Share with us... Your Best & Worst Collections of F/W 2025.26
Another video from last night, but a really akward one.
a journalist asks her if she's arrived well and her 'manager' (I don't know, I thought her mum was her manager now?) interrupts the interviewer saying one must register beforehand for interviews. the interviewer says he did, toni looks insecure, answers the question (she says she only arrived in Germany the day before, I thought she'd been home quite some time, at least that's what her instagram implies) and then the manager interrupts again and says 'she just doesn't want it'.
awkward. and she looks so out of place and unhappy here, I feel sorry for her.![]()
^^ this is one ugly outfit.
J.Crew Style Guide February 2014
jcrew
www.facebook.com/patrick.aventurier via ToniGarrnManiaShooting avec le super model Toni Garrn , la copine de Di Caprio pour le Bijoutier Tesiro.
instagram/toni_garrn@ninabelkhir gotta work it today..#TIRED #stockholm
Vogue.fr"What is a femme fatale?" asks Vogue Paris editor-in-chief Emmanuelle Alt in her March 2014 editorial. "Is she a miracle of nature? A vamp? A master of sartorial enhancement? She's a fantasy figure, sure, but so complexly drawn that try to name just one or two of these women and you'll realize that they are all very different."
To answer the question, we called on not just one, but four generations of muses. Fashion superstar Lara Stone lays bare a troubling beauty in deep black and magnetic red for Mert & Marcus on the cover and from the flaming-hot figure of the model launched by Vogue Paris back in 2007 as she raises the temperature in tuxedos, to Jane Birkin's essentials and the magnetism of Betty Catroux, via the disturbing innocence of Marine Vacht, the muse takes shape inside the magazine. But she's not just one woman, the femme fatale is more an iconic, astounding allure that breaks all the rules. This same refusal of classic codes also runs through editorials featuring some of the biggest girls of the moment, including Natasha Poly, Edie Campbell and Karlie Kloss, who readily play with their femininity as they explore what the term really means. And no-one more so than Toni Garrn, who sacrificed her honey blonde locks live for the magazine, in favor of an assertive bob in this issue. Stunning Amazonian women have always been at home in the magazine, evidenced in this month's supplement of beautiful vintage images from Coming into Fashion, a Century of Photography at Condé Nast, a new exhibition at Paris' Palais Galliera March 1 - May 25.
Vogue Paris n°945, on newsstands February 21