Akira Isowaga
maybe his clothes do not have a strictly child-like aesthetic because the craft involved is elaborate, but i think he is trying to capture and allude to the innocence, whimsy and androgyny of childhood in his designs.
this is an explanation of his exhibition, and some pictures (from the www.theage.com.au and www.akira.com.au
" “This” is the Akira Isogawa Printemps-Ete 2005 exhibition, opening today in the centre’s Contemporary Projects Gallery. It’s a gently surprising expose of fashion’s process, dominated by Isogawa’s current muse, a pretty French paper doll dating back to the early 20th century. “I liked its androgynous quality,” explains the soft-spoken designer, who migrated to Sydney from Kyoto almost two decades ago. “It does not specify male or female, is very neutral, so does the same job as a blank canvas.”
In the middle of the huge, hollow gallery space, there are also 23 giant replicas of a paper doll Isogawa found in a Glebe flea market. They are tall as trees and appear to float, suspended and anchored by silver wires in a wide, navigable circle that spirals into a central display of finished garments on mannequins. Each towering “doll” is a photorealistic model of the original, “dressed” by the designer in a carefully composed collage of found objects and flea market "
maybe his clothes do not have a strictly child-like aesthetic because the craft involved is elaborate, but i think he is trying to capture and allude to the innocence, whimsy and androgyny of childhood in his designs.
this is an explanation of his exhibition, and some pictures (from the www.theage.com.au and www.akira.com.au

" “This” is the Akira Isogawa Printemps-Ete 2005 exhibition, opening today in the centre’s Contemporary Projects Gallery. It’s a gently surprising expose of fashion’s process, dominated by Isogawa’s current muse, a pretty French paper doll dating back to the early 20th century. “I liked its androgynous quality,” explains the soft-spoken designer, who migrated to Sydney from Kyoto almost two decades ago. “It does not specify male or female, is very neutral, so does the same job as a blank canvas.”
In the middle of the huge, hollow gallery space, there are also 23 giant replicas of a paper doll Isogawa found in a Glebe flea market. They are tall as trees and appear to float, suspended and anchored by silver wires in a wide, navigable circle that spirals into a central display of finished garments on mannequins. Each towering “doll” is a photorealistic model of the original, “dressed” by the designer in a carefully composed collage of found objects and flea market "






