US Vogue July 2003 : Demi Moore by Mario Testino

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Some eds are just good for sucking the coffee you might drop on the floor....
 
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HQ Cover + look


Fashion Editor: Tonne Goodman
Hair: Orlando Pita
Makeup: Gucci Westman


archive.vogue.com
 
"Back for Moore"
Model/Star & Designers: Demi Moore, Jack McCollough, Lazaro Hernandez & Zac Posen
Photographer: Mario Testino
Sittings Editor: Tonne Goodman
Hair: Orlando Pita
Makeup: Gucci Westman
Set Designer: Vincent Mazeau






archive.vogue.com
 
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"Beautiful Dreamer"
Fashion Designer & Models: Olivier Theyskens, Liya Kebede, Anouck Lepère, Natalia Vodianova, Élise Crombez & Eugenia Volodina
Photographers: Irving Penn (Theyskens) & Steven Klein (Models)
Sitting Editors: Phyllis Posnick (Theyskens) & Grace Coddington (Models)
Hair: Odile Gilbert
Makeup: James Kaliardos
Set Designer: Vincent Manzeau




archive.vogue.com
 
"Face of Change"
Models: Liya Kebede & Natalia Vodianova
Photographer: Craig McDean
Sittings Editor: Phyllis Posnick
Hair: Orlando Pita
Makeup: Lucia Pieroni



archive.vogue.com
 
The Meisel editorial is to die for! And love the Rochas group shot by Klein. Such a gorgeous collection.

When I look at this issue I instantly hear Crazy in Love by Beyoncé. It just came out, and I bought the single together with this issue. I remember hot summer nights reading this with the single on repeat. Especially the B-side is so good :heart: Thanks for taking me back by posting all the editorials Burbuja8910 :flower:
 
Just read the Theyskens interview. He'll always be one of my absolute favorites...I love his mind and his point of view and his sort of goofy awkwardness...all that and the impeccable clothes, to boot. An absolute true, honest-to-goodness talent.
 
Irving’s portrait of Olivier is worth the issue alone. Never crushed on any designer— however, he is outrageously beautiful and Irving captured his beauty at its peak exquisitely, and without the reliance on baring skin nor letting down his infamous locks. Of all the designers, he’s always come across the most relatable/attractive to me: He’s passionate about his work but not precious. He’s always maintained a certain level of high standard, that of which he’s held consistent to as he’s grown as a person and as a creative being. He’s not doing the same old same old 20 years later— nor given into the low standards of the current era. Beyond the physical attraction, it’s clear how his designs have grown as well while maintaining an integrity which is so attractive in an individual. And that’s a rare quality in any person.

Anyway, the weakest link of this issue is the Raymond’s “America’s Most Wanted”. I despise accessories/bags stories. Everything else is so alive with personality and so graphic in gorgeous designs. I never understood the relevance nor the appeal of Demi, but her story is admittedly charming: Even Zac is tolerably attractive in the way he’s photographed here. There was a time when Anna just let the photographers show the readers their story… Sadly these days, none of the new guard are talented enough to express such creatively, so her Vogue has to resort to telling the readers how to think and feel.

(And as usual with American Vogue, horrendous layout for the cover. At least Anna’s consistent with some things.)
 
Some backstage photos posted last year by Demi

source: instagram.com/demimoore

F8443773-E4DE-4448-AB45-8E3F15AEA080.jpeg 4F9213AE-8FBB-4437-AC10-1082D6DA4096.jpeg
 
Why Raymond Meier and Michael Thompson stopped working with Vogue??!
 
Wow. This could’ve been called the Liya issue for all I’m concerned.
 
An absolutely spectacular issue. I mean, it’s all SO good.

How the mighty have fallen!
 

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