lancôme Color Design Eyeshadow in Ciel du Soir and Style Section. The rest of the face was simple with a beautiful complexion, healthy cheeks (again Lancôme Magique Blush in Pink Parfait) and almost nude lips (Lancôme Color Design Lipstick in Pale Lip mixed with All Done Up).
Make up at Thakoon
In keeping with Thakoon’s wishes for an eye with a feathery line and floaty feel, Lancôme’s artistic director, Gucci Westman Neville used pink and brown shades from Destiny Cube, a new shadow palette from her fall collection. In addition, she used Lancôme Color Design Artist Palette in Stylish Neutrals, and Lancôme Magique Blush in Pink Parfait (a Makeup Bag favorite!)
Make up at Rag & Bone
Backstage at Rag & Bone the look was “‘My Fair Lady’ meets street urchin with a little biker chic thrown in,” said Lancôme’s artistic director, Gucci Westman Neville. “I balanced a wet, almost greasy eye with a matte, fresh, angelic face and lip.”
For this look Gucci used Lancôme Color Design Lipstick in Enigma (new for Fall 2007), Lancôme Magique Blush in Pink Softness, and Lancôme Color Design Eyeshadow in Backstage Pass and Pose.
Couture_Tribe
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^ Thank you Hanne for all the great info.
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