July 19th, 2008
imdb

LOS ANGELES (AP) — A Warner Bros. executive says the Batman sequel "The Dark Knight" has taken in $155.34 million to top "Spider-Man 3" for best opening weekend ever at the box office.
The figures released Sunday show "The Dark Knight" more than $4 million ahead of the $151.1 million first weekend for "Spider-Man 3" in May 2007.
Studio distribution chief Dan Fellman says "The Dark Knight" also broke the "Spider-Man 3" record for best debut in IMAX large-screen theaters with $6.2 million. "Spider-Man 3" opened with $4.7 million in IMAX cinemas.
-ap press


When POTC 3 first came out it was on the list, by the second week it was already out. Haters and trolls on those boards are already trying to lower the score.
LOTR: FOTR was also #1 for a while before being pulled down. It's always fun watching a film overtake all others for even a moment, though.
I wish I could go again to see it in the Imax theater.I felt dirty after this movie too.
But in a different way...

5. Where was the CHARM!?!?!?! The first movie...you just felt fantastic afterwards! You had experienced a intense yet extremely rewarding ride. With the Dark Knight...I felt exhausted, dirty, cheated and upset afterwards. I understand that this was all about "the dark before the light," however...there was no perceived sense of hope at the end of the movie. I certainly don't want to see it again...and I saw Batman Begins 5 times in theaters.

Nolan also directed the previous, and excellent, “Batman Begins” (2005), which went into greater detail than ever before about Bruce Wayne’s origins and the reasons for his compulsions. Now it is the Joker’s turn, although his past is handled entirely with dialogue, not flashbacks. There are no references to Batman’s childhood, but we certainly remember it, and we realize that this conflict is between two adults who were twisted by childhood cruelty — one compensating by trying to do good, the other by trying to do evil. Perhaps they instinctively understand that themselves.
Something fundamental seems to be happening in the upper realms of the comic-book movie. “Spider-Man II” (2004) may have defined the high point of the traditional film based on comic-book heroes. A movie like the new “Hellboy II” allows its director free rein for his fantastical visions. But now “Iron Man” and even more so “The Dark Knight” move the genre into deeper waters. They realize, as some comic-book readers instinctively do, that these stories touch on deep fears, traumas, fantasies and hopes. And the Batman legend, with its origins in film noir, is the most fruitful one for exploration.
In his two Batman movies, Nolan has freed the character to be a canvas for a broader scope of human emotion. For Bruce Wayne is a deeply troubled man, let there be no doubt, and if ever in exile from his heroic role, it would not surprise me what he finds himself capable of doing.
I felt dirty and cheap, even though I'd spent a good $24...![]()

But you ARE dirty and cheap.
And I say that with love. You're juggling Bruce Wayne, Nick Naylor, Harvey Dent, Laurie and Don Draper. You're kinda busy...


I really didn't want to see the Joker...there was no likability factor to him. Not that I sympathized with Liam, but...Joker was just too repulsive to even care about.
His performance was absolutely thrilling, but I can't help but wonder if the true intentions of his performance was somewhat redirected...
I agree...it was a thought provoking movie...in fact, the parts I liked were ones involving Harvey Dent (Ekhart deserves the hype, not Ledger...Ekhart was incredible...but then again, Ekhart is always fantastic) and his dealing with trying to do what is right and his eventual downfall.I do believe that this was the point of the film, actually - to bring realism to a genre by serving as the antithesis of superhero films. I think in recent times we've seen title characters' flaws/struggles portrayed more and more extremely, and I actually think this resonates with a great amount of audiences...and TDK just brought everything to a level that one just can't help but be affected by. In the end, it actually inspires more thought than a hopeful ending -- how would society function under chaos? Under the wing of a vigilante? Under such desperate times? The film does not provide clear answers, yet it prepares us for the worst.
