The Best Photographers Of All Time | Page 3 | the Fashion Spot

The Best Photographers Of All Time

for me Helmut Newton would be the first one, as he changed fashion photography...
Paolo Roversi is the second as he is so close to paintings and he always has a story, small scenario...
and then is so many of them, Steven Meisel because he believes in "perfect woman", Bourdin because he sells image not fashion so well, Steven Klein....
 
Inez Van Lamsweerde and Vinoodh Matadin
David Sims
Vincent Peters
Indlekofer and Knoepfel
 
Michael Thompson
Carter Smith
Patrick Demarchelier
Greg Kadel
 
and..

Nick Knight, Norbert Schoener, and Thierry Le Goues Have been doing very interesting work in the past decade and beyond. . It was actually knight and schoener's work in I-D, Big and Black book in the late 90's that kept me inspired to keep shooting and tho think "outside the box" in regards to image creation.

Thierry is less known, but does great work nonetheless(www.ThierryLeGoues.com) The work he does for French is great and his most recent book, Amazones is pretty cool.


C+
 
I used to be really into Thierry Le Goues, but lately I dont see what i used to see in his work. Overall i still enjoy it..
 
I think i like Thierry because he fills a void in fashion photography with a sensibility for culture and a certain pronounced appreciation for the female body.. :woot: Im glad he is shooting. If he were not, where would i find images like that?
 
I must say Phil Poynter.
poplagemma01.jpg
 
My top 12 in no order: Irving Penn, Gordon Parks, Bill Brandt, Deborah Turbeville, Duane Michaels, Erwin Blumenfeld, Herbert List, Paolo Roversi, Robert Mapplethorpe, Dianne Arbus, Edward Steichen, Richard Avedon. Every great photographer is on a search; the talented ones die before they find what they're looking for. I've only recently gotten back into photography after four years of barely touching my camera. Why? One day I realised that only a fool tries to 'make a statement'. It's questions which made the world we live in, not answers. "Knowledge speaks, but wisdom listens" - Jimi Hendrix. "I would gladly give my life to a man who is looking for the truth. But I would gladly kill a man who thinks he has found the truth" - Luis Bunuel
 
moroder said:
One day I realised that only a fool tries to 'make a statement'. It's questions which made the world we live in, not answers.

Very true but striving to make a statement has created some amazing works of art, no?
 
Personally, I always feel that artistic statements fail both the artist and the audience, but most of all the subject... forgive me if I'm a little egocentric in casting my opinions, but I've never seen any benefit in using art as a tool for political expression (the bottom line when it comes to 'making a statement'). It always threatens to turn today's 'good cause' into tomorrow's tedious old chestnut, cf. the fur debate. Public concern is now turning into a stifled yawn.

"Only connect", said E.M. Forster, and it seems to work. Art that opens people's minds and raises their questions seems to radiate an influence that lasts for hundreds of years. Leonardo da Vinci never successfully closed any of those 'arguments with oneself' that seems to make great art. Nor did Richard Avedon. Even 'Guernica' and the incredible work of Robert Capa was poetic reportage, a mirror of what the artist has seen, rather than a direct attempt to influence political process. But what remains of Victorian Britain's attempts to unite art with progressive politics, or hysterical McCarthy-era spy flicks? Nothing but our laughter.

Don't get me wrong, social injustices have to be fought and legal and economic dilemmas have to be brought to a conclusion. But disaster strikes when artists try to use their 'creativity' to affect hard political change, rather than believing that art, in influencing how we look at ourselves and ground ourselves in what goes on around us, has the power to set us on the road to a more permanent and profound change.

Brian Eno (possibly my favourite musician and a brilliant, insightful man - just visit wired.com and take in his 'theory of culture') said in a recent interview that social progresses of the last century seemed to involve a process of the public at large bringing certain social groups further into a 'circle of empathy'. He's very active politically, but he has the smarts to voice his political beliefs in the political sphere. When he makes art, he is only an artist, and never the twain seems to meet. If more artists had taken such a stance as a lead, I wonder if John Kerry might be in office right now.
 
Im sorry Im afraid I misunderstood. I didnt realise you were talking solely about political statements. It is possible for artists and photographers to make very strong personnel statements without necesarily bringing politics into there work.
 
The fault probably lies with me, being vague about what I really meant. Speaking in a personal sense, I've never been a fan of what many would term 'bold' work, ie. decisive in it's portrayal or commentary, political or otherwise. I kind of feel that once the inquistive aspect of a work 'closes down', so to speak, the work explains itself away and ceases to intrigue. That's always been my problem with concept art; it completes itself neatly, like an math equation. When the artist has given us the answers, what's left to ruminate on? Maybe I'm nitpicking as there's obviously no hard and fast rule to creativity. In saying that 'only a fool' makes a statement, I kind of flubbed and made a statement myself. Damn!
 
I see what you mean. Diversity makes the art world so much richer though. If there were rules to creativity then creativity would cease to exist.
 
One of my all time favorite underwear photographers has to be Herve Lewis... Im amazed everytime I look at his photos and the way he shoots the underwear and the female body...I love his B/W approach and how he plays with light,,, just gonna post some his work he did for Aubade...
and if anybody likes this check also his website www.hervelewis.com
the photos are from www.aubade.com
 

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