Fuuma said:
Symphony of the city was an invigorating display of efficient montage and use of music. However I have issues with modernists and their idealized image of modern life and technological progress which was in full display in Ruttmann's film.
i couldn't really tell if the idealisation in the portraying of modern life was intentional, or if it looked that way to me because i got carried away by faux nostalghia again. out of curiosity i would like to see the berlin-symphony that some german tv film director made in 2002.
Fuuma said:
I saw the surrealists films at the Tate modern, which is IMHO the right context to see films like those that tend to explore visual arts possibilities through the medium of cinema instead of being "proper" films as we know them. I'd go with Visconti suggestions if I were you but do buy/rip/whatever the DVD to be able to see it in a couple of sittings.
now that you mention it, it's indeed very close to visual art (and you could probably think of more art forms like music, dance etc.), even closer to that than to narrative films. someone once told me that he always wondered why people would put paintings in their apartments like they had music play in the background, while he would prefer a framed screen constantly showing his favourite films scenes. i failed to ask what his favourite film scene would be, but i assumed it would be taken out of a narrative film and could hardly imagine that work, but if you think of those abstract films (like ruttmann's opus films or less extreme forms) it could even make sense. but not for me anyway, i'm not a fan of constantly displayed art in apartments as well as music playing in the background.. i think it would probably end as some kind of aquarium just without the fish. and you can't even feed it.
Fuuma said:
Free will: sounds like an interesting, although painful, watch.
that's why i put it off so many times. (my plan was to let acquaintances go first and have them tell me if it's bearable, but as it seems everybody had the same plan and nobody did go.)
it's probably weird

, but i always take into consideration if i want to encourage or reward the film by paying for a ticket to see it, and this one looked not like a film dealing with a subject as out of bounds as this to draw attention on itself and make the audience talk about it but like a very brave approach that did not expect to do well at the box office.
Fuuma said:
BTW I noticed you saw The beat that my heart skipped, what did you think of it?
[everyone else. spoilers.]
when i first saw it in theatre i was overwhelmed. the main reason probably being the intense performance by romain duris, but i also thought that the relations in the film were portrayed very well and nuanced (for lack of a better word), most notably the relation between tom and his father, i almost got the impression i had never seen commonplace relationships portrayed like this. it avoided the cliché very well i found. that impression diminished when i saw it again but the film still managed to impress me. the friend i watched it in theatre with said she found it rather clichéd, it being the same old concept of someone having to decide between art and his immoral old lifestyle, or rather someone being saved by living for his art or falling in love and starting a new better life or.. i don't remember. you can probably reduce the film to one of those clichés (as you always can) but i think it brought some interesting twists to it. e.g. tom wasn't really an artist, you understand he had a sincere affection for music and some talent, but there was no future for him living on art (maybe because he had it not in it from the beginning or it was a missed chance because he chose the wrong lifestyle after his mother died and he started to work for his father, i don't know.), therefor it didn't overstrain that being saved by art from immorality-thing; his developing relation with miao-lin wasn't shown as in your face either (i liked that they had left those two years out of the film completely. you didn't really know what happened after he found his father dead.) and eventually, he wasn't 'saved' at the end. now i talked my head off.

what did you think of it? i take it that you have seen it? do you happen to know the american original?