It's actually a commentary on the cultural shift in our zeitgeist that sheds light the on the moving goal posts within the concept of luxury as plastic surgery relinquishes its exclusivity and becomes accessible to a wider array of individuals beyond our societal elitesThe print also looks like a coagulated container of liposuctioned fat in some looks.
Knowing how fashion works today, I'm not sure as to whether this a joke or not...Bethenny Frankel-core
It's actually a commentary on the cultural shift in our zeitgeist that sheds light the on the moving goal posts within the concept of luxury as plastic surgery relinquishes its exclusivity and becomes accessible to a wider array of individuals beyond our societal elites
That might actually do a lot for the visibility of her work and might help her fully shake off the "replacement" status the press impose on her.Thought at this age, putting on the big shows like mcqueen the man did for the instagram/social media crowd would have helped them grow the brand. Atleast by having more buzz. I'm sure her clothes would feel even more mcqueen with that kind of presentation and its not like she doesnt have a strong point of view to build a grand set around from. If some brands' basic clothes deserve intricate presentations, why not sarah's actually designed and perfectly tailored offerings.
i would have to disagree. her oeuvre has been mostly pitiful since at least 2017, at least when it comes to womenswear.Her designs, all across the board, are more than strong enough to hold their ground against a theatrical setting.
In truth, it's mostly because her work became very formulaic: frock coats, lace dresses, leather corsets, taffeta gowns, braided hair, symmetrical prints, combat boots, red everywhere.i would have to disagree. her oeuvre has been mostly pitiful since at least 2017, at least when it comes to womenswear.
i would have to disagree. her oeuvre has been mostly pitiful since at least 2017, at least when it comes to womenswear.
I actually think that she has found the right formula for her.That might actually do a lot for the visibility of her work and might help her fully shake off the "replacement" status the press impose on her.
Her designs, all across the board, are more than strong enough to hold their ground against a theatrical setting. Imagine Coperni's robot show, Courrèges' clouds, Balenciaga's snowstorm with Burton's clothes.
McQueen has had the same show producer, Gainsbourg and Whiting, since 1995, so I'm sure they know how to execute an unconventional show. Of course, the showmanship would really have to be more than a fancy set to work.
My question is, however, whether Kering would be willing to allow a smaller house like McQueen to overshadow Balenciaga, Gucci or Saint Laurent